Latest Music Software News
- Two Notes Updates Torpedo PI-FREE 9 Feb 2012, 12:14 pm
Two Notes has updated Torpedo PI-FREE. The new version is available for download. - CREATED: Discover Music from Testtoon, Oubys, and Teal & Beastie Respond 9 Feb 2012, 10:46 am
Ready for some focused listening time? Photo (CC-BY-SA) Toshiyuki IMAI. [website - JP] Writing about the meeting place of technology and music, we cover potential: what’s possible, what might be in. […] - Celemony wins technical Grammy 8 Feb 2012, 7:34 pm
Read the full story @ KVR Audio Celemony has been awarded a Grammy for technical merit. The Munich-based company will be honored by the Recording Academy with its Technical Grammy, which is given in. […] - Mixed In Key Mashup 8 Feb 2012, 1:12 pm
Mixed In Key has released Mashup for Windows and Mac OS X. - Audiority releases Epic Pig Guiro for Kontakt 8 Feb 2012, 11:54 am
Read the full story @ KVR Audio Audiority has announced the release of a deep-sampled and designed Guiro for Kontakt, called Epic Pig Guiro. It is aimed to provide a useful companion for both soundtr. […] - Equinox Sounds releases 'Electro and Tech Sylenth1 Soundbank' 8 Feb 2012, 10:18 am
Read the full story @ KVR Audio Equinox Sounds has released Electro and Tech Sylenth1 Soundbank, a downloadable soundset for Lennar Digital's Sylenth1 that includes 64 sounds featuring leads, basses,. […] - Music Thing: A Radio Sequencer, How to Get Into DIY Synth Modules, How to Have Fun 8 Feb 2012, 7:49 am
Lured by the siren song of modular synthesis and DIY electronics, but not sure how to navigate the piles of requisite knowledge – or uncertain what the trip down this rabbit hole might have in store. […] - 3D Modular Sound Gets Real: Stunning AudioGL Demos, Crowd Funding, Beta Coming to You Soon 8 Feb 2012, 6:06 am
Electronic music making has had several major epochs. There was the rise of the hardware synth, first with modular patch cords and later streamlined into encapsulated controls, in the form of knobs an. […] - Sound Magic updates Imperial Grand to v2.6 and Neo EQ to v1.1 8 Feb 2012, 5:17 am
Read the full story @ KVR Audio Sound Magic has updated Imperial Grand to Version 2.6 and Neo EQ to Version 1.1. Changes in Imperial Grand 2.6: Greatly improved CPU usage, now it only consume 40% of. […] - Precisionsound releases Orfeo Accordion for Kontakt, EXS24, HALion and SoundFont 8 Feb 2012, 4:40 am
Read the full story @ KVR Audio Precisionsound has released Orfeo Accordion for Kontakt, EXS24, HALion and SoundFont. Orfeo Accordion is a multi-sampled Italian accordion from the 1950s with 5 regist. […]
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This new mad contraption does lo-fi pitch-shifting and mental feedback effects!! It even has midi control over the pitch shifting. More details inside the zip-file
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TAL-Dub is a vintage style delay effect. It can be used for a wide range of delay effects from clean to extreme distorted, resonating never ending delays 
* 12dB resonance filter
* Low cut filter
* Maximal 4 Seconds delay time
* Limiter with distortion for rising feedbacks or loud inputs
* Delay time and feedback for each channel (linkable)
* Input signal swap (L/R swap)
* Filter feedback and filter fx mode (filter in feedback path or as post fx)
* Filter mode for input (input signal will be filtered too)
* Easy to use midi learn
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S(M)exoscope is an oscilloscope, or “Waveform visualisation” plugin…
You can find the documentation inside the zip-file
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JB TimeMachine is a VST plugin that provides accurate reproduction of the characteristic sound of vintage samplers, such as the Commodore 64, or older Akai samplers. The (virtual) sampling rate can be varied, as well as the number of bits used for digital representation. furthermore, aliasing distortion can be generated individually for AD and DA conversion.
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The ultimate lo-fi weapon, iZotope Vinyl uses 64-bit processing and advanced filtering, modeling and resampling to create authentic “vinyl” simulation, as if the audio was a record being played on a record player.
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Func Shaper is a waveshaping distortion plugin based on a mathematical expression evaluator. You can enter an expression to create the function which will be used as waveshaping transfer function.
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Transverb is like a delay plugin, but it can play back the delay buffer at different speeds. Think of it like a tape loop with two independently-moving read heads. There are lots of parameters to control and a parameter randomizer for the impatient.
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This is a standalone version of the chorus implemented in U-NO-60.
