• Recent Additions

  • CamelCrusher
  • Boogex
  • Bipolar Distortion
  • Detuna
  • 7 Inch Nails Destructa
  • Sypan Autopan
  • Flanga
  • KHO Chorus
  • Phasa
  • FreeverbToo
  • MdspCompressor
  • MdspDuckDelay
  • MdspFlanger
  • Analog Delay
  • MdspDuckVerb
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BetaBugsAudio

Its primary function is to shift the phase of an incoming audio signal. This is a critical function in fixing source signals that have phase errors in relation to one another, which can cause inappropriate cancellation or reinforcement of frequencies in a mix.

BetaBugsAudio

Simple Squeeze is a one knob overdrive unit. Auto gain make-up is present, and there is an always-on smooth brick-wall limiter at the end, just to make sure you never get any nasty digital clipping. The knob simultaneously controls threshold and gain, so that the more you crank it, the more squashed your signal gets.

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BetaBugsAudio

MonstaChorus a true analog style stereo chorus effect with a simple set of controls and fantastic sound quality. It features the usual depth and speed controls, plus a mixture knob to control the ratio of original to effected signal.

BetaBugsAudio

Crayon Filter is a multi-band filter plug-in. The band controls allow you to add a type of filter to the output of the signal. You can engage up to five filter types at once (one of each type). Low Pass attenuates high frequencies, giving your sound a “dull” feel. Band Pass attenuates both above and below the cutoff frequency, for a “thin” or “nasal” sound…

BetaBugsAudio

The BetabugsAudio edition of George Yohng’s W1 takes the same spectacular limiting engine and gives it a new interface.

BetaBugsAudio

Bugpass is a a dual-function plug-in. Its primary job is to serve as a bandpass filter, with sliders which enable a quick visual reference to the size of the frequency band being passed through. However, by reversing the sliderpositions, BugPass will also serve as a notch filter, eliminating frequencies between the sliders while leaving the remaining frequencies intact.

BetaBugsAudio

Moneo is a stereo plug-in which treats each channel as a separate monaural source. Each channel may then have its volume attenuated, its position in the stereo field panned, and its sonic character altered with a resonant lowor high-pass filter if you so choose. Moneo is equally comfortable with basic functionality (forcing mono) or inventive destruction of a source’s original spatial and spectral identity!

BetaBugsAudio

SVF2 is a 2-pole State Variable Filter (12 dB/oct) which gives the user the option of using low pass, band pass, band reject, high pass, or peak filter output for each stereo channel. More importantly, the user can morph between filter types as he sees fit, and modify the order in which each filter type morphs into the next. This can result in some truly dramatic phase effects, making the SVF2 a powerful creative tool.

BetaBugsAudio

A simple tool to enhance the stereo sound of your audio material.

BetaBugsAudio

Spinbug combines a traditional “rotary speaker” effect with a set of new possibilities and parameters, all packaged into a simple and beautiful interface. SpinBug uses phase relationships and a low freq. oscillator in order to reproduce an effect produced by Leslie speakers.

BetaBugsAudio

GetaBlitch Jr. is a sequenced gate effect that is different from traditional “trance gates” in two significant ways: first, it uses MIDI to sequence the gate, rather than a built-in step sequencer; second, it gates the left and right channels of a stereo signal independently and potentially simultaneously.

DigitalFishPhones

BLOCKFISH is a versatile compressor with countless ways to shape the incoming audio.
Unlike many other digital compressors, BLOCKFISH has ’soul’. It likes to bite, but it can be tamed easily once you’ve learned how to use its potential.

SPITFISH is a dead-easy to use de-esser, aimed mainly at mono or stereo vocal tracks. Just like classic analog de-essers, this unit dynamically filters out harsh, annoying s-like sounds that would otherwise ’spit’ in your face.

FLOORFISH is a simple expander / gate device, easy to set up and offers a broad variety of processing, ranging from slight expansion, backgound noise attenuation to extreme gating effects.
What’s different from similar units is the ability to scan the source and adjust the transistion curve accordingly.

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DigitalFishPhones

Dominion is a tool to shape the envelope of a signal, giving you total control of the signal’s attack & sustain phase.

