Latest Music Software News
- SONiVOX Eighty Eight – Grand Piano 13 Mar 2010, 12:51 pm
SONiVOX announced the release of their Grand Piano Virtual Instrument, Eighty Eight, conceived and designed as a virtual embodiment of a Steinway CD 327 grand. - Music Notation on Word 13 Mar 2010, 12:40 pm
musicnotationformsword.com announced the release of Music Notation for MS Word, a music notation editing product that allows musicians to embed, edit and publish music notation in Microsoft Word envir. […] - LePou Plugins LeGion 13 Mar 2010, 12:32 pm
LePou Plugins has released LeGion, a free high gain preamp simulator VST effect plug-in for Windows. - zplane Elastique Pitch Plugin 13 Mar 2010, 12:17 pm
zplane has announced that a new version of the Elastique Pitch Plugin is available for download. - Mutools MU.LAB 3 13 Mar 2010, 12:12 pm
MUTOOLS has announced MU.LAB 3: A pre-release version of MU.LAB 3 is already available for download for Windows and Mac OS X. - rs-met CrossOver 12 Mar 2010, 2:25 pm
rs-met has released CrossOver, a new free VST effect plug-in for Windows that replaces rs-met's older Crossover 3-Way plug-in - CrossOver now allows for splitting into up to 4 bands. - Voxengo SPAN 2.0 12 Mar 2010, 2:21 pm
Voxengo SPAN 2.0 is now available for download - SPAN is a freeware real-time "fast Fourier transform" audio spectrum analyzer plug-in for professional music and audio production applications. - VSL Collections Updates 12 Mar 2010, 2:09 pm
VSL has released updates for the Vienna Instruments, Vienna Imperial and Vienna Suite plug-ins. - MeldaProduction Updates All Effects Plugins 12 Mar 2010, 2:07 pm
MeldaProduction has released updates for all its effect plug-ins. - MUTOOLS Announces MU.LAB 3; Pre-release Version Available for Download 12 Mar 2010, 5:05 am
12th March 2010: MUTOOLS has announced MU.LAB 3. A pre-release version of MU.LAB 3 is already available for download for Windows and Mac OS X. New in MU.LAB 3: Function shortcuts: Map a key or MIDI ev. […]
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The Classic Auto-Filter is an analog modeled four-pole filter with resonance control. It can be used for creative effects like auto-wah-wah and filter sweeps, as well as a fixed filter for equalizing purposes. The filter is selectable between low-pass, high-pass, band-pass and band-reject (notch). The filter cut-off frequency can be modulated from the envelope follower and the LFO.
Key Features
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Modulated four pole filter with resonance | |
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Syncable LFO with sine, random-hold and stereo spread | |
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Envelope follower with adjustable attack and release | |
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Presets | |
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Very low CPU usage | |
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Supports sampling rates on and above 44100 Hz | |
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Full VST automation |
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Features
* SH-1 Graphic EQ
* SH-1 Delay
* SH-1 LFO Multi
* SH-1 Reverb
* SH-1 PhaseShifter
* SH-1 Chorus (Chorus/Flanger)
* SH-1 Filter (Lo-Hi Pass Filter)
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Turning the central button on the sweet side, decreases the transients amplitude. On the bitter side, the transients amplitude is magnified. Bitter-Sweet also features a control for the signal to be processed. When the main position is engaged, the process affects the stereo signal. If Center is engaged, only the M signal of the internal MS matrix is processed. If stereo is selected, only the S signal from the MS matrix is processed. Three transient detection modes can be selected. A varying period of integration for transients can be accessed. A Link function is available to compensate the output gain regarding the transient processing setting.
As all Flux:: plug-ins it features 64 bit floating point processing, up to 8 channels and up to 8 FS (384 KHz). Center and Stereo Modes are only available in stereo (2 channels) processing.
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The Delta Series is a plug-in toolkit containing five free plugins that encompass filtering, distortion, phasing, delays and spatialisation.
The Delta Series are available for Mac and Windows VST format. The Macintosh versions are Universal Binaries and require 10.4 or higher to run.
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This VST-plugin is an 8-band filterbank with adjustable volume and frequency for each band, a bandwidth control for all bands and a bypass switch.
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GLow is a resonant low-pass filter. It has three simple controls and one useful purpose. It filters out frequencies above a user-defined cut-off frequency, and adds variable amounts of resonance at that point.
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SubFilterII is an expanded version of the original SubFilter plug-in with a wider range of cutoff frequencies. SubFilterII has a selectable cutoff slope of -12, -24 or -36dB/Octave and a cutoff frequency variable from 10Hz to 1KHz. The filter is extremely useful for removing thumps, bumps and low frequency rumble noise from your audio. The filter has 2 controls: cutoff slope and cutoff frequency. The passband is flat (Butterworth filter) and has unity gain. In addition to audio cleanup tasks, SubFilterII can be used with HyperFilter (below) to create “am radio”, “megaphone” and other classic sounds.
