Latest Music Software News
- rs-met CrossOver 12 Mar 2010, 2:25 pm
rs-met has released CrossOver, a new free VST effect plug-in for Windows that replaces rs-met's older Crossover 3-Way plug-in - CrossOver now allows for splitting into up to 4 bands. - Voxengo SPAN 2.0 12 Mar 2010, 2:21 pm
Voxengo SPAN 2.0 is now available for download - SPAN is a freeware real-time "fast Fourier transform" audio spectrum analyzer plug-in for professional music and audio production applications. - VSL Collections Updates 12 Mar 2010, 2:09 pm
VSL has released updates for the Vienna Instruments, Vienna Imperial and Vienna Suite plug-ins. - MeldaProduction Updates All Effects Plugins 12 Mar 2010, 2:07 pm
MeldaProduction has released updates for all its effect plug-ins. - MUTOOLS Announces MU.LAB 3; Pre-release Version Available for Download 12 Mar 2010, 5:05 am
12th March 2010: MUTOOLS has announced MU.LAB 3. A pre-release version of MU.LAB 3 is already available for download for Windows and Mac OS X. New in MU.LAB 3: Function shortcuts: Map a key or MIDI ev. […] - MeldaProduction Updates All Effect Plug-ins 12 Mar 2010, 4:33 am
12th March 2010: MeldaProduction has released updates for all its effect plug-ins. Changes: Improved sinc interpolation quality. Improved upsampling algorithm performance. Improved linear-phase and hy. […] - Monkey Tools updates Library Monkey Pro and Sound Grinder Pro to v1.1.10 12 Mar 2010, 4:30 am
12th March 2010: Monkey Tools has updated Library Monkey Pro and Sound Grinder Pro to v1.1.10. Changes: Added functionality to allow for the pruning of missing files as well as removal of any asset fr. […] - Rob Papen updates Predator for Windows to v1.5.8 12 Mar 2010, 4:02 am
12th March 2010: Rob Papen has updated the Windows version of Predator to v1.5.8. Changes: Preset banks update (bugs). Banks of subject 05 Trance and PsyTrance 03 , 08 Ambient 02 and 04 HipHop DirtySo. […] - Intermorphic updates Noatikl (v1.6.0.3) and Mixtikl (v2.1.0.6) (incl. x64 versions) 12 Mar 2010, 3:52 am
12th March 2010: Intermorphic has updated Noatikl to v1.6.0.3 and Mixtikl to v2.1.0.6. Both products now include native 64-bit standalone and plug-in versions for Windows and native 64-bit standalone. […] - One Man Band Watch: Gestures, TouchOSC, Pure Data, Breath Control, Oh, My 11 Mar 2010, 7:53 pm
Every so often, I’m reminded of a simple fact: the greatest machine on the planet remains the human machine. So, yes, it may seem strange to one of the uninitiated to imagine strapping an iPhone to. […]
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yoink is a vst effect best used for live performace. it has an inline sampler that you can grab samples from the current live effect channel. you can then trim the loop, reverse, and process with effects in realtime. the left joystick controls bitrate and pitch, while the right joystick controls delay time and delay feedback.
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Silverspike TapeIt 2 is a VST-Plugin to record audio streams creating wave files in real-time. You can plug TapeIt 2 into your VST host application at any point accepting VST plugins. Unlike most other plugins, TapeIt 2 does not change the sound of your audio. But, while copying the sound unaltered from input to output, TapeIt 2 writes it to a standard WAV file. This way you can grab any audio signal that appears at one of the plugin-points of your audio application.
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Kerrstinn changes your loops randomly with both moving slices of it around and or applying effects to the slices according to rules that we call generators. It is sort of an automatic controllable recallable loop slicer.
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Livecut is based on BBCut the BreakBeat Cutting library written by Nick Collins for SuperCollider
The BBCut Library began out of work on an algorithm to simulate the automatic cutting of breakbeats in the style of early jungle or drum and bass Nick Collins.
Livecut is a live beat-slicer but instead of manipulating equal chunks of audio like most beatslicer do, it works on the notion of audio cuts whose length and number of repetition depends on the context and the cutting procedure. cuts are organized in blocks which then form a phrase. And each phrase can be ended by a roll or fill.
