Latest Music Software News
- rs-met CrossOver 12 Mar 2010, 2:25 pm
rs-met has released CrossOver, a new free VST effect plug-in for Windows that replaces rs-met's older Crossover 3-Way plug-in - CrossOver now allows for splitting into up to 4 bands. - Voxengo SPAN 2.0 12 Mar 2010, 2:21 pm
Voxengo SPAN 2.0 is now available for download - SPAN is a freeware real-time "fast Fourier transform" audio spectrum analyzer plug-in for professional music and audio production applications. - VSL Collections Updates 12 Mar 2010, 2:09 pm
VSL has released updates for the Vienna Instruments, Vienna Imperial and Vienna Suite plug-ins. - MeldaProduction Updates All Effects Plugins 12 Mar 2010, 2:07 pm
MeldaProduction has released updates for all its effect plug-ins. - MUTOOLS Announces MU.LAB 3; Pre-release Version Available for Download 12 Mar 2010, 5:05 am
12th March 2010: MUTOOLS has announced MU.LAB 3. A pre-release version of MU.LAB 3 is already available for download for Windows and Mac OS X. New in MU.LAB 3: Function shortcuts: Map a key or MIDI ev. […] - MeldaProduction Updates All Effect Plug-ins 12 Mar 2010, 4:33 am
12th March 2010: MeldaProduction has released updates for all its effect plug-ins. Changes: Improved sinc interpolation quality. Improved upsampling algorithm performance. Improved linear-phase and hy. […] - Monkey Tools updates Library Monkey Pro and Sound Grinder Pro to v1.1.10 12 Mar 2010, 4:30 am
12th March 2010: Monkey Tools has updated Library Monkey Pro and Sound Grinder Pro to v1.1.10. Changes: Added functionality to allow for the pruning of missing files as well as removal of any asset fr. […] - Rob Papen updates Predator for Windows to v1.5.8 12 Mar 2010, 4:02 am
12th March 2010: Rob Papen has updated the Windows version of Predator to v1.5.8. Changes: Preset banks update (bugs). Banks of subject 05 Trance and PsyTrance 03 , 08 Ambient 02 and 04 HipHop DirtySo. […] - Intermorphic updates Noatikl (v1.6.0.3) and Mixtikl (v2.1.0.6) (incl. x64 versions) 12 Mar 2010, 3:52 am
12th March 2010: Intermorphic has updated Noatikl to v1.6.0.3 and Mixtikl to v2.1.0.6. Both products now include native 64-bit standalone and plug-in versions for Windows and native 64-bit standalone. […] - One Man Band Watch: Gestures, TouchOSC, Pure Data, Breath Control, Oh, My 11 Mar 2010, 7:53 pm
Every so often, I’m reminded of a simple fact: the greatest machine on the planet remains the human machine. So, yes, it may seem strange to one of the uninitiated to imagine strapping an iPhone to. […]
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The ultimate lo-fi weapon, iZotope Vinyl uses 64-bit processing and advanced filtering, modeling and resampling to create authentic “vinyl” simulation, as if the audio was a record being played on a record player.
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A useful little plugin for guitar players
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S(M)exoscope is an oscilloscope, or “Waveform visualisation” plugin…
You can find the documentation inside the zip-file
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Transverb is like a delay plugin, but it can play back the delay buffer at different speeds. Think of it like a tape loop with two independently-moving read heads. There are lots of parameters to control and a parameter randomizer for the impatient.
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TAL-Dub is a vintage style delay effect. It can be used for a wide range of delay effects from clean to extreme distorted, resonating never ending delays 
* 12dB resonance filter
* Low cut filter
* Maximal 4 Seconds delay time
* Limiter with distortion for rising feedbacks or loud inputs
* Delay time and feedback for each channel (linkable)
* Input signal swap (L/R swap)
* Filter feedback and filter fx mode (filter in feedback path or as post fx)
* Filter mode for input (input signal will be filtered too)
* Easy to use midi learn
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This VST-plugin is an 8-band filterbank with adjustable volume and frequency for each band, a bandwidth control for all bands and a bypass switch.