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Warm and clean sounding Resonance Filter Modul:
* 24 dB lowpass filter
* 12 dB bandpass/highpass filter
* MIDI learn (resonance, cutoff)
* parameter smoothing
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Features
* SampleSlider
- utility for delay fix
- CC 94 delay length
* StereoStretcher
- stereo expander++ included phase inverter
- It can convert MONO signal into STEREO signal
- CC 10 panpot
* SFilter
- 8-type stereo IIR filter inherited from SH-1 Filter
- CC 71 resonance
- CC 74 cut off frequency
* SDynamics
- stereo compressor/expander/limiter based on T-SLEDGE
* SonicChorus
- 2-band multi phase chorus(4-type & 2-type lfo)
- Because of delay of the plugin(25-sample delay) if you want to use it as normal chorus, I recommend to use as insert effect.
* SLF
- variable wave form LFO panning tremolo
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Ohmforce
Frohmage is a multi-band resonant filter. It can offer some unique sounds, from slow and deep filter sweeps to the most savage tones with high resonance setting and heavy distortion.
Features:
- Highly resonant low-pass filter.
- Cutoff frequency unit selection : Hz or musical note.
- Up to 15 additional bands, harmonically distributed.
- Delay on each band for unique phaser effects.
- Distortion stage, with two routing schemes.
- Very fine MIDI control (PRN and NPRN sent or recorded by Frohmage are 14-bit accurate).
- Low CPU load.
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Pan-Oh!-Rama is an LFO driven Auto-Panner/Tremolo/Dual Filter.
Features:
- 6 LFOs using 18 waveshapes for modulation.
- Dual filterbanks using 6 filter types.
- Easy modulation routing.
- 24 built in presets.
- Comes in both Mono and Stereo versions.
- Detailed manual included.
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SVF2 is a 2-pole State Variable Filter (12 dB/oct) which gives the user the option of using low pass, band pass, band reject, high pass, or peak filter output for each stereo channel. More importantly, the user can morph between filter types as he sees fit, and modify the order in which each filter type morphs into the next. This can result in some truly dramatic phase effects, making the SVF2 a powerful creative tool.
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Bugpass is a a dual-function plug-in. Its primary job is to serve as a bandpass filter, with sliders which enable a quick visual reference to the size of the frequency band being passed through. However, by reversing the sliderpositions, BugPass will also serve as a notch filter, eliminating frequencies between the sliders while leaving the remaining frequencies intact.
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Crayon Filter is a multi-band filter plug-in. The band controls allow you to add a type of filter to the output of the signal. You can engage up to five filter types at once (one of each type). Low Pass attenuates high frequencies, giving your sound a “dull” feel. Band Pass attenuates both above and below the cutoff frequency, for a “thin” or “nasal” sound…
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The MP5D is a filter plugin with separate lfos for modifying the cutoff and resonance dynamically. • Multipass Filter for LP, HP, BP, Notch and Peaking
• LFO for Cutoff with a max. speed of 2Hz
• LFO for Resonance with a max. speed of 2Hz
• Master Section with Clipping
• The LFO Depth set is calculated by the settings for Cutoff/Resonance and will have a maximum range of the value between the Cutoff/Resonance settings and the highest (if higher than 50%) or the lowest (if lower than 50%) value, so that the LFO spins around the set value for Cutoff/Resonance.
An Example: If is set a Cutoff value of 75% and the Cutoff LFO-depth is set to 100%, the LFO will spin the cutoff between 50% and 100% with the set value for LFO-speed. That means, that a set value for Cutoff/Resonance of 0% or 100% will not affect a LFO modulation.
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The FD STEREO is a filter delay with separate controls each stereo channel. The delayed sound is sent over a filter, that can be mixed between Lowpass and Bandpass to modify the sound. The step control is based upon the playing speed of the host.
