Latest Music Software News
- Learn Max for Live and Control Ableton: Exclusive Book Excerpt Download and Discount 4 Dec 2013, 1:18 pm
Max for Live represented an important milestone in music making software. It paired one of the most popular music production tools, and easily the most popular real-time workflow, with one of the most. […]
- Glitchmachines launches Polygon 4 Dec 2013, 2:50 am
Polygon is a quadruple advanced sampler for Mac and PC designed for sound effet creation.
- XILS-lab updates XILS 3 to v1.5.4 (incl. 32/64-bit AAX compatibility) 4 Dec 2013, 2:38 am
XILS-lab has updated the matrix-based XILS 3 synthesizer to version 1.5.4, adding AAX compatibility. This is a free upgrade for all full version XILS 3 owners. Changes: AAX for OS X 32- and 64-bit. A. […]
- COMB-I, free processing chain for Reaktor 4 Dec 2013, 2:20 am
Multiples Pro offers COMB-I, a new free add-on for Reaktor that combines 5 effect processors.
- HoRNet updates MultiComp to v1.3 adding VST3 support 4 Dec 2013, 2:00 am
HoRNet has updated MultiComp, its versatile compressor with three different compression models, to version 1.3.0, adding VST3 support. The update is free for previous owners of the plug-in. Price: â‚. […]
- IK Multimedia releases iRig KEYS PRO and iRig KEYS with Lightning connector 3 Dec 2013, 2:25 pm
IK has announced the expansion of the iRig KEYS line with two new products for mobile musicians: iRig KEYS PRO and iRig KEYS with Lightning connector, compact MIDI keyboard controllers with 37 veloci. […]
- A DIY Multitouch Music Controller, monome-Style, Built From Scratch [Instructables, Arduino] 3 Dec 2013, 11:48 am
Complete with color LED display and interactive sensing, this clever DIY project from Amanda Ghassaei is the real deal: a multitouch table used for music, constructed from scratch. And step-by-step in. […]
- 112dB updates 64-bit plugins - new skin for Big Blue Compressor 3 Dec 2013, 7:31 am
112dB has updated its 64-bit plugins Redline Reverb, Redline Monitor, Big Blue Limiter and Big Blue Compressor to version 1.0.8, 1.0.6, 1.1.2, and 1.0.2. Big Blue Compressor features a brand new alte. […]
- Virharmonic releases "Soloists of Prague" for UVI Workstation 3 Dec 2013, 6:34 am
Virharmonic has announced the release of Soloists of Prague, a new virtual instrument powered by the free UVI Workstation. Here's what they say: "Soloists of Prague is a word building solo library of. […]
- Blue Cat Audio updates "PatchWork" and "MB-7 Mixer" VST Hosting Plug-ins and announces December Deals 3 Dec 2013, 5:32 am
Blue Cat Audio has updated its two plug-ins that can host VST plug-ins, Blue Cat's PatchWork and Blue Cat's MB-7 Mixer. This update mainly brings plug-in compatibility improvements, as well as perfo. […]
CMT Bitcrusher is an easy to use, opensource distortion / bit crusher / downsampler plug.
JB TimeMachine is a VST plugin that provides accurate reproduction of the characteristic sound of vintage samplers, such as the Commodore 64, or older Akai samplers. The (virtual) sampling rate can be varied, as well as the number of bits used for digital representation. furthermore, aliasing distortion can be generated individually for AD and DA conversion.
Bit/Rate-Reducer vst audio effect with pre- and after cutoff filters. Runs on most vst hosts. Gives you the ability to create Daft Punk like chord sounds, cool lofi beats and more. Version 2 now comes with 3 interpolation algorithms, lp/hp filters, 2 bit reducers and improvements!
CamSR and ArkeCode
Float Crush is a new type of bitcrusher exploiting the nature of the floating point unit. It offers something the regular bitcrusher canâ€™t; a dual flavor distortion.
What does Float Crush do?
A floating point unit has three important segments to it, the sign, the exponent, and the mantissa. A normal 32-bit float uses 23 bits for itâ€™s mantissa values and 7 bits for itâ€™s exponent.
What Float Crush does is applies quantization to the exponent and mantissa range of bits, the same quantization a normal bitcrusher would. But the difference is this creates a multi-staged effect, where quantizing the mantissa range brings a soft, airy texture, and the exponent range which can completely â€˜rearrangeâ€™ the sound.
Thereâ€™s only a few presets but try it out for yourself. When adjusting the exponent effect, you might notice the signal gets softer, if that happens use the Pre-Gain control to compensate.
thrummaschine is a 3-band distortion effect with independant, LFO-driven filters. Make your bass, mid and high frequencies oscillate at different speeds, shapes and pan, with whatever flavour and level of distortion you dial in for each band- 3 user-defined bands for bass, mid and high freqencies, with overlap if required- 3 filters with tempo-sync LFO, for each freq band- overdrive, distortion and bitcrush effects- send level for each band to each effect- pan and volume for each band!!WARNING!! Thrummaschine is capable of nasty loudness if you push the settings hard, keep volumes low while you play with the controls
This FX VST is the same Bipolar Distortion found in the War Drumz VSTi. A filter/bitcrasher/distortion effect which sounds especially good on drums. It comes with 20 presets.
Eat Me is a Stereo Bit Crusher
A simple bitcrusher plugin.
Flanging, bit crunching, distortion effect inspired by the Alesis Bitrman f/x unit.
Very simple but effective Feedback / Aliasing FX with Sample-Rate Reduction.
Applies a simple algorithmic sequencer to downsampling settings.
A single-stream quasi-synchronous granulator which also features an analog filter to further manipulate the sound with a smooth lowpass, phatpass(with some big bottom end) and highpass formant hybrid settings. The sonix interface is very easy on the eyes and the gui gives sonix the look of hardware rather than software.All the main controls can be automated of course so you get ‘full control’over your audio grains, and metering is courtesy of a standard rms sensing VU which monitors the mono input level only.
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