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Adds real background noisefloor or the sound of good vinyl.
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TAL-Tube is a saturation plugin that have the characteristic of tubes and an additional amplifier mode. It’s very suitable for adding higher harmonics and can give more excitement and analog character to digital sounds or drums.
At extreme values it can also be used as a grungy distortion effect…
* Amplifier mode.
* Soft and hard mode (2 different tube types).
* Dry/Wet knob.
* Gain reduction display.
* 4x oversampled processing.
* Some presets.
* Low CPU
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JB TimeMachine is a VST plugin that provides accurate reproduction of the characteristic sound of vintage samplers, such as the Commodore 64, or older Akai samplers. The (virtual) sampling rate can be varied, as well as the number of bits used for digital representation. furthermore, aliasing distortion can be generated individually for AD and DA conversion.
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Func Shaper is a waveshaping distortion plugin based on a mathematical expression evaluator. You can enter an expression to create the function which will be used as waveshaping transfer function.
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Yet another EQ without a name
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Aphex Twin-like bouncing ball delay.
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This new mad contraption does lo-fi pitch-shifting and mental feedback effects!! It even has midi control over the pitch shifting. More details inside the zip-file
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A new plugin which could be called AutoBreaks or AutoGLitch.
When synchronised to tempo this plugin will take the incoming audio and re-arrange it in a musicaly sensible way. Think of it as a realtime ReCyCle with fun options.
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Buffer Override can overcome your host app’s audio processing buffer size and then (unsuccessfully) override that new buffer size to be a smaller buffer size. It makes a lot more sense if you just try it out and hear what it does. It can sound like a stuttery vocoder or a stuck beat shuffler or many other delightful things. In certain hosts, you can also “play” Buffer Override via MIDI notes and even sync it to song tempo.
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Geometer is a visually oriented waveform geometry plugin. It works by generating some “points” or “landmarks” on the waveform, moving them around and messing them up, and then reassembling the wave from the points. Each of these three stages can be done in a variety of ways, combining to make millions of different effects. However, Geometer has a real-time display of what your settings are doing to the sound, and a prominent built-in help system to explain what each setting does.
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Parametric graphic equalizer with excellent response all the way up to Nyquist. It never clicks, and it handles deep bass well too. The Nyquist frequency is the highest representable frequency for a given sample rate. The trebliest of the treble. Most other digital eqs have great problems producing a natural sound here.
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This is an overdrive designed specifically for drums. It’s also nice on electric piano-type synths.
It uses a VCF that let’s you control the range of frequencies going into the drove & has an optional low-pass filter at the end for smoothness.
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Hula is a dual phaser. It can produce very interesting stereo-effects.
Unlike most stereo-phasers it doesn’t pan back & forth, but each channel has it’s own phaser.
There’s also an optional lowpass-filter at the end, to smooth out the highs.
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Son of a pitch is an audio pitch bend effect. The pitch of the incoming signal can be controlled by the pitch knob or by a sync to host LFO. The pitch knob ranges from +3 octaves to -3 octaves of the original pitch. The effect also features an LFO controlled filter section. There are 3 filters to choose from, 2 SV filters and a butterworth filter. The filter section can be bypassed sending the dry signal straight to the pitch bender.
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When you need an easy and good sounding studio reverb and you don’t want to deal with tons of parameters, here comes TimeVerb! Five knobs for all your “easy” reverberation needs.
TimeVerb is a simple digital stereo studio reverb effect.
Features:
- Very easy to use
- Very light on CPU and memory
- Easy MIDI Learn feature
This is exactly the same reverb algorithm used in ElectricGrand EG70.
