• Recent Additions

  • Octave Factory
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  • Ion Buddy
  • Maxxymiser
  • The Ghost
  • Plastic Guitarist
  • Noise Feather
  • Guitar Malfunction
  • PitchCity
  • Double Project
  • Substantial Amp
  • Slapmaster
  • Dudeosity
  • Dudelizer
• 
  

sweetboy

With Volcano, you get an easy to use for mastering or some else. It combines peak limiter and level maximizer. You need not to control many parameters, only 4 parameters there.

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Piz

Un-smooths incoming CC data, synchronized with the host.

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Piz

Resizable piano keyboard to monitor/play midi notes.

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Piz

Sends midi directly to an output port.

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Piz

1 to 64 buttons/sliders/XY-pads that send learnable midi messages, with resizable GUI. Very configurable. Each pad can optionally show an svg/png/jpg/gif image (drag & drop to load images).

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Piz

This is a collection of cross-platform midi VST plugins

midi16CCRouter - Changes up to 16 CCs to 16 other CCs.
midi2qwerty16 - Use MIDI to trigger fake keystrokes to the focused window.
midiAudioToCC - Converts audio amplitude to CC messages.
midiCCModulator - Use one CC to modulate another CC (or note velocity) in various ways: add/subtract/multiply/etc, plus logic gates (AND, NAND, XNOR, etc).
midiCCReset - Remembers CC values and sends them out again at selected times.
midiCCStepper - Quantize CC events by value or in time.
midiCCToggle - For changing momentary CC buttons into toggles.
midiChannelize - Transforms everything to the selected channel.
midiChs_noGUI - Channel filter/changer like energyXT1 “MIDI chs” component.
midiConverter2 - Change and convert between CC, Channel Pressure, Poly Aftertouch, Program Change, Pitch Bend, NRPN/RPN, and Note On/Off messages in various ways.
midiDelay - Delay notes and/or CCs with feedback.
midiDuplicateBlocker - Remembers all MIDI message values it gets on each channel, and blocks any repeated values until a different value is received.
midiExactDelay - Simple delay (no dry signal, no feedback) with flexible and precise delay time.
midiFingered - Selectively sends standard portamento on/off CC messages to emulate “fingered portamento” for synths that don’t have it.
midiForceToKey - Enforces a scale, and transposes within the scale (optionally based on MIDI notes on a selected channel).
midiForceToRange - Transposes notes by octave into the selected range.
midiInvertNotes - “Mirrors” notes centered around the selected note.
midiKeySplit - Simple keyboard splitter.
midiNotchFilter - Isolate, remove, or channelize specific MIDI messages.
midiNotesToCC - Converts note number and velocity to CC messages.
midiNoteToggle - Notes (optionally within a selected range and/or channel) are toggled… play a note once to turn it on, play it again to turn it off.
midiNRPNConverter - Converts between NRPN/RPN and CC messages, with 16 conversion slots.
midiPolyphony - For spreading polyphony across MIDI channels, i.e. if you play 4 notes, each one will go to a different channel. Polyphony per channel can be set from 1 to 16 notes for more flexibility. You can also use it to convert polyphonic input to monophonic output.
midiProbability - Add probability-based effects to incoming MIDI events, optionally synced to host timeline.
midiProgramChange - Send Program Change and/or Bank Select messages.
midiSimpleLFO - One CC LFO with some “simple” options.
midiSostenuto - Like a piano sostenuto pedal, but for MIDI notes instead of piano dampers.
midiStrum - Sequentially delays notes of an input chord to simulate strumming.
midiStuckNoteKiller - Sends note-off messages to end hanging notes when the host stops (for hosts that don’t do this themselves).
midiSwing - Delays and/or offsets velocity of and applies probability to notes (and optionally also CCs) at every other step of a selected note value.
midiVelocityScaler - Scale/reverse/offset velocity of input notes (Note On and/or Note Off).

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Piz

Generates random MIDI notes in “real time.” Adjustable pitch and velocity center/range, note length, and so on.

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shuriken.se

Eckel is a midi generating VST based on the eucledian algorithm

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shuriken.se

Let’s assume that you have a stereo track in which an acoustic guitar is the only instrument in the left channel, and a voice is the only signal in the right. If you pan all left, you might intuitively think that the singer will gradually be heard in the left channel. But with typical hardware and software panning solutions, this is not so!

Instead, the singer’s voice is merely lowered until it cannot be heard at all. You may find yourself with a stereo track in which you want to hear all of the instruments or sounds, but simply want to change the entire track’s relative stereo position.

Returning to the above example, if you use Fondleo to pan all left, the singer’s voice will gradually blend into the left as it is faded out from the right. The end result: your entire stereo track ends in the left channel– guitar and voice.

