Latest Music Software News
- Nassen RaX'n'TraX 1.4.9 2 Sep 2010, 4:35 pm
Nassen has updated RaX'n'TraX to version 1.4.9. - Kuassa Amplifikation One Update 2 Sep 2010, 4:33 pm
Kuassa has updated Amplifikation One to v1.1. - Plektron Guitar Amp Update 2 Sep 2010, 4:32 pm
Plektron has announced an update to its Guitar Amp amplifier simulator and multi-fx plug-in for Windows. - Hidenori Matsuoka Guitar Kit 2 Sep 2010, 4:31 pm
Hidenori Matsuoka has announced the release of Guitar Kit, a tool for searching guitar chord fingering patterns on the iPhone, iPod touch, and iPad. - Peavey AmpKit, AmpKit+ & AmpKit LiNK 2 Sep 2010, 4:22 pm
Peavey Electronics and Agile Partners have announced that the AmpKit and AmpKit+ Apps are available now on the Apple iTunes App Store. - Ohm Force Studio Teaser 4 2 Sep 2010, 2:31 pm
Part 4 of a 5 part series demonstrating Ohm's Studio- an online collaborative sequencer. - AudioSpillage updates DrumSpillage to v1.1 2 Sep 2010, 7:54 am
2nd September 2010: AudioSpillage has updated its DrumSpillage percussion synth plug-in to version 1.1. New Features: Improved support for automation recording and editing. Choke groups (12 groups ava. […] - Nassen updates RaX'n'TraX to v1.4.9 2 Sep 2010, 7:49 am
2nd September 2010: Nassen has updated RaX'n'TraX to version 1.4.9. Changes since v1.4.1: Drag "Key"-event to MONO panel. Extended window to draw Notes/Velocities in MONO panel (double-click on Note/V. […] - Sonic Reality releases Neil Peart Drums Vol. 1: The Kit 2 Sep 2010, 7:35 am
2nd September 2010: Sonic Reality has announced the release of Neil Peart Drums Vol. 1: The Kit, a music software recreation of the massive DW drum kit of legendary drummer of Rush, Neil Peart. It com. […] - HyperSynth releases SIDizer 2 Sep 2010, 7:30 am
2nd September 2010: HyperSynth has announced the release of SIDizer, a new emulation of the legendary SID chip in the form of a modern software synthesizer plug-in. Using circuit modeling technology,. […]
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45 MB, 166 various sounds for creating machinery ambience.
7 Categories, each with its own MIDI channel.
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Do you remember this certain song with a similar name? Download this, try “The G minor chord” and shine on!
You might even want to pick your guitar and pluck in some solo (you know, strat-like guitar, upper pickup, heavy compression - that’s the sound).
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Distortion + Feedback Synth VSTi
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Inspired by a request for a vst that could be used for a Horror film Soundtrack. This synth is dedicated to its namesake. A guy whose generosity knows no bounds!! This Plug is most likely the work of the D*v*l himself…
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Uses simulated digital logic to make itself sound bad. Don’t play too many high notes or your computer will explode.
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Some interesting synth sound effects.
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MM SY 52 PSYCHO Synth is a VST instrument.
2 oscillators with selectable waveforms + 1 suboscillator, 1 filtersection with selectable characteristics, 1 amp section with distortion and pan.
There are pitch- filter and amp envelopes with velocity control and 3 LFO’s with joystick control for easy programming.
This synth is a great source for huge basses and fat leads, but also for very strange fx to analoque-sounding pads and agressive synth sounds.
MM SY 52 PSYCHO synth can sound very powerful and also very thin and ill, depending on the parameters. Everything can be controlled with MIDI CC messages.
This synth is polyphonic (6 voices) and has no internal effects.
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MM SY 55 LEADER Synth is a VST instrument.
The architecture is quite simple : osc -> filter -> distortion -> amp, but the sounds are very different from this beast. Agressive, ill, manic and brutal are the main aspects of the presets and so the LEADER is best suited for agressive, dark and noisy type of music.