* Characteristics of the Juno-60 chorus
* 2 modes
* Dry/wet adjustable
* Volume knob
* Low CPU
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TAL-Phaser is a carefully modelled stereo phaser effect. The user can choose between two, four and six stages. Its possible to adjust the lowest and highest frequency of the filter.
* Two, four and six stages.
* Syncable LFO.
* Lowest- and highest-frequency adjustable.
* Stereo phase offset from 0 to 180 degree.
* Feedback (a very small amount of second order distortion in the feedback path).
* Adjustable Dry/Wet.
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TAL-Flanger is a easy to tweak stereo flanger effect with its own special sound and some asymmetric analog like components in the feedback corner. Useful for a wide range of flanger effects from subtle to extreme.
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This VST-plugin is an 8-band filterbank with adjustable volume and frequency for each band, a bandwidth control for all bands and a bypass switch.
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Adds real background noisefloor or the sound of good vinyl.
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TAL-Tube is a saturation plugin that have the characteristic of tubes and an additional amplifier mode. It’s very suitable for adding higher harmonics and can give more excitement and analog character to digital sounds or drums.
At extreme values it can also be used as a grungy distortion effect…
* Amplifier mode.
* Soft and hard mode (2 different tube types).
* Dry/Wet knob.
* Gain reduction display.
* 4x oversampled processing.
* Some presets.
* Low CPU
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faderratic brings you cross-fading of 2 stereo inputs, but with a mind of its own and a ton of options to change the fade shape, length, limits, frequency and probability. faderratic works by generating a pulse on a tempo-sync frequency, and depending on the probability it may trigger a cross-fade event. You can optionally make the fader auto-return to either side and if you feel like it, trigger a fade manually or control the fader movement totally manually.
NOTE: faderratic is a multi-input effect plugin, with 2 stereo inputs. You need a host that allows multi-input effects, such as energyXT, for the cross fading to work. If your host does not allow multi-input effects, you can still use faderratic as a gate, as it will cross-fade 1 stereo input with silence
features
- probability based auto-cross-fader
- cross-fade is triggered based on user defined frequency and probability
- cross-fade duration in ms
- 13 different envelope shapes for the cross-fade
- trigger alternate fades or auto-return to either input pair
- partial fades by scaling the throw and fader limits
- 4 fade laws
- manual trigger
- option to manually control cross-fader
- all controls assigned to midi CCs
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Wave changer 3 is a free PC VST audio plugin that replaces your sound waves with simple waveforms. It distorts the sound in unusual ways, ranging from weird to horrible. 
Try it on some drum loops!
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A useful little plugin for guitar players
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The Wollo FMERA combines FM style sounds with a wave player. Included is one dedicated single stereo
female voice sample, which will be triggered together with the fm sound. With onboard effect processors.
Key features: | Simple, easy to use interface | 32 voice polyphony | 2 oscillators (carrier and modulator) in
each voice | wave player with dedicated stereo voice wave sample | modulation filter, depth and keyboard |
separate envelopes for Osc 1, Osc 2 and wave player | 2 mono Flangers | 2 mono delays | Preset manager
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CamSR and ArkeCode
Float Crush is a new type of bitcrusher exploiting the nature of the floating point unit. It offers something the regular bitcrusher can’t; a dual flavor distortion.
What does Float Crush do?
A floating point unit has three important segments to it, the sign, the exponent, and the mantissa. A normal 32-bit float uses 23 bits for it’s mantissa values and 7 bits for it’s exponent.
What Float Crush does is applies quantization to the exponent and mantissa range of bits, the same quantization a normal bitcrusher would. But the difference is this creates a multi-staged effect, where quantizing the mantissa range brings a soft, airy texture, and the exponent range which can completely ‘rearrange’ the sound.
There’s only a few presets but try it out for yourself. When adjusting the exponent effect, you might notice the signal gets softer, if that happens use the Pre-Gain control to compensate.
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Pitch Shifter is a plugIn to shift the pitch of an incoming audio signal. By mixing the pitch shifted signal with the original signal via the dry/wet control, basic detuning, octaving and harmonizing effects are also possible. This shifter is based on a delayline with two crossfaded read pointers. Such an architecture allows for feedback - and feedback gives the potential to rather drastic, weird special effects like monster-voices, flanger-like effects and more.
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Signal Analyzer is a combined oscilloscope / spectrum-analyzer plugin for inspecting signals in realtime in the time- and frequency domain.
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Track Meter is a plugin to display the current level of a stereo input signal separately for the left, right, mid and side channels and also to display the cross-correlation between the two channels.