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shuriken.se

Hook SqakAttack up with audio and midi then when you press a midi note whats currently coming in on audio will be used to synthesize that note. Very ’glitchy’ sound.

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shuriken.se

Shredder is a sampler designed to be easy to use and fun to play with. it has 12 slots for samples that are controllable via midinotes or automatable parameters aswell as a gui.

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shuriken.se

Real-time sample assembler that accumulates loops from live or prerecorded audio sources.

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shuriken.se

Chops up buffers and plays them back. You can choose the length of the piece of audio played back and when to apply it.

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shuriken.se

Kerrstinn changes your loops randomly with both moving slices of it around and or applying effects to the slices according to rules that we call generators. It is sort of an automatic controllable recallable loop slicer.

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Kelly Industries

This plug-in is designed for use in Cubase and Nuendo. It simulates the bass management systems found on most dolby digital and dts surround sound receivers. This allows surround sound engineers to hear what their 5.1 surround mix sounds like without having to burn a CDr or DVDr and then play it through a consumer 5.1 surround receiver.

This plug-in is to be used as a Master Plug-in. This plug-in is to be used for monitoring only. This means you turn off the plug-in when you render your main audio files.

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Kelly Industries

The LCRS Encoder VST Plug-in is especially designed for Cubase and Nuendo. It is an LCRS 4:2 Matrix Encoder. It is not a Dolby Digital AC-3 Encoder. It encodes 4 channels (Left, Center, Right, Surround) into two channels (stereo) for playback on Dolby Pro Logic Style receivers and decoders. If you playback audio encoded using this encoder on a normal stereo you won’t hear the surround channel but instead you will hear the out of phase information that may appear to be coming from inside your head. This plug can be used with the 5.1, 6.0, 6.1 and most other surround formats found in Nuendo and Cubase. It must have a surround channel. It is recommended that you switch to the LCRS format otherwise there will likely be unexpected results. You should note that you can only pan a single sound at a time. This is more of a limitation with Dolby Pro Logic Decoders and not the plug-in.

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Kelly Industries

The Stereo Tools VST Plug-in is a simple to use utility plug-in that allows you to pan or position both the left and right channels independently of one another. This is a 2 input and 2 output plug-in. It works well for stereo files that you don’t want to have to convert to mono or if you want to fix a problem with the stereo file. For instance with the Stereo Tools plug-in you can MUTE one side of the file and then pan or position the other side to the center. You can then pan this file using the Nuendo or Cubase panner. You can also use the plug-in to remove the center information (voice remover), as well as sum both the left and right channels together. You can also work with files in the Mid/Side format.

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TAL

TAL-Vocoder is a vintage vocoder emulation with 11 bands that emulates the sound of vocoders from the early 80’s. It includes analog modeled components in combination with digital algorithms such as the SFFT (Short-Time Fast Fourier Transform).
This vocoder does not make a direct convolution of the carrier and modulation signal as other digital vocoders maybe do. It includes an envelope follower for every of the eleven bands. This vocoder is optimized for voice processing and includes some algorithms for consonants to make the voice more intelligible.
The carrier signal is a VCO (Voltage Controlled Oscillator) with a Pulse, Saw, Noise and SubOsc. But it’s also possible to use the left stereo input as carrier. This way every sound source can be used as carrier signal. This plug-in supports every sample rate.

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TAL

TAL-Flanger is a easy to tweak stereo flanger effect with its own special sound and some asymmetric analog like components in the feedback corner. Useful for a wide range of flanger effects from subtle to extreme.

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TAL

TAL-Phaser is a carefully modelled stereo phaser effect. The user can choose between two, four and six stages. Its possible to adjust the lowest and highest frequency of the filter.

* Two, four and six stages.
* Syncable LFO.
* Lowest- and highest-frequency adjustable.
* Stereo phase offset from 0 to 180 degree.
* Feedback (a very small amount of second order distortion in the feedback path).
* Adjustable Dry/Wet.

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TAL

TAL-Dub is a vintage style delay effect. It can be used for a wide range of delay effects from clean to extreme distorted, resonating never ending delays
* 12dB resonance filter
* Low cut filter
* Maximal 4 Seconds delay time
* Limiter with distortion for rising feedbacks or loud inputs
* Delay time and feedback for each channel (linkable)
* Input signal swap (L/R swap)
* Filter feedback and filter fx mode (filter in feedback path or as post fx)
* Filter mode for input (input signal will be filtered too)
* Easy to use midi learn

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TAL

This is a standalone version of the chorus implemented in U-NO-60.