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17.1 delay / filter / reverb
- compatible with the 17.1 surround standard
- can be used for other surround standards with less channels like 10.2
- 18 multimodes filters with individual settings plus a global cutoff shifting, common resonance setting
- 18 delays, global feedback setting and values offset
- 18 channels reverberation with gate and freeze
- the reverberation settings are common for all channels except of course the intensity
- offset settings for grouped channels : front / rear / left / right / top / bottom
- the LFE channel (4) can be processed like the other channels for true 18.0
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GComp is a general-purpose compressor that offers a host of very useful features not found in other similar tools, such as a system of visual feedback and a full complement of parameters with which to craft exactly the right kind of compression for the job.
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GLow is a resonant low-pass filter. It has three simple controls and one useful purpose. It filters out frequencies above a user-defined cut-off frequency, and adds variable amounts of resonance at that point.
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GMulti is a three-band compressor with stereo enhancement and advanced visual feedback.
The input signal is split at user-defined frequencies into three bands. Each of these bands can be compressed independently and have its stereo width altered before being mixed back together.
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GTune is a chromatic instrument tuner which operates much like similar hardware units. It will automatically detect the pitch of a note being played, and display the closest corresponding Western scale note.
You then change the pitch of your instrument, using the “LED”-like indicators and the numerical read-out in order to bring your instrument quickly and accurately into tune.
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pudding is a granular delay effect with detailed synchronization features and lots of randomization thrown in the mix. this can produce anything from a simple digital delay sound, to full on new synthesis from extremely small grains and sync rates. version 1.1 adds new presets, better cpu usage, more host compatibility, and overal performance gains.
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yoink is a vst effect best used for live performace. it has an inline sampler that you can grab samples from the current live effect channel. you can then trim the loop, reverse, and process with effects in realtime. the left joystick controls bitrate and pitch, while the right joystick controls delay time and delay feedback.
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Binauralizer allows the positioning of an audio source somewhere around the head of the listener, by use of HRTF.
Listening experience needs a headphone to work.
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SubFilterII is an expanded version of the original SubFilter plug-in with a wider range of cutoff frequencies. SubFilterII has a selectable cutoff slope of -12, -24 or -36dB/Octave and a cutoff frequency variable from 10Hz to 1KHz. The filter is extremely useful for removing thumps, bumps and low frequency rumble noise from your audio. The filter has 2 controls: cutoff slope and cutoff frequency. The passband is flat (Butterworth filter) and has unity gain. In addition to audio cleanup tasks, SubFilterII can be used with HyperFilter (below) to create “am radio”, “megaphone” and other classic sounds.
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Silverspike TapeIt 2 is a VST-Plugin to record audio streams creating wave files in real-time. You can plug TapeIt 2 into your VST host application at any point accepting VST plugins. Unlike most other plugins, TapeIt 2 does not change the sound of your audio. But, while copying the sound unaltered from input to output, TapeIt 2 writes it to a standard WAV file. This way you can grab any audio signal that appears at one of the plugin-points of your audio application.
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Warm and clean sounding Resonance Filter Modul:
* 24 dB lowpass filter
* 12 dB bandpass/highpass filter
* MIDI learn (resonance, cutoff)
* parameter smoothing
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This is a standalone version of the chorus implemented in U-NO-60.
* Characteristics of the Juno-60 chorus
* 2 modes
* Dry/wet adjustable
* Volume knob
* Low CPU
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TAL-Phaser is a carefully modelled stereo phaser effect. The user can choose between two, four and six stages. Its possible to adjust the lowest and highest frequency of the filter.
* Two, four and six stages.
* Syncable LFO.
* Lowest- and highest-frequency adjustable.
* Stereo phase offset from 0 to 180 degree.
* Feedback (a very small amount of second order distortion in the feedback path).
* Adjustable Dry/Wet.
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TAL-Flanger is a easy to tweak stereo flanger effect with its own special sound and some asymmetric analog like components in the feedback corner. Useful for a wide range of flanger effects from subtle to extreme.
