Latest Music Software News
- SyncerSoft releases Saw Landscapes for Windows VST 16 May 2012, 12:20 pm
Read the full story @ KVR Audio SyncerSoft has released Saw Landscapes, which is based on the effects from their Bass Landscapes effect plug-in plus a saw wave in one tool capable of generating bassl. […] - Peavey and Muse Research release the MuseBox Musical Instrument and Effects Module 16 May 2012, 10:54 am
Read the full story @ KVR Audio Peavey and Muse Research have announced that MuseBox, the new plug-and-play, software-powered musical instrument and effects module for electric and acoustic guitar, k. […] - Sample Magic releases "Radio Slave" Sample Pack 16 May 2012, 8:56 am
Read the full story @ KVR Audio Sample Magic has announced the addition of techno producer, DJ and label boss Radio Slave to its artist-led sample collection series. Besides such as 'My Bleep', 'Bell. […] - Mildon Studios releases SLVR Spreader - VST Stereo Expander Plugin for Windows 16 May 2012, 7:22 am
Read the full story @ KVR Audio Mildon Studios has released SLVR Spreader, a VST Stereo Expander for Windows. SLVR Spreader combines three different stereo imaging techniques making it suitable for a. […] - Acoustica releases Mixcraft v6.0 16 May 2012, 7:16 am
Read the full story @ KVR Audio Acoustica has announced the release of Mixcraft 6.0 Build 180. Mixcraft 6 is a powerful and easy-to-use music production and multi-track recording workstation that com. […] - Blue Cat Audio releases Blue Cat's Protector 2.0 (incl. Win AAX) 16 May 2012, 6:53 am
Read the full story @ KVR Audio Blue Cat Audio has released Blue Cat's Protector 2.0, a complete redesign of its brickwall limiter plug-in for Mac OS X and Windows. This new version brings a brand ne. […] - Time+Space Offer 50% Off EAReverb (by eaReckon) until Monday 21st May, 2012 16 May 2012, 5:39 am
Read the full story @ KVR Audio Time+Space are giving you the chance to get eaReckon EAReverb for just £49 which is more than 50% off. This offer, initially set from May 11-13, 2012, has been extend. […] - Sagan Technology updates Metro to v6.5.2 - now with Rewire support for Windows 16 May 2012, 3:31 am
Read the full story @ KVR Audio Sagan Technology has updated Metro to v6.5.2. New to this version: Rewire Support: (New for Windows, enhanced for Mac). An option to show all Rewire channels has been. […] - Audio Evolution Mobile for Android updated to v1.1.7 - Gets a new look 16 May 2012, 3:20 am
Read the full story @ KVR Audio eXtream Software Development has released version 1.1.7 of it's multi-track audio app Audio Evolution Mobile for Android. By popular request, the mixer channels graphi. […] - Distorque updates Face Bender to v1.1 16 May 2012, 2:47 am
Read the full story @ KVR Audio Distorque has updated Face Bender to version 1.1. Changes from v1.0.2: Added Material control to switch between silicon and germanium fuzz. Volume controls don't chang. […]
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Let’s assume that you have a stereo track in which an acoustic guitar is the only instrument in the left channel, and a voice is the only signal in the right. If you pan all left, you might intuitively think that the singer will gradually be heard in the left channel. But with typical hardware and software panning solutions, this is not so!
Instead, the singer’s voice is merely lowered until it cannot be heard at all. You may find yourself with a stereo track in which you want to hear all of the instruments or sounds, but simply want to change the entire track’s relative stereo position.
Returning to the above example, if you use Fondleo to pan all left, the singer’s voice will gradually blend into the left as it is faded out from the right. The end result: your entire stereo track ends in the left channel– guitar and voice.
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Spinbug combines a traditional “rotary speaker” effect with a set of new possibilities and parameters, all packaged into a simple and beautiful interface. SpinBug uses phase relationships and a low freq. oscillator in order to reproduce an effect produced by Leslie speakers.