Features:

• Envelope section. Adjust attack & sustain independently, regardless of input level. Plus, you have control over the envelopes’ time constants. Imagine pulling a drummer up front or pushing him to the background by dragging just a single slider! Feel like moving the walls around him? Again, a single push enhances the room information or can make the sound really dry.
• Saturation stage. The plugin can help to reduce harshness often associated with digital recordings, giving back some warmth and life to your source by modelling classic analog equipment. The tonal character stays adjustable within a broad range.
• High frequency details section. Similar to classic exciter circuits, this section allows you to brighten up a signal, giving transparency and depth by generating additional harmonics.
• Non-clipping output stage. Like the endorphin compressor, a brickwall waveshaper circuit ensures that the output won’t exceed -0.1dBFS, while remaining sonically clean.

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DigitalFishPhones

Endorphin is a specialist for complex sources like a mixdown, after having made minor sonic adjustments and right before burning the track to CD.
Furthermore, it can help to increase depth, definition and loudness of a track.
It’s an ‘analog-style’ compressor: endorphin uses models like frequency-dependent nonlinear operation, different harmonics creation stages as well as two basic compressor circuits taken from the analog realm.

Nick Crow

Wagner Sharp is based on real tube stage modeling.

Features:

• CUT LOW, HIGH - input High Pass and Low Pass filters
• DRIVE - Determines the amount of gain applied by the preamp
• BASS, MIDDLE, FREQ, TREBLE - Tone Stack gain controls
• FREQ - middle frequency tune
• VOLUME - Output level. When light red led - decrease VOLUME value
• QUALITY - Internal plugin SampleRate in realtime (control of oversampling). SampleRate always has a maximum value in Render (Mixdown) mode of VST host (if supported by host)
• POWER - Switch plug-in in bypass mode

BTEAudio

Soft clipping alone is not sufficient to emulate the elusive creamy character of a legendary vintage overdrive pedal. In order to explore the secret ingredients of legendary sound and feel, every subtlety throughout the entire signal path should be meticulously analyzed and documented. Only this ensures authentic recreation of the exact sound and feel of the legend in the digital domain. TS’ Secret is the result of this keen but painful philosophy. Just like its legendary role model, TS’ Secret preserves the original dynamics of its input signal, which avoids muddiness and vastly improves clarity and responsiveness. Regardless of the overdrive amount, it stays in focus and delivers the ultimate touch sensitive dynamic punch.

habib.webhost.pl

“keFIR” is a VST, zero latency, FIR filter based on impulse responses loaded from wave files. Filter length can be adjusted to maximum of 8K taps.
It has a “mix” knob for mixing input with output, “gain” knob for setting output volume level, “length” knob for setting filter length (you can also set the length by clicking right mouse button on impulse response). Adjusting filter length will linearly affect CPU usage, more taps used require more CPU power. User can optimize it by choosing proper filter length, for example some amp cabinet impulse responses have long tail of ‘almost zero’ coefficients which can be shortened without audible difference, to save some extra CPU cycles.
There are two versions available: mono (keFIR_v1.dll) and stereo (keFIR_v1_2ch.dll).

habib.webhost.pl

“Extremist” is a VST multi-effect plugin for guitars on Windows OS. It’s main purpose is distorting guitar signal to receive ‘extremely heavy sound’. This effect is NOT a tube amplifier simulator, and it is NOT a cabinet simulator, however some methods of altering signal are similar to tube amplification characteristics, but only similar!
The effect works in stereo mode, without any latency. It uses 15-band stereo equalizer.

Settings:

Drive, Dry, Wet, Volume - amplification & mixing signals knobs.
Feedback - level of signal feed back.
Clip - clipping level.
Reverb - stereofonic reverb effect, adjustable up to mid delay.
Mid Boost - mid tones booster.
Eq Q - width of equalizer each frequency band.
Pre HPF - filtering low frequencies of effect input.
Post LPF - filtering high frequencies of effect output.
Noise gate - noise gate.
Amp curve - amplification characteristic.
Lock bars - operate equalizer sliders in mono/stereo.
Post gating - noise gate applied before/after effect.
Smoothing - signal smoothing (hiss reduction).

BTEAudio

Inspired from its legendary role model which has set the industry standard for high gain amplifiers, Juicy 77 aims to become the definitive benchmark for crystal clear articulation, solid punch and singing sustain in the digital domain. With separate preamplifier and power amplifier sections and a loudspeaker cabinet simulator section that includes seven classical cabinet types, Juicy77 modestly delivers instant gratification to musicians who are looking for the ultimate high gain experience.