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Yet another EQ without a name
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The oversampler “hosts” another VST plugin, and oversamples it by 2. Because of this, aliasing has twice the frequency range to unfold, which means that the aliasing that enters back into the audible domain is much less, and upon downsampling, the upper range (containing only aliasing) is discarded. This results in audibly reduced aliasing.
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Rubberfilter provides up to 64th order butterworth filters to rubber out frequencies. This plugin was made to be a static tool. Automation of any parameter is on your own risk.
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Yet another freeverb clone. Based on code from Jezar at Dreampoint.
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Aphex Twin-like bouncing ball delay.
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3 to 23 (yes, 23) stages phaser with feedback.
phaser operation is controled by a mixture of LFO and envelope follower, both configurable.
enhanced stereo effect.
pre-phaser distort or saturate.
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A new plugin which could be called AutoBreaks or AutoGLitch.
When synchronised to tempo this plugin will take the incoming audio and re-arrange it in a musicaly sensible way. Think of it as a realtime ReCyCle with fun options.
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Buffer Override can overcome your host app’s audio processing buffer size and then (unsuccessfully) override that new buffer size to be a smaller buffer size. It makes a lot more sense if you just try it out and hear what it does. It can sound like a stuttery vocoder or a stuck beat shuffler or many other delightful things. In certain hosts, you can also “play” Buffer Override via MIDI notes and even sync it to song tempo.
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Geometer is a visually oriented waveform geometry plugin. It works by generating some “points” or “landmarks” on the waveform, moving them around and messing them up, and then reassembling the wave from the points. Each of these three stages can be done in a variety of ways, combining to make millions of different effects. However, Geometer has a real-time display of what your settings are doing to the sound, and a prominent built-in help system to explain what each setting does.
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Buffer-Innerloop-Scanner-Delay.
Good for Stutter and pseudo Timestretch FX.
Innerloop-Size and Move Parameters are depending on Host BPM Settings.
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Parametric graphic equalizer with excellent response all the way up to Nyquist. It never clicks, and it handles deep bass well too. The Nyquist frequency is the highest representable frequency for a given sample rate. The trebliest of the treble. Most other digital eqs have great problems producing a natural sound here.
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Single band compressor with a very transparent sound, due to responding with varying speed as appropriate for the input frequency content. Use it when you want to avoid excessive pumping.
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This is an overdrive designed specifically for drums. It’s also nice on electric piano-type synths.
It uses a VCF that let’s you control the range of frequencies going into the drove & has an optional low-pass filter at the end for smoothness.
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Hula is a dual phaser. It can produce very interesting stereo-effects.
Unlike most stereo-phasers it doesn’t pan back & forth, but each channel has it’s own phaser.
There’s also an optional lowpass-filter at the end, to smooth out the highs.
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Have you ever used a stereo chorus on a bass sound and ended up with a muddy bottom end swimming all over the place?
Bass Chorus can avoid that problem by separating the bass and treble frequencies, where you set the cutoff frequency. The effect is only applied to the treble portion, which is then mixed back with the bass for output.
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Son of a pitch is an audio pitch bend effect. The pitch of the incoming signal can be controlled by the pitch knob or by a sync to host LFO. The pitch knob ranges from +3 octaves to -3 octaves of the original pitch. The effect also features an LFO controlled filter section. There are 3 filters to choose from, 2 SV filters and a butterworth filter. The filter section can be bypassed sending the dry signal straight to the pitch bender.
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When you need an easy and good sounding studio reverb and you don’t want to deal with tons of parameters, here comes TimeVerb! Five knobs for all your “easy” reverberation needs.
TimeVerb is a simple digital stereo studio reverb effect.
Features:
- Very easy to use
- Very light on CPU and memory
- Easy MIDI Learn feature
This is exactly the same reverb algorithm used in ElectricGrand EG70.
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17.1 delay / filter / reverb
- compatible with the 17.1 surround standard
- can be used for other surround standards with less channels like 10.2
- 18 multimodes filters with individual settings plus a global cutoff shifting, common resonance setting
- 18 delays, global feedback setting and values offset
- 18 channels reverberation with gate and freeze
- the reverberation settings are common for all channels except of course the intensity
- offset settings for grouped channels : front / rear / left / right / top / bottom
- the LFE channel (4) can be processed like the other channels for true 18.0
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GClip is a wave-shaping signal clipper. It prevents the signal level from exceeding a specified maximum. The clipping function used can be altered to have a hard- or soft-knee.
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GComp is a general-purpose compressor that offers a host of very useful features not found in other similar tools, such as a system of visual feedback and a full complement of parameters with which to craft exactly the right kind of compression for the job.