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The plug-in simply excites the harmonics of the input signal. It is also possible to invert the phase of each harmonic. This concept guarantees a very surgical control over the distortion produced.
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Vintage style saturation/bass expander unit, presented as VST effect. We think this plugin is specially good to add warmth and saturation to drums and basses, and with vocal tracks that need a little punch. It uses very little CPU, and includes 8 factory presets.
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A complex multi-fx plugin incorporating a delay, granulator, three phase vocoder effects, a reversinator, and three types of modulation source. Incorporates a very flexible routing scheme capable of serial and parallel effects routings, and a new kind of modulation routing based on a kind of pie chart representation.
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Vocovee is the VST ’Effect’ version of the VOCOV Vocoder. that has no ’Capture’ sidechain plugin but can do low latency vocoding. I recommend Vocovee instead of the Vocov if you need real-time vocoding. In addition, Vocovee has a improved built-in synth.
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TAL-Vocoder is a vintage vocoder emulation with 11 bands that emulates the sound of vocoders from the early 80’s. It includes analog modeled components in combination with digital algorithms such as the SFFT (Short-Time Fast Fourier Transform).
This vocoder does not make a direct convolution of the carrier and modulation signal as other digital vocoders maybe do. It includes an envelope follower for every of the eleven bands. This vocoder is optimized for voice processing and includes some algorithms for consonants to make the voice more intelligible.
The carrier signal is a VCO (Voltage Controlled Oscillator) with a Pulse, Saw, Noise and SubOsc. But it’s also possible to use the left stereo input as carrier. This way every sound source can be used as carrier signal. This plug-in supports every sample rate.
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Pitch Shifter is a plugIn to shift the pitch of an incoming audio signal. By mixing the pitch shifted signal with the original signal via the dry/wet control, basic detuning, octaving and harmonizing effects are also possible. This shifter is based on a delayline with two crossfaded read pointers. Such an architecture allows for feedback - and feedback gives the potential to rather drastic, weird special effects like monster-voices, flanger-like effects and more.
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Son of a pitch is an audio pitch bend effect. The pitch of the incoming signal can be controlled by the pitch knob or by a sync to host LFO. The pitch knob ranges from +3 octaves to -3 octaves of the original pitch. The effect also features an LFO controlled filter section. There are 3 filters to choose from, 2 SV filters and a butterworth filter. The filter section can be bypassed sending the dry signal straight to the pitch bender.
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A useful little plugin for guitar players
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3 different VST wah effects for guitar
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A simple tool to enhance the stereo sound of your audio material.
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This plug-in can be used to add stereo width to audio tracks. This plug-in is most effective on mono pad sounds and alike. This effect works with mono stream generating stereo stream. It also works with stereo streams, however both channels get processed independently of each other like they are mono streams and then two resulting stereo streams get mixed together to produce one stereo stream.
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CamSR and ArkeCode
Float Crush is a new type of bitcrusher exploiting the nature of the floating point unit. It offers something the regular bitcrusher can’t; a dual flavor distortion.
What does Float Crush do?
A floating point unit has three important segments to it, the sign, the exponent, and the mantissa. A normal 32-bit float uses 23 bits for it’s mantissa values and 7 bits for it’s exponent.
What Float Crush does is applies quantization to the exponent and mantissa range of bits, the same quantization a normal bitcrusher would. But the difference is this creates a multi-staged effect, where quantizing the mantissa range brings a soft, airy texture, and the exponent range which can completely ‘rearrange’ the sound.
There’s only a few presets but try it out for yourself. When adjusting the exponent effect, you might notice the signal gets softer, if that happens use the Pre-Gain control to compensate.
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Ringer is a Ringmodulator.
Input X and Y are left and right audio channel of the track. Y can be switched to the internal OSC. The frequency of the OSC can be controlled by the slider oder MIDI.
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Adds real background noisefloor or the sound of good vinyl.
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A multifeatured vinyl scratching plugin
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TTP is a VSTi that can load a sample and perform turntable style effects on it. You can scratch, change pitch, and even spin the audio up and down just like on a real turntable.