Don’t expect any nice pads or simulations of acoustic instruments from this synth.
Fat subbasses , heavy distorted Leads ( hence the name LEADER )and extreme FX are the domain of MM SY 55 LEADER.
This synth is monophonic, no internal effects and everything is controllable with MIDI CC messages.
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MM SY 59 VECTORIZOR Synth is a VST instrument. 2 oscillators with selectable waveforms and morphable variations ( x/y control ), 2 filters with morphing capabilities, ringmodulation, warping and distortion and autopan per oscillator. 4 syncable stepsequencers with slew and velocity control are used to modulate amp, filter1, filter 2, ringmodulation and warp.
The sound of this synth is determined by the 4 sequencers and 4 x/y controls, which can drastically alter the sound of the oscillators. As all sequencers sync to host, the MM SY 59 VECTORIZOR is best suited for rhythmic drones, moving pads and machine noises of all kinds. As the sequencers are all independent from each other, polyrhythmic sounds and technoid loops can be build very easy. MM SY 59 VECTORIZOR Synth is monophonic and no internal fx are included.
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MM SY 60 PHASEDISTORTAR Synth is a VST instrument, similar yet different to MM SY 59 VECTORIZOR. 3 oscillators with selectable waveforms and morphable variations ( x/y control )and phase distortion, 1 filters with morphing capabilities, warping, distortion and autopan. 4 syncable stepsequencers with slew and velocity control are used to modulate amp, filter, pitch of the osc2 and warp.
The sound of this synth is determined by the 4 sequencers and 4 x/y controls, which can drastically alter the sound of the oscillators. As all sequencers sync to host, the MM SY 60 PHASEDISTORTAR is best suited for rhythmic drones, moving pads and machine noises of all kinds. The overall sound is more transparent and complex, compared with its brother, the MM SY 59 VECTORIZOR. As the sequencers are all independent from each other, polyrhythmic sounds and technoid loops can be build very easy. MM SY 60 PHASEDISTORTAR Synth is monophonic and no internal fx are included.
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Moppeltron employs the Discrete-Summation Formulae (DSF) synthesis technique proposed by James A. Moorer. This technique has capabilities similar to those of frequency modulation, yet it has the advantage that the number of partials can be exactly specified and that also one-sided spectra can be generated. By morphing between two mixes of DSF parameter sets, Moppeltron is capable of synthesizing a wide variety of sounds and effects.
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Excellent dark sounds.
Morpheus is a velocity sensitive FM sampler with 2-pole multimode
filter. User can use any individual wave sample as modulator and
other one as carrier signal. It’s concept is very simple but it can
produce a wide range of quite unusual dark ambient, noise or industrial
atmospheric sounds in the spirit of David Lynch’s Eraserhead. When wide
stereo sample is used as a carrier (for example pad with lots of reverb)
one can achieve interesting stereo textures. These sounds beg for huge
delays and reverbs. Be not alarmed about the size of the download, it
includes few samples for the factory preset patches.
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This VSTi is temposynced and produce strange mushroom sounds!
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Extreme pitch envelopes and modulation for unpredictably stupid sounds. Has a “weird” pitch button that changes the intonation of the keyboard. This may be used in “upcoming” Piz songs, which means the future, which hasn’t happened yet.
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wavetable vst synthesizer - all kinds of interesting sounds, some of them can be used in a melodic fashion.
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Experimental synth. Some decent tones with a dirty, LP style static sound.
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All kinds of strange sounds, careful, it’s loud.