* Characteristics of the Juno-60 chorus
* 2 modes
* Dry/wet adjustable
* Volume knob
* Low CPU

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TAL

Warm and clean sounding Resonance Filter Modul:

* 24 dB lowpass filter
* 12 dB bandpass/highpass filter
* MIDI learn (resonance, cutoff)
* parameter smoothing

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Sonic Assault

4 Host Synced/Manual 1-16 Step Sequencers with Level Scaling and Invert Controls
Step/Interpolation Control
2 SV Filters with Selectable Decay Rates
Independent Mono/Stereo Processing of Frequency and Resonance
4 ADSR Envelope Generators with Host Sync or MIDI Triggering
Switchable High/Low Frequency Display (not visable above)
Host Synced/Manual BPM Selection
Input Level Controls with Overload Indicators
Free Run/Host Locked Operation
Default Position Reset on all Sliders and Rotary Controls
Partial Automation
User Assignable Automation Capability

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Sonic Assault

MIDI CC and NRPN/RPN data output
Host Synced/Manual 1-16 Step Sequencer with Level Scaling
2 MIDI Controller Output Lines with independent MIDI Channel selection and Invert Controls
Switchable MIDI Data Output Display
Switchable Line Max/Min Value Display (not visable above)
Host Synced/Manual BPM Selection
Step/Interpolation Switch
Timing Indicator
MIDI Controllers Reset Switch

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Sonic Assault

Basic Stereo 10-Band Graphic Equalizer
Selectable 24db / 12db / 6db / 3db Range
Left/Right Channel Slider Lock
Left/Right Channel and Individual Slider Default Reset
128 Patches

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Sonic Assault

Tapped BPM calculated from a 4 tap average.
Midi Channel Selection.
Mouse, Midi Controller or MIDI Note Operation.
Fine BPM Adjustment Controls
Host Tempo Update (Host Dependant).
User Adjustable Metronome.
32 Patch Slots.

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SILVERSPIKE

Silverspike TapeIt 2 is a VST-Plugin to record audio streams creating wave files in real-time. You can plug TapeIt 2 into your VST host application at any point accepting VST plugins. Unlike most other plugins, TapeIt 2 does not change the sound of your audio. But, while copying the sound unaltered from input to output, TapeIt 2 writes it to a standard WAV file. This way you can grab any audio signal that appears at one of the plugin-points of your audio application.

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SILVERSPIKE

RubyTube simulates tube preamps for those that can’t forget. If you are missing that subtle sparkling and compression that you get when using ancient audio equipment, RubyTube might be something for you. And like many other good things in life, RubyTube is free.

RubyTube is a real time, digital tube amp simulator. RubyTube simulates the saturation effect that can be found in audio equipment with vacuum tubes. This effect is usually hardly noticable but it is responsible for the classic tube sound. Sometimes its just a sparkle on the voice and a slight compression of drums and bass that makes the difference between a neutral recording and a warm and full sounding song.

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SILVERSPIKE

Simulates rooms the physical way. Two virtual loudspeakers and two virtual microphones can be positioned freely. RoomMachine 844 takes care of the rest. RoomMachine 844 is a real time, digital audio room simulator capable of capturing the characteristic spacial sound of natural rooms.

RoomMachine 844 is not a reverb effect that delivers long, silky reverberation tails (try R2 or Reverb.it if you are looking for that), instead RoomMachine focuses on early reflections determined by the position of sound source and listener. RoomMachine 844 puts your track right into the room. Can be used as a master effect but is even more useful on single tracks or sections.

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Soma

This plugin will trigger a CC to follow a 6 stage Hold-Attack-Hold-Decay-Sustain-Release type envelope upon receiving a note.
This can be used for adding extra modulation envelopes to synths and effects or even other complex midi chains.
For example you can make the feedback on a short delay increase when you play a note on a synth. Or you make the plugin to control a parameter that you wish had modulation but doesn’t on your synth, such as mix on Synth1. Or you could even use it to control the position of a Soma audio scanner hooked up to several effects to make the sound morph during note ons.

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Soma

The audio switcher uses a note from octave 1 to switch the input to 1 of 12 corresponding audio outputs.

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Soma

Deluxe CC scanner

This little beauty stores 2 values for 12 CC’s (Max/Min). There is a Position fader that will change a CC’s Value from setting 1 to setting 2 as it gets closer to it. You can control how close the position has to be to start effecting the values using the Width knob. You can control how fast the actual position follows your movements using the glide knob. You can fade from 0 to the faders’ max values or from max to 0 using the Amp knob. You can cross fade (invert) the Max and Min values using the Max/Min crossfading knob. You can set which CC with be the 1st of the 12 (e.g. if set to 6 then CC’s will be 6-17) using the First controller dropdown. You can control the start and end positions by pressing the Numbers (fun when automated). There are also your standard midi learn functions (press learn, move GUI, move an incoming CC).