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faderratic brings you cross-fading of 2 stereo inputs, but with a mind of its own and a ton of options to change the fade shape, length, limits, frequency and probability. faderratic works by generating a pulse on a tempo-sync frequency, and depending on the probability it may trigger a cross-fade event. You can optionally make the fader auto-return to either side and if you feel like it, trigger a fade manually or control the fader movement totally manually.
NOTE: faderratic is a multi-input effect plugin, with 2 stereo inputs. You need a host that allows multi-input effects, such as energyXT, for the cross fading to work. If your host does not allow multi-input effects, you can still use faderratic as a gate, as it will cross-fade 1 stereo input with silence
features
- probability based auto-cross-fader
- cross-fade is triggered based on user defined frequency and probability
- cross-fade duration in ms
- 13 different envelope shapes for the cross-fade
- trigger alternate fades or auto-return to either input pair
- partial fades by scaling the throw and fader limits
- 4 fade laws
- manual trigger
- option to manually control cross-fader
- all controls assigned to midi CCs
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A knob to control volume. -12 db to 12 db
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A new plugin which could be called AutoBreaks or AutoGLitch.
When synchronised to tempo this plugin will take the incoming audio and re-arrange it in a musicaly sensible way. Think of it as a realtime ReCyCle with fun options.
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Buffer Override can overcome your host app’s audio processing buffer size and then (unsuccessfully) override that new buffer size to be a smaller buffer size. It makes a lot more sense if you just try it out and hear what it does. It can sound like a stuttery vocoder or a stuck beat shuffler or many other delightful things. In certain hosts, you can also “play” Buffer Override via MIDI notes and even sync it to song tempo.
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Geometer is a visually oriented waveform geometry plugin. It works by generating some “points” or “landmarks” on the waveform, moving them around and messing them up, and then reassembling the wave from the points. Each of these three stages can be done in a variety of ways, combining to make millions of different effects. However, Geometer has a real-time display of what your settings are doing to the sound, and a prominent built-in help system to explain what each setting does.
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Chops up buffers and plays them back. You can choose the length of the piece of audio played back and when to apply it.
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KTGranulator is a free delay line granulator available as a VST effect plugin with custom editor and as a MacOSX Audio Unit. It was made as an exploration in building VST effect plugins and using the VSTGUI library and was inspired by the great DLGranulator effect in Ross Bencina’s AudioMulch.
It works like this: incoming (mono) sound is fed into a delay line from which small pieces of various durations and at different moments in the past are selected. Each of these pieces is then amplified, transposed and enveloped to form a “grain”. Each grain is also randomly panned and the whole mix is sent out to a stereo output stream. Feedback of the grain output back into the delay line is also provided, and the delay line can also be frozen so that the grains are only taken from what is currently stored in the delay line.
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Signal Analyzer is a combined oscilloscope / spectrum-analyzer plugin for inspecting signals in realtime in the time- and frequency domain.
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Fre(a)koscope is an FFT-based real-time spectrum analyzer featuring: lin/log/semitones/third-octave/Bark scales
- window size selection
- frequency zooming
- freeze
- peak hold
- cursor information (amplitude+frequency)
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SPAN is a real-time FFT spectrum analyzer plug-in. For the most part it was derived from GlissEQ and CurveEQ professional equalizers and it reproduces their spectrum analysis functionality.
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The oversampler “hosts” another VST plugin, and oversamples it by 2. Because of this, aliasing has twice the frequency range to unfold, which means that the aliasing that enters back into the audible domain is much less, and upon downsampling, the upper range (containing only aliasing) is discarded. This results in audibly reduced aliasing.
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The BetabugsAudio edition of George Yohng’s W1 takes the same spectacular limiting engine and gives it a new interface.
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A True Transparent Brickwall Limiter / Maximizer
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Inspired by popular analogue limiters of the past, this Leveling Amplifier is ideal for mastering or controlling the dynamic range of a track, it’s response to peaks is very fast with a slow realease for minimum distortion even when driven hard.