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Kerrstinn changes your loops randomly with both moving slices of it around and or applying effects to the slices according to rules that we call generators. It is sort of an automatic controllable recallable loop slicer.
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Chops up buffers and plays them back. You can choose the length of the piece of audio played back and when to apply it.
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A soft knee feedback limiter implementation, roughly based on a famous VCA limiter.
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Juno style analog synthesizer. The Wollo Drone is a virtual analog synthesizer that combines analog style
sounds with onboard effect processors. Flanger with moog filter and two delays.
Key features: | Simple, easy to use interface | 32 voice polyphony | 2 oscillators in each voice | True stereo
mode, for a wide sound | 5 different oscillator waveforms with pulse-width and sync | 4 different resonant
filters | LFOs with 8 different waveforms | envelopes for Osc 1 & Osc 2 | Portamento | Mono Mode | Flanger
with build in moog filter | 2 mono delays | Preset manager
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This VST-plugin is an 6x delay, each with its own bandpass filter. Frequency of each band is adjustable, as is delaytime, feeback and volume. The filter bandwidth is controlled for all bands together.
The Mix button controls the ratio of dry and wet signal. The Direct switch adds the filtered but undelayed signal to the wet mix.
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A new dynamic saturation VST effect particularly suitable for drums, guitar
and overall mixes
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Psychic ModulationParadigm Shifter is a beat shifting delay mangler with lots of modulation options. Here’s a list of features in order of signal routing:-Shifter Section: Can produce strange results from subtle phaser type effects to extreme FSU style madness. Comes with on-board sequencer for modulating the shifter speed.-Filter Section: Making use of David Haupts brilliant Multi-filter module complete with gain compensation, and multiple stages (up to 8 stages, carefull when using high resonance in the high stages, can produce extreme loudness). Following the filter is a subtle distortion for beefing up the sound. The filter has it’s own sequencer for modulating the cutoff frequency.-Delay Section: Stereo delay section with dual sequencer for modulating the delay rate and feedback. The delay has left and right panners for spreading out the delay.-Each effect section can be turned on/off-Each effect section has it’s own hidden panel for extra options-Each sequencer can be paused, switch direction and change speed-Shifter and filter sequencers have glide controls for gliding the modulation between steps
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Simple control of panning a mono sound to stereo.
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Simple control of stereo panorama.
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Tube emulator with a different sound giving a little bit crazy bite.
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Digitizing tube emulator.
Warning can produce loud noise! Read info after download.
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Inverts the phase of either left or right channel.
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An autopan made for really slow sweeps with an inbuilt stereo contractor to control the width of the sweep.
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Adds hiss and noise from old vintage studio hardware.
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THD analog-style saturator
This is no typical high-gain distortion device, nor a ‘decimator’ or bit crusher. The plugin is intended for a mixer’s insert path to act as a preamp stage. It smoothes out the transients, gives more overall gain and warms a bit.
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A collection of the guitar effects to be downloaded together. Mostly Distortion and auto-panning.
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Creates a classic electric piano feeling without the common quality degradation.
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Creates a new twisted form of electric piano feeling
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Retro SamplingTries to create the sound of an old tape delay, includes various effects.
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Instead of expanding a stereo panorama it contracts it,
Eg. to make things sound further away (if combined with a lowering of the volume).
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Creates cool melodic patterns if a stereo track with melodies has one channel reversed.
If used on regular mono or stereo tracks with none or little stereo separation there will be a pretty small effect.
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The rythmic, choppy, buffered and tempo sync output is especially pleasing on drums, but works for most instruments and vocals too. It has no controls, only a red LED display that runs from 000 to 099, each number would appear to change the algorythymic undertones that affect the things and stuff inside differently. Some of these so-called ‘programs’ appear to loop the effect, others don’t. Sometimes the things are faster and the stuff slower, othertimes it’s the opposite.
