Latest Music Software News
- Nassen RaX'n'TraX 1.4.9 2 Sep 2010, 4:35 pm
Nassen has updated RaX'n'TraX to version 1.4.9. - Kuassa Amplifikation One Update 2 Sep 2010, 4:33 pm
Kuassa has updated Amplifikation One to v1.1. - Plektron Guitar Amp Update 2 Sep 2010, 4:32 pm
Plektron has announced an update to its Guitar Amp amplifier simulator and multi-fx plug-in for Windows. - Hidenori Matsuoka Guitar Kit 2 Sep 2010, 4:31 pm
Hidenori Matsuoka has announced the release of Guitar Kit, a tool for searching guitar chord fingering patterns on the iPhone, iPod touch, and iPad. - Peavey AmpKit, AmpKit+ & AmpKit LiNK 2 Sep 2010, 4:22 pm
Peavey Electronics and Agile Partners have announced that the AmpKit and AmpKit+ Apps are available now on the Apple iTunes App Store. - Ohm Force Studio Teaser 4 2 Sep 2010, 2:31 pm
Part 4 of a 5 part series demonstrating Ohm's Studio- an online collaborative sequencer. - AudioSpillage updates DrumSpillage to v1.1 2 Sep 2010, 7:54 am
2nd September 2010: AudioSpillage has updated its DrumSpillage percussion synth plug-in to version 1.1. New Features: Improved support for automation recording and editing. Choke groups (12 groups ava. […] - Nassen updates RaX'n'TraX to v1.4.9 2 Sep 2010, 7:49 am
2nd September 2010: Nassen has updated RaX'n'TraX to version 1.4.9. Changes since v1.4.1: Drag "Key"-event to MONO panel. Extended window to draw Notes/Velocities in MONO panel (double-click on Note/V. […] - Sonic Reality releases Neil Peart Drums Vol. 1: The Kit 2 Sep 2010, 7:35 am
2nd September 2010: Sonic Reality has announced the release of Neil Peart Drums Vol. 1: The Kit, a music software recreation of the massive DW drum kit of legendary drummer of Rush, Neil Peart. It com. […] - HyperSynth releases SIDizer 2 Sep 2010, 7:30 am
2nd September 2010: HyperSynth has announced the release of SIDizer, a new emulation of the legendary SID chip in the form of a modern software synthesizer plug-in. Using circuit modeling technology,. […]
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The Classic Master Limiter VST plugin is specially designed to boost the overall level of your final mixes, but is also highly useable on very dynamic instruments. With just one control on the front panel operation is as simple as it gets; just turn the Threshold down and hear how your mixes gets louder and louder. Very high compression ratios can be obtained without changing the balance of the mix.
Key Features
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Loudness maximizing | |
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Brick wall limiting | |
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Automatic makeup gain | |
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VU meter | |
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Presets | |
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Very low CPU usage | |
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Supports sampling rates up to 192kHz | |
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Full VST automation |
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Inspired by popular analogue limiters of the past, this Leveling Amplifier is ideal for mastering or controlling the dynamic range of a track, it’s response to peaks is very fast with a slow realease for minimum distortion even when driven hard.
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Features
* SampleSlider
- utility for delay fix
- CC 94 delay length
* StereoStretcher
- stereo expander++ included phase inverter
- It can convert MONO signal into STEREO signal
- CC 10 panpot
* SFilter
- 8-type stereo IIR filter inherited from SH-1 Filter
- CC 71 resonance
- CC 74 cut off frequency
* SDynamics
- stereo compressor/expander/limiter based on T-SLEDGE
* SonicChorus
- 2-band multi phase chorus(4-type & 2-type lfo)
- Because of delay of the plugin(25-sample delay) if you want to use it as normal chorus, I recommend to use as insert effect.
* SLF
- variable wave form LFO panning tremolo
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The BetabugsAudio edition of George Yohng’s W1 takes the same spectacular limiting engine and gives it a new interface.
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A True Transparent Brickwall Limiter / Maximizer
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A soft knee feedback limiter implementation, roughly based on a famous VCA limiter.
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A simple limiter.
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GMax is a maximizing limiter. The most common usage is to boost the perceived level of a signal by increasing base amplitude while preventing clipping. It works by first increasing the level of the incoming audio by a given amount. Then, any audio that becomes too loud is “turned back down”, ensuring that the level never exceeds the “ceiling” level. While a maximizing limiter is often used to make an entire song seem “louder”, it may also be used in place of a compressor to help control individual tracks.
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With Volcano, you get an easy to use for mastering or some else. It combines peak limiter and level maximizer. You need not to control many parameters, only 4 parameters there.
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m-Gain offers a unique *PURELY ADDITIVE* gain system, allowing amplification of a signal’s INPUT gain by up to 1200% plus an additional 1200% increase of all levels over 12KHz).
Unlike certain ’professional’ gain maximisers, m-Gain never attempts to attenuate a signal under any circumstances, ever. There is no limiting, waveshaping or compression involved, resulting in an extremely CPU efficient VST mastering effect.
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Steady Pro works as a smooth auto leveler, or see it as a expander/limiter
with some special EQ enhancing.
Works on some mixes but does magic on vocals and instruments.
Just put it on a your track and steady it.
Four selectable Steady-models (Heavy, High, Normal, Soft).
4-bands Eq with on/off.
Input and output gain controls.
Global Bypass.
LowCut function.
Att & Rel controls (except Heavy).
Parabolic Saturation control with on/off.
Model dividers.
All major controls has a reset button.
I/O + peak meters.
Mono and stereo versions.
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Simplicity for vocals - fundamental edition.
# Dynamic mono vocal compressor/limiter/enhancer.
# Four bands “F” equalizer.
# Autogain and Pre-Limiter.
# Auto Noisegate.
# Auto Band-off.
# Two “F” EQ models.
# EQ activity/bypass leds.
# Harmonic Exciter.
# Low-Mid-Hicut.
# Vocal Doubler effect.
# Pre in/Post out gain.
# In/out/reduction meters.