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GTune is a chromatic instrument tuner which operates much like similar hardware units. It will automatically detect the pitch of a note being played, and display the closest corresponding Western scale note.
You then change the pitch of your instrument, using the “LED”-like indicators and the numerical read-out in order to bring your instrument quickly and accurately into tune.
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17.1 delay / filter / reverb
- compatible with the 17.1 surround standard
- can be used for other surround standards with less channels like 10.2
- 18 multimodes filters with individual settings plus a global cutoff shifting, common resonance setting
- 18 delays, global feedback setting and values offset
- 18 channels reverberation with gate and freeze
- the reverberation settings are common for all channels except of course the intensity
- offset settings for grouped channels : front / rear / left / right / top / bottom
- the LFE channel (4) can be processed like the other channels for true 18.0
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Silverspike TapeIt 2 is a VST-Plugin to record audio streams creating wave files in real-time. You can plug TapeIt 2 into your VST host application at any point accepting VST plugins. Unlike most other plugins, TapeIt 2 does not change the sound of your audio. But, while copying the sound unaltered from input to output, TapeIt 2 writes it to a standard WAV file. This way you can grab any audio signal that appears at one of the plugin-points of your audio application.
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Kerrstinn changes your loops randomly with both moving slices of it around and or applying effects to the slices according to rules that we call generators. It is sort of an automatic controllable recallable loop slicer.
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Real-time sample assembler that accumulates loops from live or prerecorded audio sources.
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Shredder is a sampler designed to be easy to use and fun to play with. it has 12 slots for samples that are controllable via midinotes or automatable parameters aswell as a gui.
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This effect is particularly designed for real time or live audio
work.The main idea behind this effect is ’triggering’ : fx selection , fx ’synced parameter’ and signal mixing can
be performed directly from two benchs of buttons or more simply from midi CC or midi notes.
* 1 fx selector “button bench” (F-B-P)
* 1 synced value “button bench”(F-B-P)
* 1 fx tracker (sequencer) (P)
* 2 synced delay with feedback, high and low damping (stereo or stereo merged) (1F-1B-2P)
* 2 glifter (glide/drift) to produce some scratch/tape stop-like /granular fx (stereo or stereo merged) (1F-1B-2P)
* 2 flanger with feedback damping (stereo or stereo merged) (1F-1B-2P)
* 2 six stages standard phaser (stereo or stereo merged) (1F-1B-2P)
* 1 decimator unit with sampling rate reduction , bit depth reduction and a saturation (F-B-P)
* 1 realtime slicer with looping speed control ,random reverse and a quantized variator (F-B-P)
* 2 “ring accumulator” with feedback and low damping (stereo or stereo merged) (1F-1B-2P)
* 2 tri combs with a chord selector, feedback and root note selector. (stereo or stereo merged) (1F-1B-2P)
* 2 dynamique FM oscillators , with amount and channel specific carrier frequency (P)
* 1 sound reverser (P)
* 1 frequency shifter with a delay line and feedback (P)
* 1 granular pitch shifter with a delay line and feedback (P)
* 1 granular pitch shifter without ’accumuluto’ with with more accurate setting (P)
* 1 granulator with grain speed/size and grain repeat (P)
* 2 LP 4 poles filters with sin or tan saturator (P)
* 1 doppler based on the ADopplerEn vst plugin (P)
* 1 chorus with 2 modulated voices per channel (P)
* 1 miultitaps delay with 4 tape heads ,and damped feedback (P)
* 1 shared lfo with 6 shapes (sin,tri,square,saw up,saw down and sample & hold) (F-B-P)
Note - I have included the PRO version of this plugin. If the creator of this plugin would not like me to do so, please let me know.
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Livecut is based on BBCut the BreakBeat Cutting library written by Nick Collins for SuperCollider
The BBCut Library began out of work on an algorithm to simulate the automatic cutting of breakbeats in the style of early jungle or drum and bass Nick Collins.
Livecut is a live beat-slicer but instead of manipulating equal chunks of audio like most beatslicer do, it works on the notion of audio cuts whose length and number of repetition depends on the context and the cutting procedure. cuts are organized in blocks which then form a phrase. And each phrase can be ended by a roll or fill.