• Step-controlled Delay (1-16)
• Feedback control
• Separate controls for each stereo channel
• Dry/Wet control
• Delayfilter cutoff and resonance
• Adjustable Lowpass/Bandpass mix
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Fyltox Solo is a stereo multi-filter for live performance
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2 band, full parametric, Hi-shelf, Lo-shelf, Eq filter with internal 4-time oversampling and speaker protection
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de la Manchakitchen sync is a tempo-sync complex LFO that modulates 4 functions- 4 state filter (LP, HP, BP, notch)- flanger- volume- panningfeatures- tempo-sync LFO with multiple waveforms modulated by second LFO and/or ADSR envelope- both LFOs can be synced to start cycle by any midi note on message- ADSR envelope can be triggered by any midi note on message- 4 effects can be modulated: filter cutoff, flanger, volume, pan- LFO 1 phase, depth and offset can be different for each effect- LFO 2 phase, strength and origin can be different fo each effect- ADSR envelope is independant for each effect- LFO depth can be randomised each cycle- full midi CC / midi learn- plugin wet/dry mix control
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sfilter creates a stepped filtered sequence, to create gating, sweeps or rhythmic modulation of filter cut-off. It uses a variable state filter, varying between 2 adjustable cut-off values according to a tempo-sync’d step sequencer. An LFO can also modulate the filter for extra movement
features
- tempo-sync step sequencer, with 2 to 32 steps over a sequence length of 2 to 32 beats
- resonant variable filter, LP, HP, BP and notch
- filter cut-off varies between upper and lower cut-off values, in either direction
- tempo sync LFO, with 6 waveforms and settings from 1/16 beat to 96 beats
- random swing for step sequencer
- wet/dry mix control
- midi CC and midi learn
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pfilter creates a steppy, gated effect, but using filter cut-off instead of volume to give a wider range of possibilities. It uses a variable state filter, triggered between 2 adjustable cut-off values by a tempo-sync’d probability-based step sequencer. An LFO can modulate the filter when triggered and trigger pulse length, attack and release can shape the sound
features
- tempo-sync step sequencer, with 2 to 32 steps over a sequence length of 2 to 32 beats
- can be programmed or random, by setting the probability of each step from 0-100%
- seeded randomisation for repeatable loops up to 100 beats long
- resonant variable filter, LP, HP, BP and notch
- filter triggered between upper and lower cut-off values, in either direction
- tempo sync LFO, with 6 waveforms and settings from 1/16 beat to 96 beats
- adjustable pulse length, attack and decay for shaping the modulation
- random swing for step sequencer
- wet/dry mix control
- midi CC and midi learn
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Rubberfilter provides up to 64th order butterworth filters to rubber out frequencies. This plugin was made to be a static tool. Automation of any parameter is on your own risk.
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The QR filter implements a lowpass if the frequency slider is on the left and a highpass if the slider is on the right. In between the audio is passed through. Additionally the Q can be changed.
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This implementation of A, B and C weighting filters (GUI-less) also features a plain C interface, that might come handy for other applications as well. The above plot shows the analouge prototype (dotted, dark green), a simple bilinear transformation to the digital implementation and some other proprietary variations, that are closer to the original without using more CPU resources than necessary.
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Simple Chebyshev Lowpass.
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Simple Butterworth Lowpass.
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Rez Synth allows you to “play” bandpass resonant filter banks that process your sound. In the right hosts, MIDI notes can trigger individual filters or banks of filters (up to 30 per note) with controllable frequency separation.
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Filtertypes:
Low Pass
High Pass
Band Pass
Band Reject
Peak
Moog Type
Volume:
12 dB
24 dB
36 dB
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- LFO modulated Filter with overdrive.
- 12db/24db mode
- Frequency control via Mod Wheel
- LFO: free speed or sync to host
- Waveforms: sine, saw, ramp, triangle, square
- 10 Presets
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A filter with Step LFO and Overdrive.
Syncs to hostapplication or set bpm manually
Selectable number of vertical and horizontal steps (LFO)
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Hulo is an LFO-controlled filter effect.
There’s two stereo-modes: one where both channels are sweeped by the same filter & one where each has it’s own.
The LFO rate can be dialed in manually or synchronized with the tempo of your track.
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Dual sample & hold filter to create stereo random filter steps
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Spili is a lo-fi/filter effect.
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Cadence is an LFO controlled finlter and pan VST effect. The filter self oscillated when the resonance is set to full. It has LP, HP, BP, and BR options. There are Two LFP’s, one to control the filter cut off or resonance and the other controls the pan. THe LFO’s feature five selectable waveforms and the sync rate ranges from 1/64 to 8/1. Subtle settings work well on pads to add movement, more extreme settings can create good effects on percussion and drum loops.
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- one input to sixteen outputs
- sixteen eight poles band-pass filters
- individual control of the frequency and the resonance
- grouped controls curves : ascending and descending, bell and random
- animation of the curves by four cyclic modulators
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4 bands resonator.
It consist of 4 parallels band-pass filters with resonance and spread.
4 LFO routable to Frequency and Spread via the digital matrix.
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GBand is a resonant band-pass filter. A typical band-pass filter is configured by selecting a central frequency “node” and adjusting the Q (width) of the band surrounding the node. GBand operates in a much more intuitive way. It is actually composed of a low-cut and a high-cut filter operating in series.
