Latest Music Software News
- SONiVOX Eighty Eight – Grand Piano 13 Mar 2010, 12:51 pm
SONiVOX announced the release of their Grand Piano Virtual Instrument, Eighty Eight, conceived and designed as a virtual embodiment of a Steinway CD 327 grand. - Music Notation on Word 13 Mar 2010, 12:40 pm
musicnotationformsword.com announced the release of Music Notation for MS Word, a music notation editing product that allows musicians to embed, edit and publish music notation in Microsoft Word envir. […] - LePou Plugins LeGion 13 Mar 2010, 12:32 pm
LePou Plugins has released LeGion, a free high gain preamp simulator VST effect plug-in for Windows. - zplane Elastique Pitch Plugin 13 Mar 2010, 12:17 pm
zplane has announced that a new version of the Elastique Pitch Plugin is available for download. - Mutools MU.LAB 3 13 Mar 2010, 12:12 pm
MUTOOLS has announced MU.LAB 3: A pre-release version of MU.LAB 3 is already available for download for Windows and Mac OS X. - rs-met CrossOver 12 Mar 2010, 2:25 pm
rs-met has released CrossOver, a new free VST effect plug-in for Windows that replaces rs-met's older Crossover 3-Way plug-in - CrossOver now allows for splitting into up to 4 bands. - Voxengo SPAN 2.0 12 Mar 2010, 2:21 pm
Voxengo SPAN 2.0 is now available for download - SPAN is a freeware real-time "fast Fourier transform" audio spectrum analyzer plug-in for professional music and audio production applications. - VSL Collections Updates 12 Mar 2010, 2:09 pm
VSL has released updates for the Vienna Instruments, Vienna Imperial and Vienna Suite plug-ins. - MeldaProduction Updates All Effects Plugins 12 Mar 2010, 2:07 pm
MeldaProduction has released updates for all its effect plug-ins. - MUTOOLS Announces MU.LAB 3; Pre-release Version Available for Download 12 Mar 2010, 5:05 am
12th March 2010: MUTOOLS has announced MU.LAB 3. A pre-release version of MU.LAB 3 is already available for download for Windows and Mac OS X. New in MU.LAB 3: Function shortcuts: Map a key or MIDI ev. […]
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Dominion is a tool to shape the envelope of a signal, giving you total control of the signal’s attack & sustain phase.
Features:
- Envelope section. Adjust attack & sustain independently, regardless of input level. Plus, you have control over the envelopes’ time constants. Imagine pulling a drummer up front or pushing him to the background by dragging just a single slider! Feel like moving the walls around him? Again, a single push enhances the room information or can make the sound really dry.
- Saturation stage. The plugin can help to reduce harshness often associated with digital recordings, giving back some warmth and life to your source by modelling classic analog equipment. The tonal character stays adjustable within a broad range.
- High frequency details section. Similar to classic exciter circuits, this section allows you to brighten up a signal, giving transparency and depth by generating additional harmonics.
- Non-clipping output stage. Like the endorphin compressor, a brickwall waveshaper circuit ensures that the output won’t exceed -0.1dBFS, while remaining sonically clean.
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A simple ADSR envelope plugin, triggered with MIDI notes.
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envy is a two channel, midi-triggered volume envelope plug with added features
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Blue Cat’s Digital Peak Meter is a simple yet powerful signal analysis tool: it measures the peak value of the signal and lets you record it as an automation curve, as well as the fact that your signal clips (’clipping’ occurs when the signal is higher than the maximum value accepted by your audio system).
Thanks to this unique feature you can use your audio signal to control other effects: just copy and paste the generated automation envelope and assign it to any parameter of any effect on any track of your project. Many customers have successfuly used it for automated video processing: your audio track is now able to control your video effects! And your guitar is now able to influence your drums track…
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Envelope-Designer is a plugIn with which you can adjust the relative amount of the attack transients and the sutained/release components in a signal. For the detection of the transient component there are 2 envelope-followers with identical release times and different attack times. The difference between the envelope with the fast attack time and the envelope with the slow attack time yields a control signal, which has significant amplitudes only when the incoming signal is in some “transient” state. This is because the difference between the envelope-followers with fast and slow attack tends to zero in a sustained phase. Multiplying this control signal with the incoming signal yields a signal, which contains the transient component. The extraction of the release component is similar: it is done with two envelope followers with identical attack times a different release times. The difference between the envelope with the slow release time and the envelope with the fast release time has significant amplitudes for decaying signals. Multiplied with the incoming signal, we have extracted the release component. Now we can adjust the relative amplitudes of these two signal components seperately.
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Mutine is 2 envelope followers and 2 lfo’s, that triggers volume or cutoff
Envelope followers can be set to follow left channel, right channel or both.
The effect can also be set to apply on left, right or both channels.
That way, you can use Mutine on a group channel, with for instance, a drum on left that triggers envelope follower, and a pad on right, that will be chopped by drum pattern.
Mutine also responds to midi notes
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When the threshhold is crossed, a swell is triggered. Can be used to alter the attack / decay characteristic of the input, such as to add punch to individual drums.