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xTal is an mp3 DJ Plugin
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Calculizer is a plugin aimed at creating digital blips and blops similar to these that Kraftwerk did back in the early 80’s in their track Pocket Calculator. The sound is an analog synthesizer with 2 oscilators. To each oscilators there are 2 sliders. One controlling the keyboard range, aka giving atonal results, and the other adds extra pitch to the oscilator. Each oscilator is holding 4 waves:
* Square
* Saw
* Triangle
* Sine
Each oscilator has an LFO connected to the pitch control. This gives a very digital sound. Each LFO has these waveforms:
* Sine
* Saw
* Ramp
* 100% pulse
* 50% pulse
* 25% pulse
* Fast random
* Slow random
The sound is finally processed through an ADSR VCA envelope.
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Electronic artist and programmer x|k
has developed the ABVSTI - a virtual
studio synth. This sound generator is
designed to plug into your studio
environmentand deliver some audiobulb
acoustic elements.
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loads 23 words wavefiles and plays them back sequentially/randomly in sync with host with randomised pitch, panning, looping, ’scratching’ (pitch envelope)
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Sounds like junk. Combines digital logic with extreme pitch modulation. Same old square “knobs.”
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This freeware synth uses a 6th order mass-spring and filtered noise for simple emulation of explosions.
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A syncable noise algorithm is precisely amplified and applied to three filters to create virtually any clap sound in existence.
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Phase distortion oscillator powered by clock-driven counter and graphic lfo. Sounds like casinos/pacman. Designed for live use.
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Crazy sounds modulator & generator
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A simple sine wave synthesizer with 128-note polyphony. Made to make funny little bloopy sounds, the pitch envelope is the important part
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Emulates the sounds of those selfmade siren units used by Dub and Reggae Sound Systems like Jah Shaka, Aba Shanti and countless others.
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filtered noise. There’s a highpass and lowpass filter in series. Their cutoff frequency is modulated by an LFO which you control with the joystick: X-axis is rate, Y-axis is depth.
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A Tone-deaf poly synth for the Kuso-Music style. Sounds ’out of tune’.
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This synth produce dirty radiolike pulsating sounds
syncronised to BPM. Good for idm, cut n click, noise and industrial.
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Add some ’satory’ to your music - in memory of John Cage.
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Two oscillators are combined in a variety of ways to modulate a third oscillator and presets are named after parts of the human head.
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Now you can easily play a variety of harsh, dissonant tones. The controls are labeled by tooltips; no further explanation should be needed.
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Emulates classic dub siren sounds and such.
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Ray gun noise maker.
* 1 oscillator (sine, square, saw, tri, noise, halfsine, trisaw)
* ADSR Amp envelope
* LFO speed and depth controls
* Onboard ping-pong delay
* 16 presets
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Thingumajig is a virtual ’digialog’ noise generating ’thing’.
? Thingumajig can be set to sync with your VST Host or set to free run.
? Thingumajig contains five oscillating thingamabobs: three rythmic thingamabobs, one clicky thingamabob, and one semi-melodic thingamabob.
? Three modifier doohickeys that control various whatchamacallits.
? Three ADSRs with emphasis that control various whatchamacallits of the oscillating thingamabobs.
? Three rows of blinkies with flow controls.
? Three doodads that reduce certain oscillating thingamabobs without affecting other vibrations passing through it.
? Three sync delay doodads.
? A randomly controllable S&H gilhickie.
? 4 Mini-Style buttons.
? Rows of sliding and rotating thingies.
? Pretty light-emitting diodes.
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Kill Bill has a tune in its soundtrack by Ennio Morricone featuring a haunting and evocative whistling. This ’mini-synth’ is designed solely to re-create that sound - just add reverb. This shepherd likes to whistle while he works.
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Three synthesizers (two mono, one poly) based upon various cross-modulations and feedback paths. While they are definitely up to the task when it comes to barfing out obnoxiousness and noise, they’re also able to create plenty of pleasant sounds that add fresh texture to otherwise basic synth tones.
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Mindrot is an experimental synthesizer that primarily creates its sound by modulating an envelope generator. After that things start to get hazy: 14 faders, 13 buttons and 4 knobs of pure, unlabeled, modulation chaos.
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