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GHi is a resonant high-pass filter. It has three simple controls and one useful purpose. It filters out frequencies above a user-defined cut-off frequency, and adds variable amounts of resonance at that point.
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breakdown is a filter effect with an internal variable length step sequencer. it allows you to select the type of filter, cutoff and resonance for each step, as well as start, end, and sequencer modes for a wide variety of effects. breakdown can be hand set to create wah wah, gate, and wobble effects, or use the patch randomizer for some intense audio mangling.
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HyperFilter is a high frequency filter with a selectable cutoff slope of -12, -24 or -36dB/Octave. The filter is extremely useful for removing hiss, crackles and even sampling noise from your audio. The filter has 2 controls: cutoff slope and cutoff frequency. The cutoff frequency is variable from 1KHz to 20KHz. The passband is flat (Butterworth filter) and has unity gain. The cutoff frequency upper limit is automatically adjusted depending on sample rate (for example, upper limit when used on 22.05KHz sample rate signals is 10KHz).
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Telephone is a simple yet highly realistic telephone audio simulator. This plug-in uses very steep, 6 pole high-pass and low-pass filters to create the telephone audio bandwidth of 350Hz - 3KHz. A granulizer reduces the resolution to 8 bits just like the phone company! Works with both mono and stereo signals.
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4 Host Synced/Manual 1-16 Step Sequencers with Level Scaling and Invert Controls
Step/Interpolation Control
2 SV Filters with Selectable Decay Rates
Independent Mono/Stereo Processing of Frequency and Resonance
4 ADSR Envelope Generators with Host Sync or MIDI Triggering
Switchable High/Low Frequency Display (not visable above)
Host Synced/Manual BPM Selection
Input Level Controls with Overload Indicators
Free Run/Host Locked Operation
Default Position Reset on all Sliders and Rotary Controls
Partial Automation
User Assignable Automation Capability
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Kaotica is a 12db/octave band pass filter modulated by a “Fractal” LFO.
The key of the effect is the Mu parameter, it’s the seed for the fractal shape, for each value of Mu you got a different LFO waveform: sometimes close to a random behaviour, other times performing cyclic patterns. Each value leads to a unique shape.
You can set the LFO rate in Hz and the Hardness of the LFO waveform: smooth or hard jumps.
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This is a MIDI-controllable filter, that gives all your plugins or synths that famous thick sound you all know well. It is true stereo. Put it as an insert into your audio track or behind your synth plugin. Use the frequency and resonance dial for a static sound, or feed it with MIDI-notes to use the integrated envelope generator
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A simple filter with LFO.
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sweepie is a simple dual rotating filter effect
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The Warped LPC filter plugin simulates the structure of a warped linear-predictive codec implemented with warped lattice filters.
Linear prediction coding ’whitens’ a signal by performing a spectral analysis and filtering out peak components. The output can then be used as the input to a similar reconstruction filter that adds the spectral peaks removed in the first step.
Warping the frequency scale of the predictor allows for the frequency scale to match the human auditory system. Individual adjustment of the warping parameter at each stage allows the user to create interesting effects by filtering using a frequency-dependent adaptive filter, and filter coefficients can be rotated to create bizarre phasing effects.
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The Warped LPC filter plugin simulates the structure of a warped linear-predictive codec implemented with warped lattice filters.
Linear prediction coding ’whitens’ a signal by performing a spectral analysis and filtering out peak components. The output can then be used as the input to a similar reconstruction filter that adds the spectral peaks removed in the first step.
Warping the frequency scale of the predictor allows for the frequency scale to match the human auditory system. Individual adjustment of the warping parameter at each stage allows the user to create interesting effects by filtering using a frequency-dependent adaptive filter, and filter coefficients can be rotated to create bizarre phasing effects.
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Mukoco is a comb filter based on the core code from MutantKoto.
The algorithm is an abstraction of a simple plucked string physical model, it is used as an effect on a stereo input stream. The left channel is fed into string polarization A and the right channel is fed into string polarization B. The MutantKoto model acts as an optionally non-linear comb filter on both channels.
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Macomate 88 is a comb filter VST plug-in for Windows.
An input signal is fed into an array of parallel comb filters. These comb filters are tuned using a microtuning .TUN Scala file, and individual filter decay, brightness etc. can be set using the GUI. The filters’ output volumes can be increased by their corresponding notes using MIDI channels #1, 3-16 and a monophonic feedback line can be tuned via MIDI channel #2.
The effect can be used as a reverb, a tuned resonator, a plucked string instrument, a horribly distorted feedback generator and many combinations thereof.
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a high pass, followed by a low pass, a bit of drive and a mix control