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faderratic brings you cross-fading of 2 stereo inputs, but with a mind of its own and a ton of options to change the fade shape, length, limits, frequency and probability. faderratic works by generating a pulse on a tempo-sync frequency, and depending on the probability it may trigger a cross-fade event. You can optionally make the fader auto-return to either side and if you feel like it, trigger a fade manually or control the fader movement totally manually.
NOTE: faderratic is a multi-input effect plugin, with 2 stereo inputs. You need a host that allows multi-input effects, such as energyXT, for the cross fading to work. If your host does not allow multi-input effects, you can still use faderratic as a gate, as it will cross-fade 1 stereo input with silence
features
- probability based auto-cross-fader
- cross-fade is triggered based on user defined frequency and probability
- cross-fade duration in ms
- 13 different envelope shapes for the cross-fade
- trigger alternate fades or auto-return to either input pair
- partial fades by scaling the throw and fader limits
- 4 fade laws
- manual trigger
- option to manually control cross-fader
- all controls assigned to midi CCs
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bent is a circuit-bent resynthesis effect. It will recreate the incoming audio into an approximation of itself using a waveform-morphing audio oscillator. Depending on the volume and pitch of the audio, it will gate, stutter and morph the output in sync with your host tempo
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freq show screws around with your audio and ouputs an unholy version of whatever you fed it
A - choose 1 from 11, using the power of your ears to decide which you like best
B - like A, but B
mode - choose 1 from 9 ways that A fucks up B, or B shits on A
xy pad - using your mouse, a midi pad or sheer will power, move the puck around to influence how much freq show will defecate on your audio
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sfilter creates a stepped filtered sequence, to create gating, sweeps or rhythmic modulation of filter cut-off. It uses a variable state filter, varying between 2 adjustable cut-off values according to a tempo-sync’d step sequencer. An LFO can also modulate the filter for extra movement
features
- tempo-sync step sequencer, with 2 to 32 steps over a sequence length of 2 to 32 beats
- resonant variable filter, LP, HP, BP and notch
- filter cut-off varies between upper and lower cut-off values, in either direction
- tempo sync LFO, with 6 waveforms and settings from 1/16 beat to 96 beats
- random swing for step sequencer
- wet/dry mix control
- midi CC and midi learn
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pfilter creates a steppy, gated effect, but using filter cut-off instead of volume to give a wider range of possibilities. It uses a variable state filter, triggered between 2 adjustable cut-off values by a tempo-sync’d probability-based step sequencer. An LFO can modulate the filter when triggered and trigger pulse length, attack and release can shape the sound
features
- tempo-sync step sequencer, with 2 to 32 steps over a sequence length of 2 to 32 beats
- can be programmed or random, by setting the probability of each step from 0-100%
- seeded randomisation for repeatable loops up to 100 beats long
- resonant variable filter, LP, HP, BP and notch
- filter triggered between upper and lower cut-off values, in either direction
- tempo sync LFO, with 6 waveforms and settings from 1/16 beat to 96 beats
- adjustable pulse length, attack and decay for shaping the modulation
- random swing for step sequencer
- wet/dry mix control
- midi CC and midi learn
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de la Manchamachin is a random, probability-based, step-sequenced multi-fx device created in partnership with sink- the step sequencer defines the probability that any single random effect will be triggered on that step- the weighting defines the probability for each effect that it will be the one that is triggeredfeatures- 6 effects (gate, crusher, filter, flanger, delay, reverb)- 2-32 step probability sequencer over a cycle of 2-32 beats- seeded randomisation with loop repeat over cycle of 2-100 beats- swing control for step sequencer- any effects can be turned off to save CPU- each effect has an attack/decay on triggering and pulse length to determine duration effect is on- master wet/dry mix control- all controls have MIDI learn
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truc is a multi-effect VST plug-in, with 4 banks of effects controlled by the movement of 2 pucks. The top puck controls the level of each effect bank, the bottom puck modulates any 4 of 13 parameters within the effect banks. This allows continuous morphing of the sound by moving the pucks to vary the impact of each effect bank