Nick Crow

TubeDriver is a tube amplifier designed to enrich the signal with warm tube saturation. It’s based on real tube stage modeling.

FluxHome

Turning the central button on the sweet side, decreases the transients amplitude. On the bitter side, the transients amplitude is magnified. Bitter-Sweet also features a control for the signal to be processed. When the main position is engaged, the process affects the stereo signal. If Center is engaged, only the M signal of the internal MS matrix is processed. If stereo is selected, only the S signal from the MS matrix is processed. Three transient detection modes can be selected. A varying period of integration for transients can be accessed. A Link function is available to compensate the output gain regarding the transient processing setting.

As all Flux:: plug-ins it features 64 bit floating point processing, up to 8 channels and up to 8 FS (384 KHz). Center and Stereo Modes are only available in stereo (2 channels) processing.

StudioDevil

Guitar Amp Modeling VST Plug-In for Windows and Mac

Features:

• British High-Gain Amp emulation based on Marshall(R) stack!
• Power Amp Drive Control to adjust natural power amp compression.
• Built In 4×12 Cabinet Emulation!
• Realistic Tone Controls: Bass, Mids, Treble, and Presence
• Professional Sampling Rates: 44.1kHz, 48kHz, 88.2kHz, 96kHz, 176.4kHz, and 192kHz support!
• 4X Up-Sampling Engine with 64-bit Floating-Point Internal Precision
• Compatible with Windows and Mac VST hosts!

KjaerhusAudio

The Classic Auto-Filter is an analog modeled four-pole filter with resonance control. It can be used for creative effects like auto-wah-wah and filter sweeps, as well as a fixed filter for equalizing purposes. The filter is selectable between low-pass, high-pass, band-pass and band-reject (notch). The filter cut-off frequency can be modulated from the envelope follower and the LFO.

Key Features

		Modulated four pole filter with resonance
		Syncable LFO with sine, random-hold and stereo spread
		Envelope follower with adjustable attack and release
		Presets
		Very low CPU usage
		Supports sampling rates on and above 44100 Hz
		Full VST automation

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KjaerhusAudio

Classic Reverb is a nice and smooth reverb that does a good job on almost any instrument. It can be adjusted to sound like most any acoustic space, ranging from a small shower to a large concert hall. With the “Hi-Damping” control, it is possible to change the sound from bright and sibilant to a more natural / warmer sound.

Key Features

		Smooth stereo reverb effect
		Ajustable roomsize and damping
		Low cut filter
		Host Synchronization
		Presets
		Low CPU usage
		Supports sampling rates up to 96kHz
		Full VST automation

KjaerhusAudio

The Classic Phaser emulates analog phasers from the 70’s and 80’s. These vintage phasers got their characteristic sound from the analog phase shifting filters used, unlike the delay lines used in most modern digital phasers. To get a deeper and fatter phasing effect, more filter stages were cascaded. The Classic Phaser works just like an analog phaser, and with selectable filter stages from 4 to 12, it can resemble anything from phaser pedals to expensive studio phasers from that time period.

Key Features

		Analog modelled phaser effects
		4 to 12 filter stages
		Stereo spread
		Host Synchronization
		Presets
		Ultra low CPU usage
		Supports sampling rates from 44.1kHz and up
		Full VST automation

KjaerhusAudio

The Classic Master Limiter VST plugin is specially designed to boost the overall level of your final mixes, but is also highly useable on very dynamic instruments. With just one control on the front panel operation is as simple as it gets; just turn the Threshold down and hear how your mixes gets louder and louder. Very high compression ratios can be obtained without changing the balance of the mix.

Key Features

		Loudness maximizing
		Brick wall limiting
		Automatic makeup gain
		VU meter
		Presets
		Very low CPU usage
		Supports sampling rates up to 192kHz
		Full VST automation

KjaerhusAudio

Take a trip back to the mid 80’s with our Classic Flanger. It will give you that subtle or massive swirling effect that is used mainly for guitar, but can be used for many other instruments as well. Due to a tightly controlled feedback path, it is possible to boost the flanging effect to maximum without getting unwanted side effects.

Key Features

		Smooth Flanger effects
		Stereo spread
		Host Synchronization
		Presets
		Ultra low CPU usage
		Supports sampling rates up to 96kHz
		Full VST automation

KjaerhusAudio

Classic EQ is a 7 Band Stereo Equaliser with a warm analog sound, well suited to make non-surgical tonal corrections on all instruments, vocals and final mixes. The passive and additive structure, together with unique “Warm” and “Saturation” algorithms, produces warm and pleasant sound, just like some of the most expensive vintage gear. The left and right channels can be adjusted individually or linked together.