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* One sample for the sixteen steps
* Controls for each step (direction, octave, semitone, fine, attack, decay, release, filt amt, pan and volume)
* 4 Divisions (1/2, 1/4, 1/8 or 1/16)
* 4 step choices (2, 4, 8 or 16)
* Program/pattern can be chosen on the GUI, from the host’s patch change, or via MIDI (note-on C2-B4)
* Global release and volume
* 4 LFO’s with a 4×10 matrix
* Filter (bp, br, hp, lp and moog type)
* Distortion
* Delay with seperate filter and distortion
* Flange
* Fully automatable (24 parameters)
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Real-time sample assembler that accumulates loops from live or prerecorded audio sources.
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Shredder is a sampler designed to be easy to use and fun to play with. it has 12 slots for samples that are controllable via midinotes or automatable parameters aswell as a gui.
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This plugin is meant as a “time and disk space saver” tool, allowing to stream from disk stereo OGG encoded audio files in a VST environment. This should be usefull for musical collaborations and ambient music when very large audio files are needed, E.G. long field recordings.
VSTPLOOGGin can be controlled both from the GUI and by MIDI notes messages. The GUI switches are master controls over MIDI messages. You can load stereo OGG files both by Drag’n’Drop and file dialog.
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Reads in a cycle’s-worth of the input signal, then (once the whole cycle’s been read in) outputs it again, on top of the current output. Works best with long/sustained sounds (e.g. strings, pads etc.), sounds like a weird kind of gentle distortion.
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Built for live performance - It features a tap tempo function which makes it easy to create echoes that fit the timing of a live band.
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RandomBeatLooper -
Loop the source randomly, more or less often, but syncronised to tempo. And add some fxs (reverb, bitcrush and filter) by the same way. The loop reading can also be in rewind mode (ever or randomly).
RandomBeatEffector -
Same thing, but without the looper effect, with 2 fxs more, flanger and realtime pitchshifter.
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Pulsors series-
Varitions on multi fast tremolos.
BPM series-
Easy fxs (tremolo, pan, HP or LP filter) syncronised to tempo with bpm division.
live looper series-
Easy to use loopers, dedicated to live sampling.
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Channel is a versatile audio channel tool.
Pan: individual panning controls, bypass and inverse.
Eq: High, HiMid, LowMid, Low.
Filter: Cutoff & Resonance.
Pitch doubler.
Audio Widener.
M/S: LR2MS/MS2LR.
Vu-meters with zoom buttons.
DualPan slider.
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This effect is particularly designed for real time or live audio
work.The main idea behind this effect is ’triggering’ : fx selection , fx ’synced parameter’ and signal mixing can
be performed directly from two benchs of buttons or more simply from midi CC or midi notes.
* 1 fx selector “button bench” (F-B-P)
* 1 synced value “button bench”(F-B-P)
* 1 fx tracker (sequencer) (P)
* 2 synced delay with feedback, high and low damping (stereo or stereo merged) (1F-1B-2P)
* 2 glifter (glide/drift) to produce some scratch/tape stop-like /granular fx (stereo or stereo merged) (1F-1B-2P)
* 2 flanger with feedback damping (stereo or stereo merged) (1F-1B-2P)
* 2 six stages standard phaser (stereo or stereo merged) (1F-1B-2P)
* 1 decimator unit with sampling rate reduction , bit depth reduction and a saturation (F-B-P)
* 1 realtime slicer with looping speed control ,random reverse and a quantized variator (F-B-P)
* 2 “ring accumulator” with feedback and low damping (stereo or stereo merged) (1F-1B-2P)
* 2 tri combs with a chord selector, feedback and root note selector. (stereo or stereo merged) (1F-1B-2P)
* 2 dynamique FM oscillators , with amount and channel specific carrier frequency (P)
* 1 sound reverser (P)
* 1 frequency shifter with a delay line and feedback (P)
* 1 granular pitch shifter with a delay line and feedback (P)
* 1 granular pitch shifter without ’accumuluto’ with with more accurate setting (P)
* 1 granulator with grain speed/size and grain repeat (P)
* 2 LP 4 poles filters with sin or tan saturator (P)
* 1 doppler based on the ADopplerEn vst plugin (P)
* 1 chorus with 2 modulated voices per channel (P)
* 1 miultitaps delay with 4 tape heads ,and damped feedback (P)
* 1 shared lfo with 6 shapes (sin,tri,square,saw up,saw down and sample & hold) (F-B-P)