As well as manually controlling each puck (either by mouse or midi controller) you can lock the pucks together and/or set them to move automatically, either randomly or by a configurable LFO, all in sync with your project tempo
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thrummaschine is a 3-band distortion effect with independant, LFO-driven filters. Make your bass, mid and high frequencies oscillate at different speeds, shapes and pan, with whatever flavour and level of distortion you dial in for each band- 3 user-defined bands for bass, mid and high freqencies, with overlap if required- 3 filters with tempo-sync LFO, for each freq band- overdrive, distortion and bitcrush effects- send level for each band to each effect- pan and volume for each band!!WARNING!! Thrummaschine is capable of nasty loudness if you push the settings hard, keep volumes low while you play with the controls
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envy is a two channel, midi-triggered volume envelope plug with added features
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moot is a flexible audio mute plugin with a number of additional features. The mute switch (Hit Me) can be assigned to a single midi keyboard key and act in 3 ways
- as a latch (one press mute, release stays muted, next press unmute, release stays unmuted)
- in default mode (hold down to mute, release to play audio)
- in invert mode (hold down to play audio, release to mute)
The minimum and maximum volume can be set so that as well as muting, moot can act as a switch between a high and low volume
In addition there is an audio gate to chop the audio and a smooth control to add a small attack/decay between changes
features
- specify any midi key as the trigger
- can act as a mute, unmute or latch
- can switch between lower and upper volume settings
- tempo sync gate with smoothing
- midi learn
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sumo is an effect plugin to make any sound as fat as you like
It’s good for fattening up leads and basses, adding some weight to pads, making your vocals chubby and your drums obese
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ring thing is a multi-flavour ring modulator, with frequency and mix level controlled by an XY pad and each axis modulated by it’s own tempo-sync LFO. The modulation in both axes is shown graphically on the XY pad.
features
- 9 flavours of ring modulation, each with a different tonal quality
- 11 ring modulation waveforms
- XY pad controls modulation frequency and wet/dry mix level
- each axis can be modulated by it’s own tempo-sync LFO with depth control
- 7 LFO waveforms including random
- each LFO can be damped and inverted
- graphical display of modulation on the XY pad
- LFO’s can be asyncronised to add further complexity to the modulation
- all controls have midi CC and midi learn support
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boost is a dual-band, parallel compression effect that enhances your audio by boosting the lows and highs whilst still letting some of the original signal through to get a nice blend. Increase the gain to get more compression, then tweak the low and high band to suit the sound you want. The boost knob increases the mix of compressed audio with the dry signal.
- dual band stereo compressors for low and high frequencies
- parallel compression mixes dry audio with compressed audio to preserve transients
- gain reduction indicators so you can see when compressors are working
- boost knob increases mix of wet signal
- gain knob increases input gain to desired compression level
- high and low knob increase output gain of each freq band
- all knobs are mapped to midi CC’s
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de la Manchakitchen sync is a tempo-sync complex LFO that modulates 4 functions- 4 state filter (LP, HP, BP, notch)- flanger- volume- panningfeatures- tempo-sync LFO with multiple waveforms modulated by second LFO and/or ADSR envelope- both LFOs can be synced to start cycle by any midi note on message- ADSR envelope can be triggered by any midi note on message- 4 effects can be modulated: filter cutoff, flanger, volume, pan- LFO 1 phase, depth and offset can be different for each effect- LFO 2 phase, strength and origin can be different fo each effect- ADSR envelope is independant for each effect- LFO depth can be randomised each cycle- full midi CC / midi learn- plugin wet/dry mix control
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This plug-in can be used to add a tube-like warmness to any audio material.
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A tube distortion effect with a distinct sound. You decide how hard to push the sound, and the Bias slider lets you emulate various tubes as well as solid-state distortion.
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Ringer is a Ringmodulator.