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Soma

This is a MIDI CC morpher

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Soma

Use this plug to send a little chaos to a CC.

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Soma

a simple MIDI switcher, sends to 12 seperate channels.

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Soma

Follows Audio-In to make a CC envelope.

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Soma

Transport Detector can send MIDI clock and a CC on a start/stop to the VST midi out.

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Soma

A basic plugin for adding time to ramp up/down CC changes.

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Soma

Allows you to control 6 CC’s at a time with your mouse.

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Soma

This plugin will trigger a note, from a table you set up, when a note in the input range is received.

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Soma

a series of 4 audio crossfaders.
Features include a glide for smooth transitions. Midi learn is included by clicking on the lightning bolt.

The “in” series takes one input and allows you to cross fade it across several outputs. It is similar to the scanner module in Reaktor.

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Soma

Transposes, humanizes and scales velocity, offers spring loaded Pitch bend, CC X/Y pad and custom CC wheel.

* Transpose w/ bypass
* Velocity Scale w/ humanize and bypass
* X/Y joystick with pitch bend and custom CC
* snapback value for the custom CC is user defined
* 1 extra wheel for user defined CC
* 8 preset buttons for quick switching
* Clicking on a parameter value will reset the parameter to the default position.

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Jeff Rippe

SubFilterII is an expanded version of the original SubFilter plug-in with a wider range of cutoff frequencies. SubFilterII has a selectable cutoff slope of -12, -24 or -36dB/Octave and a cutoff frequency variable from 10Hz to 1KHz. The filter is extremely useful for removing thumps, bumps and low frequency rumble noise from your audio. The filter has 2 controls: cutoff slope and cutoff frequency. The passband is flat (Butterworth filter) and has unity gain. In addition to audio cleanup tasks, SubFilterII can be used with HyperFilter (below) to create “am radio”, “megaphone” and other classic sounds.

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Jeff Rippe

Telephone is a simple yet highly realistic telephone audio simulator. This plug-in uses very steep, 6 pole high-pass and low-pass filters to create the telephone audio bandwidth of 350Hz - 3KHz. A granulizer reduces the resolution to 8 bits just like the phone company! Works with both mono and stereo signals.

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Jeff Rippe

HyperFilter is a high frequency filter with a selectable cutoff slope of -12, -24 or -36dB/Octave. The filter is extremely useful for removing hiss, crackles and even sampling noise from your audio. The filter has 2 controls: cutoff slope and cutoff frequency. The cutoff frequency is variable from 1KHz to 20KHz. The passband is flat (Butterworth filter) and has unity gain. The cutoff frequency upper limit is automatically adjusted depending on sample rate (for example, upper limit when used on 22.05KHz sample rate signals is 10KHz).

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Jeff Rippe

SimpleQ is a FREE plug-in that emulates the simple Bass/Treble tone controls found on stereos and smaller mixing consoles. While simple in operation, this plug in is extremely useful. SimpleQ is a “shelving” equalizer that can boost or cut the high or low frequencies by up to 10dB.

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Jeff Rippe

The Saturator is a FREE plug-in that emulates the non-linear curve of analog tape in saturation. The Saturator can add up to 6dB of gain to the signal to push it into overdrive whereby soft clipping begins. When used properly the Saturator can add that “analog sound” to your tracks or can be used to boost low level signals giving them an “analog edge”.

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Jeff Rippe

Flipper is a simple little plug that does an important job. It takes the input signal, in either mono or stereo, and inverts the polarity (a.k.a., “Phase Invert”) just like the “Phase Invert” button found on most larger mixing consoles. If your mono or stereo tracks sound unusually thin it could be because of phase problems. You can flip the phase of a wave file using wave editors but once you do you’re more or less stuck with the result. Instead, INSERT Flipper into your mixer channel INSERT and try it out in real time. Flipper can also be used to purposely generate out of phase signals or as a simple “Vocal eliminator” on stereo mixes (flip the phase of one side and mix the stereo tracks together in mono - whatever was centered in the mix will disappear).

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saschazone

This little effect records incoming audio for a predefined time and drops it freezed back to the main signal..

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Steve Thomson

V.I is a free VST plugin for designed to convert a stereo input to a 5.1 audio output. You can then save this data in a file and encode it into a surround sound file using appropriate software. V.I cannot go back into a recording studio and separate the original multitrack audio into separate channels, but it can extract ambience information embedded in the stereo audio and redistribute it among 5.1 channels. Recording engineers, audio engineers and enthusiasts have been doing this kind of thing for years in one way or another. V.I simply combines some of their techniques in one VST plugin.

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