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GComp2 is a simplified compressor that also includes lo- and hi-cut filters, a gate, and visual feedback on how the signal has been affected.
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GDelay is a digital delay effect, with the option to feed the resulting signal back into the delay line.
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A knob to control volume. -12 db to 12 db
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GLow is a resonant low-pass filter. It has three simple controls and one useful purpose. It filters out frequencies above a user-defined cut-off frequency, and adds variable amounts of resonance at that point.
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GMulti is a three-band compressor with stereo enhancement and advanced visual feedback.
The input signal is split at user-defined frequencies into three bands. Each of these bands can be compressed independently and have its stereo width altered before being mixed back together.
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GTune is a chromatic instrument tuner which operates much like similar hardware units. It will automatically detect the pitch of a note being played, and display the closest corresponding Western scale note.
You then change the pitch of your instrument, using the “LED”-like indicators and the numerical read-out in order to bring your instrument quickly and accurately into tune.
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pudding is a granular delay effect with detailed synchronization features and lots of randomization thrown in the mix. this can produce anything from a simple digital delay sound, to full on new synthesis from extremely small grains and sync rates. version 1.1 adds new presets, better cpu usage, more host compatibility, and overal performance gains.
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Binauralizer allows the positioning of an audio source somewhere around the head of the listener, by use of HRTF.
Listening experience needs a headphone to work.
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Vocovee is the VST ’Effect’ version of the VOCOV Vocoder. that has no ’Capture’ sidechain plugin but can do low latency vocoding. I recommend Vocovee instead of the Vocov if you need real-time vocoding. In addition, Vocovee has a improved built-in synth.
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SubFilterII is an expanded version of the original SubFilter plug-in with a wider range of cutoff frequencies. SubFilterII has a selectable cutoff slope of -12, -24 or -36dB/Octave and a cutoff frequency variable from 10Hz to 1KHz. The filter is extremely useful for removing thumps, bumps and low frequency rumble noise from your audio. The filter has 2 controls: cutoff slope and cutoff frequency. The passband is flat (Butterworth filter) and has unity gain. In addition to audio cleanup tasks, SubFilterII can be used with HyperFilter (below) to create “am radio”, “megaphone” and other classic sounds.
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Silverspike TapeIt 2 is a VST-Plugin to record audio streams creating wave files in real-time. You can plug TapeIt 2 into your VST host application at any point accepting VST plugins. Unlike most other plugins, TapeIt 2 does not change the sound of your audio. But, while copying the sound unaltered from input to output, TapeIt 2 writes it to a standard WAV file. This way you can grab any audio signal that appears at one of the plugin-points of your audio application.
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Warm and clean sounding Resonance Filter Modul:
* 24 dB lowpass filter
* 12 dB bandpass/highpass filter
* MIDI learn (resonance, cutoff)
* parameter smoothing
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TAL-Vocoder is a vintage vocoder emulation with 11 bands that emulates the sound of vocoders from the early 80’s. It includes analog modeled components in combination with digital algorithms such as the SFFT (Short-Time Fast Fourier Transform).
This vocoder does not make a direct convolution of the carrier and modulation signal as other digital vocoders maybe do. It includes an envelope follower for every of the eleven bands. This vocoder is optimized for voice processing and includes some algorithms for consonants to make the voice more intelligible.
The carrier signal is a VCO (Voltage Controlled Oscillator) with a Pulse, Saw, Noise and SubOsc. But it’s also possible to use the left stereo input as carrier. This way every sound source can be used as carrier signal. This plug-in supports every sample rate.
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Kerrstinn changes your loops randomly with both moving slices of it around and or applying effects to the slices according to rules that we call generators. It is sort of an automatic controllable recallable loop slicer.
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Chops up buffers and plays them back. You can choose the length of the piece of audio played back and when to apply it.
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Real-time sample assembler that accumulates loops from live or prerecorded audio sources.
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Shredder is a sampler designed to be easy to use and fun to play with. it has 12 slots for samples that are controllable via midinotes or automatable parameters aswell as a gui.
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Let’s assume that you have a stereo track in which an acoustic guitar is the only instrument in the left channel, and a voice is the only signal in the right. If you pan all left, you might intuitively think that the singer will gradually be heard in the left channel. But with typical hardware and software panning solutions, this is not so!
Instead, the singer’s voice is merely lowered until it cannot be heard at all. You may find yourself with a stereo track in which you want to hear all of the instruments or sounds, but simply want to change the entire track’s relative stereo position.