Input X and Y are left and right audio channel of the track. Y can be switched to the internal OSC. The frequency of the OSC can be controlled by the slider oder MIDI.
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Adds vinyl noise of both real or semi real/programmed vinyl.
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Wave changer 3 is a free PC VST audio plugin that replaces your sound waves with simple waveforms. It distorts the sound in unusual ways, ranging from weird to horrible. 
Try it on some drum loops!
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Multi-Effects Unit - 2 reverbs, 2 flangers, and a delay
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The Wollo Beat is a 808 style virtual drums and percussion machine. Key features include 2 drumsets, each
with 15 velocity-sensitive sounds. With gain, pan, and filters to alter each instrument. As well as pitch.
Key features: | Simple, easy to use interface | 16 voice polyphony | volume, pan, filters and pitch for each
sound | delay | reverb | Preset manager
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The Wollo FMERA combines FM style sounds with a wave player. Included is one dedicated single stereo
female voice sample, which will be triggered together with the fm sound. With onboard effect processors.
Key features: | Simple, easy to use interface | 32 voice polyphony | 2 oscillators (carrier and modulator) in
each voice | wave player with dedicated stereo voice wave sample | modulation filter, depth and keyboard |
separate envelopes for Osc 1, Osc 2 and wave player | 2 mono Flangers | 2 mono delays | Preset manager
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CamSR and ArkeCode
Float Crush is a new type of bitcrusher exploiting the nature of the floating point unit. It offers something the regular bitcrusher can’t; a dual flavor distortion.
What does Float Crush do?
A floating point unit has three important segments to it, the sign, the exponent, and the mantissa. A normal 32-bit float uses 23 bits for it’s mantissa values and 7 bits for it’s exponent.
What Float Crush does is applies quantization to the exponent and mantissa range of bits, the same quantization a normal bitcrusher would. But the difference is this creates a multi-staged effect, where quantizing the mantissa range brings a soft, airy texture, and the exponent range which can completely ‘rearrange’ the sound.
There’s only a few presets but try it out for yourself. When adjusting the exponent effect, you might notice the signal gets softer, if that happens use the Pre-Gain control to compensate.
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Softknee compressor with build-in stereo enhancer
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A fast stereo tube-preamp
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A small and handy reverb unit.
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2 band, full parametric, Hi-shelf, Lo-shelf, Eq filter with internal 4-time oversampling and speaker protection
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For all who use other guitar amp sims and miss the “smooth” noise gate
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A flexible stereo groove delay with a few tricks up it’s sleeve
-BPM synced stereo delay
-8 buttons to shift the groove
-Glide function for delay transitions
-Gate button for gating the feedback
-Built in send control -Delay Modulator with crossfader
-5 modulation modes: cycle, up, down, ring, stutter
-Multi-filter: each band can be used simultaneously
-StereoFeild Matrix: controls volume and panning of each channel
-Dry/wet mix
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Reception is a strange little toy for screwing with your audio,
it does a good job at destroying what its fed…works great on beats!
-COLOR & TINT: these control the sound as well as the color on the sceen,
when both controls are at zero, they produce a phaser/flanger effect.
The higer up they go, the wierder the effect, almost like a buffer/delay.
Use these subtley for strange beat displacements. The slider to the left
controls the amt of this effect as well as mixing the two delays.
-CONTRAST & BIT: these are the lo-fi controls.
-BRIGHT:controls the filter cutoff.
-POWER: the power button at the top left turns the screen and the effect off.
-NOISE: when this button is turned on, it produces a modulated white noise
(All of the bottm controls can manipulate the noise, as well as the ring mod)
-RING MOD: this button turns on a ring modulator,
the slider to the right controls the pitch of the effect.
There is also a button with a warning label,
this can cause severe damage to your television set.
Whatever you do, do not push it!!!
