Latest Music Software News
- 50% Off McDSP Boxed Products 12 Feb 2012, 7:42 am
Thoughout February, McDSP offers certain of its boxed bundles half priced. - Tekky Synths releases ZeNeRyC v2.0 12 Feb 2012, 2:15 am
Read the full story @ KVR Audio Tekky Synths has updated ZeNeRyC to version 2.0, which integrates a new scaling system developed by Tekky Synths. ScaLer creates scales from inputed keys and enhances. […] - Rhythmic Robot releases Typewriter for Kontakt 12 Feb 2012, 2:12 am
Read the full story @ KVR Audio Rhythmic Robot has released Typewriter, a sampled instrument for Kontakt. Typewriter is a sampled version of a 1920s Imperial wide-carriage typewriter. It includes a p. […] - Digital DJ Tools Dubby 12 Feb 2012, 1:52 am
Dubby is a free software virtual instrument for Mac and PC. - XILS-lab Le Masque: Delay 11 Feb 2012, 1:48 pm
Music software company XILS-lab announces availability of its first effects plug-in — in collaboration with Le Lotus Bleu (Laurent Bourgeon). - Sonokinetic releases "Vivace - Cinematic Orchestral FX and Textures" for Kontakt and Kontakt Player 11 Feb 2012, 3:28 am
Read the full story @ KVR Audio Sonokinetic has announced the release of Vivace, a new Cinematic Orchestral FX and Textures sample library programmed for Kontakt 5 and the free Kontakt 5 Player. It c. […] - Voxengo Soniformer 3.3 11 Feb 2012, 1:32 am
Voxengo Soniformer version 3.3 update is now available for download. - Steinberg Padshop 10 Feb 2012, 2:04 pm
Steinberg today announced their latest VST instrument, Padshop. - Sound Magic Neo EQ 1.1 10 Feb 2012, 1:33 pm
Sound Magic has updated Neo EQ to v1.1 - The CoreStylerz updates Hardcore Kicks VSTi 2 to v2.0.1 10 Feb 2012, 6:48 am
Read the full story @ KVR Audio The CoreStylerz has updated Hardcore Kicks VSTi 2 to version 2.0.1. Changes: Fixed : Issue on expansions. Fixed : Does not show registered to in information. Fixed : S. […]
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Compressor is a VST plugIn for the reduction of the dynamics of an input signal. Compressors achieve this goal by analyzing the amplitude envelope of the incoming signal and reducing the gain when the signal exceeds a certain threshold. This reduces the amplitude of the peaks in the audio signal. Now the signal can be amplified further without clipping/distortion. So at the end of the day we have a signal in which the loud parts stay as they are and the quiet parts are amplified. This increases the overall loudness of the signal.