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Track Meter is a plugin to display the current level of a stereo input signal separately for the left, right, mid and side channels and also to display the cross-correlation between the two channels.
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provides professional VU and PPM metering for mono and stereo tracks. All parameters like integration times and reference levels are widely adjustable to make this free plug-in suitable for any application.
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A Free Oscilloscope, although to use it you are required to download the demo of one of their commercial VST’s.
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Noise gate for guitar with an envelope function, comes in many flavors including a side chain version
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TAL-Tube is a saturation plugin that have the characteristic of tubes and an additional amplifier mode. It’s very suitable for adding higher harmonics and can give more excitement and analog character to digital sounds or drums.
At extreme values it can also be used as a grungy distortion effect…
* Amplifier mode.
* Soft and hard mode (2 different tube types).
* Dry/Wet knob.
* Gain reduction display.
* 4x oversampled processing.
* Some presets.
* Low CPU
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Controls:
POWER - Power ON/OFF.
DRIVE - Determines the amount of gain applied by the Pre Amp.
LOW, MID, SWEEP, HIGH - Tone Stack controls.
POW AMP - Determines the amount of gain applied by the Power Amp.
OUTPUT - Output level.
After Nick_Crow_7170_Lead insert some guitar cabinet emulation.
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Soft clipping alone is not sufficient to emulate the elusive creamy character of a legendary vintage overdrive pedal. In order to explore the secret ingredients of legendary sound and feel, every subtlety throughout the entire signal path should be meticulously analyzed and documented. Only this ensures authentic recreation of the exact sound and feel of the legend in the digital domain. TS’ Secret is the result of this keen but painful philosophy. Just like its legendary role model, TS’ Secret preserves the original dynamics of its input signal, which avoids muddiness and vastly improves clarity and responsiveness. Regardless of the overdrive amount, it stays in focus and delivers the ultimate touch sensitive dynamic punch.
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This is an overdrive designed specifically for drums. It’s also nice on electric piano-type synths.
It uses a VCF that let’s you control the range of frequencies going into the drove & has an optional low-pass filter at the end for smoothness.
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Guitar drive pedal
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“keFIR” is a VST, zero latency, FIR filter based on impulse responses loaded from wave files. Filter length can be adjusted to maximum of 8K taps.
It has a “mix” knob for mixing input with output, “gain” knob for setting output volume level, “length” knob for setting filter length (you can also set the length by clicking right mouse button on impulse response). Adjusting filter length will linearly affect CPU usage, more taps used require more CPU power. User can optimize it by choosing proper filter length, for example some amp cabinet impulse responses have long tail of ‘almost zero’ coefficients which can be shortened without audible difference, to save some extra CPU cycles.
There are two versions available: mono (keFIR_v1.dll) and stereo (keFIR_v1_2ch.dll).
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Groove Analogizer is an “audio controlled drum synthesizer”, it means that like a vintage electronic drum tone generator (e.g. Simmons) the percussion sound is triggered by an audio input, not by a MIDI message. This also means that you must not load, in the host, Groove Analogizer as a VST instrument, it loads as a VST effect, usually in an insert slot.
But it’s really a synth: the sound of three oscillators is triggered and shaped by the audio input in many ways.
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Basically a delay set to work with very short delay times, and high feedback. It’s most useful (imo) on guitars, as a kind of fake (amp) feedback effect.
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A simplistic realtime audio-reversing plugin
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Buffer-Innerloop-Scanner-Delay.
Good for Stutter and pseudo Timestretch FX.
Innerloop-Size and Move Parameters are depending on Host BPM Settings.
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Scrubber was made for the time-stretching “Dread-voice” thing you hear in a lot of old jungle and drum and bass. Functions such as syncing to tempo, nasty granular stuff and a whole bunch of ways to control the playback with the mouse in the waveform window.
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Important: This plugin in outdated - The Lower Rhythm has a new website, and a a new series of free plugins which are released exclusively here.