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This free plugin will distort your audio subtly or to the extreme ! Nastyshaper features:Pre and Post gain knobs3 different waveshaping functions. Shape 1 has 4 stages, Shapes 2/3 have 2 stagesAn 8x oversampling mode for high-quality offline rendering
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This incredible free plugin has a unique feature: it can immediatly add warmth and complexity to the simplest sounds. With extreme settings, this effect can also generate special ambiences and bizarre sounds. Hexaline main features are:3 stereo delays with cross-feedbackParallel or serial modesUp to +/- 100% feedback for ambient special effects
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Big Tick Audio SoftwarePowerful and easy to use, its main features are:2 independant left/right delays with delay and feedback controlsLowpass (-24 dB/Oct) resonant filterDelay times can be expressed in ms or in 16th notes (when synced to the host tempo)Group mode for ping-pong delay effects
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This vst plugin is a stereo version of EP-station warm phaser section. Based on a 6-stages allpass filter cascade, it faithfully recreates the swooshy sound made famous during the glorious 70’s era.
EP-Phazer is a full stereo effect, with cross-feedback between left and right channels, made of 2 independant left/right phasers.
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Makunouchi Bento is:
A Romanian duo specialized in experimental music.
A vst plugin custom-developed by Big Tick for the above artists, and finally released as free software.
This plugin ring-modulates incoming audio with sine waves of continuously varying frequency, and runs the result through a state-variable filter. It can often produce unexpected effects, from stuttering rhythms to ambient tones.
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Reverbering is a free VST effect for Windows, a simple but useful reverb effect, sporting low CPU usage and two features which you will not easily find in other similar effects:
Noise: this adds a filtered noise sound to the decay
Grain: this saturated the audio signal for a vintage feel
Of course you may keep those parameters at zero for a clean reverb effect.
Other features:
MIDI learn on every parameter, menu by right click.
Reverbering uses the same optimized algorithm featured in Modelonia synth
100% skinnable
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Pitch Shifter is a plugIn to shift the pitch of an incoming audio signal. By mixing the pitch shifted signal with the original signal via the dry/wet control, basic detuning, octaving and harmonizing effects are also possible. This shifter is based on a delayline with two crossfaded read pointers. Such an architecture allows for feedback - and feedback gives the potential to rather drastic, weird special effects like monster-voices, flanger-like effects and more.
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Signal Analyzer is a combined oscilloscope / spectrum-analyzer plugin for inspecting signals in realtime in the time- and frequency domain.
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Track Meter is a plugin to display the current level of a stereo input signal separately for the left, right, mid and side channels and also to display the cross-correlation between the two channels.
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PWMDrive is a saturator/softclipper/waveshaper with offset. I came up with the idea when reading about tube-amplifiers where the distorsion wasn’t symmetrical around zero.
I called it PWMDrive since, when maxed out, it can produce sounds similar to a pulse-width-modulated square wave.
The waveshaping function is out = in/(1+in)). Actually its like that on positive x, and symmetrical around zero) I’m not sure if this is similar to a “real” tube, but it sounds great, if you have any suggestions on different shape-functions, that have similar (or less) cost, please let me know.
An sweet-sounding oversampling option is provided, mainly meant to be used at mixdown-time, since it’s rather expensive.
The steps performed are:
Measure the amplitude
DC-Offset signal depending on amplitude (lfo-controlled)
Gain
SoftClip
HiPass (to remove dc)
Gain
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Firegain is a 3-band (soft-)clipper / shaper. It is similar to a “harmonic exciter”.
1. Divide the signal into three frequency bands using box-filters.
2. Applies soft clipping to each of the bands.
3. Recombine the signals to create a final signal.
It introduces a small (a few samples) delay depending on the lower frequency.
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A simple bitcrusher plugin.
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The oversampler “hosts” another VST plugin, and oversamples it by 2. Because of this, aliasing has twice the frequency range to unfold, which means that the aliasing that enters back into the audible domain is much less, and upon downsampling, the upper range (containing only aliasing) is discarded. This results in audibly reduced aliasing.