Key Features

		Seven band stereo equalization
		Separate left and right channel adjustments
		Warming and Saturation
		Stereo Link
		VU meter
		Presets
		Ultra low CPU usage
		Supports all sampling rates from 44100 and up
		Full VST automation

KjaerhusAudio

The Classic Delay emulates three of the most commonly used delays / echo sounds types: Tape, Analog, and Digital, but without the introduction of noise. A quality control is included where the sound of the echo machine can be adjusted to give the preferred amount of “imperfection”. The delay can be synchronised to the host, and the feedback can be reversed to give a ping-pong effect.

Key Features

		Tape-, Analog- and Digital Delay sound
		Ping-pong delay
		Quality control
		Filters
		Presets
		Ultra low CPU usage
		Supports sampling rates up to 96kHz
		Full VST automation

KjaerhusAudio

Classic Compressor is a classic analog style VST Compressor Plugin with a lot of warmth and punch. Special designed to use on individual Instruments and Vocal, but also useable on your final mixes.

Key Features

		Smooth Compression
		Ajustable ratio up to limiting
		Ajustable attack and release times
		Ajustable knee (hard to soft)
		Gain reduction LED
		Presets
		Ultra low CPU usage
		Supports all sampling rates
		Full VST automation

KjaerhusAudio

Classic Chorus is a great sounding and easy to use classical Chorus VST plugin. Nice Plugin for adding Depth, Fatness and Stereo perspective to almost any Electrical Instruments or Vocal.

Key Features

		Smooth Chorus effects
		Stereo spread
		Presets
		Ultra low CPU usage
		Supports sampling rates up to 96kHz
		Full VST automation

Jeroen Breebaart

Omniverb is a reverberation plugin with separate control of the reverberation time, echo density, room size, and early reflections. It can also be used as a gated reverb.

SmartElectronix

NOTE: Ambience is donationware : this means that you are kindly asked to send some money to the author if you like it or make any profit using it.

Ambience is a high-quality reverb plug-in with some unusual fonctions, like a gater.

FuzzPilz

Charsiesis is a chorus / general wackiness effect - the concept is that several delayed copies of the signal are summed together, with each delay length changing at a random rate that is regenerated periodically.

Majken

Pan-Oh!-Rama is an LFO driven Auto-Panner/Tremolo/Dual Filter.

Features:

• 6 LFOs using 18 waveshapes for modulation.
• Dual filterbanks using 6 filter types.
• Easy modulation routing.
• 24 built in presets.
• Comes in both Mono and Stereo versions.
• Detailed manual included.

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Ohmforce

Frohmage is a multi-band resonant filter. It can offer some unique sounds, from slow and deep filter sweeps to the most savage tones with high resonance setting and heavy distortion.

Features:

Voxengo

Overtone GEQ is 7-band harmonic (overtone) graphic equalizer with multi-channel support (supporting up to 8 input/output channels, host setup-dependent). Overtone GEQ offers extensive internal channel routing capabilities, and supports mid/side channel processing.

Beside equalizing, Overtone GEQ applies harmonic enhancement processing: it uses 7 harmonic enhancement modules, one for each EQ band. This generates a complex harmonic coloration you will probably like a lot.

Overtone GEQ was designed to allow audio engineers to apply quick EQ shape adjustments together with adding a bit of harmonic richness to the audio material (mainly mixes and sub-mixes due to a comparably high processing load this EQ puts on a CPU).

tinbrooketales

Features

• Increase gain by limiting the signal with a “pumping/saturated” character depending on pressure/release settings
• Adjustable input gain upwards
• Adjustable pressure (a mix of attack/ratio)
• Adjustable release1 , the over all release time
• Adjustable release2 , controls the “overload” portion of release1 where fast envelope moves will be suppressed
• Adjustable output , to compensate gain changes with clip indicator
• Soft/Hard mode button, ‘Soft’ mode will polish the envelope curve to minimize artifacts
• Low Punch mode button, control an allpass filter centered around 200hz
• Stereo Link mode button to preserve stereo field
• Stereo link quality button normal/HQ
• The two Stereo mode buttons will be greyed out when processing a mono signal
• Gain Reduction led indicator
• Small indicator around the Gain Reduction led i