Abyss is a very simple synthesizer effect intended to be inserted on your bass drum channel. While allowing the original signal to come through untouched, it adds a secondary layer of tunable, low end bass synth. This is a very easy way to add controlled low end to your bass drum without obliterating it with an equalizer.
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deeeeeLAY is a stereo delay machine with a delay time ranging up to 60 seconds. As well as its own feedback, each channel can feedback into the other channel to create complex panning delays. On top of this, a simple hp / lp filter is employed before the signal is fedback.
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reqDELAY is a multi-band freak-out delay machine. The incoming stereo signal is processed through 4 bands of delay with seperate control over delay time, level, feedback, filter shape, frequency and resonance. Additional multiplier controls allow the relationships between bands to be preserved whilst changing e.g. all delay times from one knob. Finally, mix control selects how much dry and wet signal to output.
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voldeLAY is a stereo volume dependent delay chain with 2 LFOs sidechain input, look-ahead, scalable delay time & threshhold crossfade time control, and capable of operating in series or parallel.
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This is a delay whose output is compressed when there is a certain amount of signal present on its input. It allows to use a lot of delay on a voice without loosing too much intelligibility.
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The FD STEREO is a filter delay with separate controls each stereo channel. The delayed sound is sent over a filter, that can be mixed between Lowpass and Bandpass to modify the sound. The step control is based upon the playing speed of the host.
• Step-controlled Delay (1-16)
• Feedback control
• Separate controls for each stereo channel
• Dry/Wet control
• Delayfilter cutoff and resonance
• Adjustable Lowpass/Bandpass mix
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Multi-Effects Unit - 2 reverbs, 2 flangers, and a delay
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This VST-plugin is an 6x delay, each with its own bandpass filter. Frequency of each band is adjustable, as is delaytime, feeback and volume. The filter bandwidth is controlled for all bands together.
The Mix button controls the ratio of dry and wet signal. The Direct switch adds the filtered but undelayed signal to the wet mix.
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Retro SamplingTries to create the sound of an old tape delay, includes various effects.
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Psychic ModulationParadigm Shifter is a beat shifting delay mangler with lots of modulation options. Here’s a list of features in order of signal routing:-Shifter Section: Can produce strange results from subtle phaser type effects to extreme FSU style madness. Comes with on-board sequencer for modulating the shifter speed.-Filter Section: Making use of David Haupts brilliant Multi-filter module complete with gain compensation, and multiple stages (up to 8 stages, carefull when using high resonance in the high stages, can produce extreme loudness). Following the filter is a subtle distortion for beefing up the sound. The filter has it’s own sequencer for modulating the cutoff frequency.-Delay Section: Stereo delay section with dual sequencer for modulating the delay rate and feedback. The delay has left and right panners for spreading out the delay.-Each effect section can be turned on/off-Each effect section has it’s own hidden panel for extra options-Each sequencer can be paused, switch direction and change speed-Shifter and filter sequencers have glide controls for gliding the modulation between steps
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A flexible stereo groove delay with a few tricks up it’s sleeve
-BPM synced stereo delay
-8 buttons to shift the groove
-Glide function for delay transitions
-Gate button for gating the feedback
-Built in send control -Delay Modulator with crossfader
-5 modulation modes: cycle, up, down, ring, stutter
-Multi-filter: each band can be used simultaneously
-StereoFeild Matrix: controls volume and panning of each channel
-Dry/wet mix
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Big Tick Audio SoftwarePowerful and easy to use, its main features are:2 independant left/right delays with delay and feedback controlsLowpass (-24 dB/Oct) resonant filterDelay times can be expressed in ms or in 16th notes (when synced to the host tempo)Group mode for ping-pong delay effects
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Tempo-Synced delay-time Setting via Division and Multiplication.
