Latest Music Software News
- Nassen RaX'n'TraX 1.4.9 2 Sep 2010, 4:35 pm
Nassen has updated RaX'n'TraX to version 1.4.9. - Kuassa Amplifikation One Update 2 Sep 2010, 4:33 pm
Kuassa has updated Amplifikation One to v1.1. - Plektron Guitar Amp Update 2 Sep 2010, 4:32 pm
Plektron has announced an update to its Guitar Amp amplifier simulator and multi-fx plug-in for Windows. - Hidenori Matsuoka Guitar Kit 2 Sep 2010, 4:31 pm
Hidenori Matsuoka has announced the release of Guitar Kit, a tool for searching guitar chord fingering patterns on the iPhone, iPod touch, and iPad. - Peavey AmpKit, AmpKit+ & AmpKit LiNK 2 Sep 2010, 4:22 pm
Peavey Electronics and Agile Partners have announced that the AmpKit and AmpKit+ Apps are available now on the Apple iTunes App Store. - Ohm Force Studio Teaser 4 2 Sep 2010, 2:31 pm
Part 4 of a 5 part series demonstrating Ohm's Studio- an online collaborative sequencer. - AudioSpillage updates DrumSpillage to v1.1 2 Sep 2010, 7:54 am
2nd September 2010: AudioSpillage has updated its DrumSpillage percussion synth plug-in to version 1.1. New Features: Improved support for automation recording and editing. Choke groups (12 groups ava. […] - Nassen updates RaX'n'TraX to v1.4.9 2 Sep 2010, 7:49 am
2nd September 2010: Nassen has updated RaX'n'TraX to version 1.4.9. Changes since v1.4.1: Drag "Key"-event to MONO panel. Extended window to draw Notes/Velocities in MONO panel (double-click on Note/V. […] - Sonic Reality releases Neil Peart Drums Vol. 1: The Kit 2 Sep 2010, 7:35 am
2nd September 2010: Sonic Reality has announced the release of Neil Peart Drums Vol. 1: The Kit, a music software recreation of the massive DW drum kit of legendary drummer of Rush, Neil Peart. It com. […] - HyperSynth releases SIDizer 2 Sep 2010, 7:30 am
2nd September 2010: HyperSynth has announced the release of SIDizer, a new emulation of the legendary SID chip in the form of a modern software synthesizer plug-in. Using circuit modeling technology,. […]
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Dominion is a tool to shape the envelope of a signal, giving you total control of the signal’s attack & sustain phase.
Features:
- Envelope section. Adjust attack & sustain independently, regardless of input level. Plus, you have control over the envelopes’ time constants. Imagine pulling a drummer up front or pushing him to the background by dragging just a single slider! Feel like moving the walls around him? Again, a single push enhances the room information or can make the sound really dry.
- Saturation stage. The plugin can help to reduce harshness often associated with digital recordings, giving back some warmth and life to your source by modelling classic analog equipment. The tonal character stays adjustable within a broad range.
- High frequency details section. Similar to classic exciter circuits, this section allows you to brighten up a signal, giving transparency and depth by generating additional harmonics.
- Non-clipping output stage. Like the endorphin compressor, a brickwall waveshaper circuit ensures that the output won’t exceed -0.1dBFS, while remaining sonically clean.
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A simple ADSR envelope plugin, triggered with MIDI notes.
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envy is a two channel, midi-triggered volume envelope plug with added features
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Blue Cat’s Digital Peak Meter is a simple yet powerful signal analysis tool: it measures the peak value of the signal and lets you record it as an automation curve, as well as the fact that your signal clips (’clipping’ occurs when the signal is higher than the maximum value accepted by your audio system).
Thanks to this unique feature you can use your audio signal to control other effects: just copy and paste the generated automation envelope and assign it to any parameter of any effect on any track of your project. Many customers have successfuly used it for automated video processing: your audio track is now able to control your video effects! And your guitar is now able to influence your drums track…
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Envelope-Designer is a plugIn with which you can adjust the relative amount of the attack transients and the sutained/release components in a signal. For the detection of the transient component there are 2 envelope-followers with identical release times and different attack times. The difference between the envelope with the fast attack time and the envelope with the slow attack time yields a control signal, which has significant amplitudes only when the incoming signal is in some “transient” state. This is because the difference between the envelope-followers with fast and slow attack tends to zero in a sustained phase. Multiplying this control signal with the incoming signal yields a signal, which contains the transient component. The extraction of the release component is similar: it is done with two envelope followers with identical attack times a different release times. The difference between the envelope with the slow release time and the envelope with the fast release time has significant amplitudes for decaying signals. Multiplied with the incoming signal, we have extracted the release component. Now we can adjust the relative amplitudes of these two signal components seperately.
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Mutine is 2 envelope followers and 2 lfo’s, that triggers volume or cutoff
Envelope followers can be set to follow left channel, right channel or both.
The effect can also be set to apply on left, right or both channels.
That way, you can use Mutine on a group channel, with for instance, a drum on left that triggers envelope follower, and a pad on right, that will be chopped by drum pattern.
Mutine also responds to midi notes
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When the threshhold is crossed, a swell is triggered. Can be used to alter the attack / decay characteristic of the input, such as to add punch to individual drums.