Reverse Play: norm = normal, alt = Alternate between Normal and Reverse Play
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Delay featuring tempo sync, modulation, bandpass filtering and stereo image transformations. Here are some possibilities: delay, chorus, flanger, lofi, pitch shifting, arpeggio, stereo widening…
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Simple Ping Pong Delay, syncronised to host or manually
“Tape” effect: lowpassfilter in the feedback path
Display: shows milliseconds, bpm, signature (depending on host’s settings) and program number
Feedback can be controlled via modulation wheel
10 presets
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Works as a standalone and as a VST.
Ping Pong Delay w/ Gate, LFO modulated Filter, Overdrive und Saturation.
Synchronizes with host BPM.
Also contains Chorus / Reverb
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A simple spacer-plugin.
Sounds very nice on 60’s organ-sounds.
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This is an LFO-controlled delay-effect.
A simple concept with interesting results….
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This is a delay device that focuses on inperfections in the repeats. Especially good for slap-back stuff & wild echo madness (the delay-time can be modulated).
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Twisted LemonDo things with the FFT algorithm which it isn’t designed forThe delay. This works like any other allpass delay.1. Delay (maximum delay 4,64 seconds)2. Feedback (mix the output back into the input)Modulate the delaytime with freqency and amplitude settings3. Modulation freq4. Modulation amplitude5. FFT bin delayThe modulation which you set with knob 3 and 4 can be delayed per bin for every FFT. Starting with bin 0. With a maximum delay of 128 bins.6. Dry/wetMix beteween the original signal and the effect.Technical detailsThe delay is 32 bits interpolated per FFT (of 256 samples) and because of this it sounds very smooth.
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Do you want to play your guitar or other picked instrument with a lot of echo, but not sound like you’re lost down a long hallway? thresholdDelay silences the delay from previous notes when a new note goes over the threshold volume.
Good for interesting effects, and no buildup of echoes that can sound ’swampy’
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Stereo-Delay is a VST-plugIn for the creation of delay- and echo-effects. It provides two independent delay-lines for the left and the right channel. The delaylines have a feedback-loop with highpass- and lowpass-filter and can also interact via crossfeedback. The delay-times are not specified in seconds or milliseconds, but musically as a note-value.
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GDuckDly is a digital delay that allows the wet signal to be compressed by the dry signal. This means that the delayed signal is attenuated whenever the input signal is loud enough. As a result, the delayed signal “ducks” under any incoming sounds, preventing the resulting signal from becoming overwhelmed by delay-line “mud”.
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maelcum is a tape-like delay module. designed specifically to emulate the classic tape delays, maelcum has internal tape noise generation, with variable mix, and either tempo based or manually entered delay time. rub a dub dub.
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mashup is a delay effect with an internal variable length step sequencer. it allows you to select from six delay types: 0.1, 1, or 10 second delays with or without interpolation. each step allows for specific time and feedback adjustements. you can also adjust the start, end, and sequencer modes. mashup can be hand set to create convoluted delay effects, or used to create very tight decimations. as always the patch randomizer is ready to toss some chaos into your tracks.
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Metal Mickey is a sequenced, synced delay unit.
An 8 step sequencer drives the delay time. This is the matrix of red LEDs at the top. The delays are synced to host tempo. Changing the matrix values changes delay time for the given sequencer step.
A second sequencer, running at the same speed, controls the delay feedback. This is the row of 8 sliders underneath the Delay time matrix.
The sequencer has a number of features - random stepping, mulitplication and division of speed, adjustable slide (from one value to the next) and an adjustable loop point.
The higher delay times can be tuned using the Tuning slider.
The wet signal then passes through a multimode filter, a low pass filter and a high pass filter (this allows you to really shape the delay line).
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This plug-in is a “packed-with-features” delay module based on tempo, incorporating EQ and tremolo sections with separate controls for each output channel. Instead of a single “length” control this plug-in implements two separate “delay” and “length” controls which allows you to create evenly sounding “ping-pong” echoes.
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Sound Delay is an auxiliary multi-channel signal delaying plug-in for professional audio applications. You may specify delay time in both milliseconds and samples, with a high level of precision. This plug-in - being technical in its purpose - provides a basic signal delaying function only, without signal feedback or modulation capabilities.
Sound Delay also features internal mid/side encoding and decoding, and allows you to delay mid and side channels independently.
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This plugin generates stereo bouncing echo’s, good for ’Trance’ vocals or wide reverb trails on pads.
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A wrapper for Chris Kerry’s low CPU, high quality pitch shifter.
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A simple ’rectangular’ delay network creates near-reflections
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Big Blue Delay is a multi-delay VST effect. It has 4 stereo delay modules, which can optionally be synced to the host application tempo.
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Built for live performance - It features a tap tempo function which makes it easy to create echoes that fit the timing of a live band.
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A simple tape delay -
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Besides being a CPU hog this plug-in goes further than most real tape delay machines. It’s capable of stereo delays, ping pong delays, multitap delays and complex delay textures.
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Odd Odo Delay is a dual-channel BPM syncable delay with resonant filter.
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2WarpDelay pairs two warped-lattice IIR filters with a pair of delay lines and a bitmap which it scans to extract filter coefficients.
A stereo signal is fed through two delay lines followed by a warped IIR lattice filter. The lattice filter can be of any order from 1 to 80 and uses reflection coefficients extracted from an image. This output is fed through a saturation stage and a ducking / limiting stage before being fed back, again, into the delay lines. The lattice filter is warped, and by adjusting the warping parameter its frequency response can be easily adjusted.
Resonance controls the distance between spectral peaks and spectral valleys in the filter transfer function, and cutoff controls the cutoff of a first-order low pass filter that follows the lattice filter.
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Multitap delay with panning and controllable morphing between settings.
Instead of controlling each echo separately, there’s a bunch of parametrized functions that you can use to generate various kinds of effects from weird reverb to bouncing delays to sonic textures.
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Klanglabs Glitch is a MIDI triggered random delay FX. Glitch sends a random delay time value on every MIDI note input so you basically grab a MIDI channel and sequence time changes. You can also specify the times by MIDI note number instead of a random value.
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2 delays (up to 10 sec)with tempo sync, 2 lfo (sine) with tempo sync for the filter and the delay time, 2 multi mode filters (2p, Cut, Res, LP, HP, LP, BR).
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FREE DUB/ECHO DELAY FX VSTi plugin
The ZA8 Dual-Delay plugin is windows only at the moment, it is more cpu friendly than the Dub Delay and acts pretty much in the same way.
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Important: This plugin in outdated - The Lower Rhythm has a new website, and a a new series of free plugins which are released exclusively here.
Designed with electric pianos, strings and pads in mind, Equivibe is a hybrid of an EQ and a vibrato effect. After splitting your input into 9 bands, those relative frequencies are then individually modulated by their own dedicated oscillator — which is, in turn, modulated by an additional oscillator.
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The Paris VST EQ is a 4-band stereo parametric VST equaliser plugin utilising the same algorithm as the E-mu/Ensoniq Paris system. It offers the same musicality and quirkiness as the original including soft-limiting, grungy distortion ability, and resonant behaviour under certain conditions.
Previously only accessible to those who owned the Paris custom DSP hardware, this unique EQ is now available to all PC DAW users. Paris users will also appreciate finally being able to have the same high quality EQ available on both native and card submixes.
Features:
- 4-band fully parametric EQ.
- Switchable EQ type per band - High pass, high shelf, peaking, low shelf, or low pass.
- Adjustable cut/boost for shelving and peaking types, and adjustable bandwidth (in octaves) for peaking type.
- Adjustable trim at output, allowing for level adjustment and saturation effects.
- Phase-reverse and all EQ in/out switches.
- 64-bit internal precision.
- Enough character to be an instrument unto itself.
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The EQ 2008S is an 8-band equalizer with separate controls for each stereo channel, a range of +/-20dB and fixed frequencies.
• 8-Band Equalizer each stereo channel
• +/-20dB range each band
• Input pre-gain control
• Dry/Wet mix control each stereo channel
• Output volume control
• Initialize and random controls
• Value display for exact adjustment
• Support for 16 presets each bank
• 11 presets included
• Channel link control