Returning to the above example, if you use Fondleo to pan all left, the singer’s voice will gradually blend into the left as it is faded out from the right. The end result: your entire stereo track ends in the left channel– guitar and voice.
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Eckel is a midi generating VST based on the eucledian algorithm
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Generates random MIDI notes in “real time.” Adjustable pitch and velocity center/range, note length, and so on.
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This is a collection of cross-platform midi VST plugins
midi16CCRouter - Changes up to 16 CCs to 16 other CCs.
midi2qwerty16 - Use MIDI to trigger fake keystrokes to the focused window.
midiAudioToCC - Converts audio amplitude to CC messages.
midiCCModulator - Use one CC to modulate another CC (or note velocity) in various ways: add/subtract/multiply/etc, plus logic gates (AND, NAND, XNOR, etc).
midiCCReset - Remembers CC values and sends them out again at selected times.
midiCCStepper - Quantize CC events by value or in time.
midiCCToggle - For changing momentary CC buttons into toggles.
midiChannelize - Transforms everything to the selected channel.
midiChs_noGUI - Channel filter/changer like energyXT1 “MIDI chs” component.
midiConverter2 - Change and convert between CC, Channel Pressure, Poly Aftertouch, Program Change, Pitch Bend, NRPN/RPN, and Note On/Off messages in various ways.
midiDelay - Delay notes and/or CCs with feedback.
midiDuplicateBlocker - Remembers all MIDI message values it gets on each channel, and blocks any repeated values until a different value is received.
midiExactDelay - Simple delay (no dry signal, no feedback) with flexible and precise delay time.
midiFingered - Selectively sends standard portamento on/off CC messages to emulate “fingered portamento” for synths that don’t have it.
midiForceToKey - Enforces a scale, and transposes within the scale (optionally based on MIDI notes on a selected channel).
midiForceToRange - Transposes notes by octave into the selected range.
midiInvertNotes - “Mirrors” notes centered around the selected note.
midiKeySplit - Simple keyboard splitter.
midiNotchFilter - Isolate, remove, or channelize specific MIDI messages.
midiNotesToCC - Converts note number and velocity to CC messages.
midiNoteToggle - Notes (optionally within a selected range and/or channel) are toggled… play a note once to turn it on, play it again to turn it off.
midiNRPNConverter - Converts between NRPN/RPN and CC messages, with 16 conversion slots.
midiPolyphony - For spreading polyphony across MIDI channels, i.e. if you play 4 notes, each one will go to a different channel. Polyphony per channel can be set from 1 to 16 notes for more flexibility. You can also use it to convert polyphonic input to monophonic output.
midiProbability - Add probability-based effects to incoming MIDI events, optionally synced to host timeline.
midiProgramChange - Send Program Change and/or Bank Select messages.
midiSimpleLFO - One CC LFO with some “simple” options.
midiSostenuto - Like a piano sostenuto pedal, but for MIDI notes instead of piano dampers.
midiStrum - Sequentially delays notes of an input chord to simulate strumming.
midiStuckNoteKiller - Sends note-off messages to end hanging notes when the host stops (for hosts that don’t do this themselves).
midiSwing - Delays and/or offsets velocity of and applies probability to notes (and optionally also CCs) at every other step of a selected note value.
midiVelocityScaler - Scale/reverse/offset velocity of input notes (Note On and/or Note Off).
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1 to 64 buttons/sliders/XY-pads that send learnable midi messages, with resizable GUI. Very configurable. Each pad can optionally show an svg/png/jpg/gif image (drag & drop to load images).
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Resizable piano keyboard to monitor/play midi notes.
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A soft knee feedback limiter implementation, roughly based on a famous VCA limiter.
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Juno style analog synthesizer. The Wollo Drone is a virtual analog synthesizer that combines analog style
sounds with onboard effect processors. Flanger with moog filter and two delays.
Key features: | Simple, easy to use interface | 32 voice polyphony | 2 oscillators in each voice | True stereo
mode, for a wide sound | 5 different oscillator waveforms with pulse-width and sync | 4 different resonant
filters | LFOs with 8 different waveforms | envelopes for Osc 1 & Osc 2 | Portamento | Mono Mode | Flanger
with build in moog filter | 2 mono delays | Preset manager
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This VST-plugin is an 6x delay, each with its own bandpass filter. Frequency of each band is adjustable, as is delaytime, feeback and volume. The filter bandwidth is controlled for all bands together.
The Mix button controls the ratio of dry and wet signal. The Direct switch adds the filtered but undelayed signal to the wet mix.
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A new dynamic saturation VST effect particularly suitable for drums, guitar
and overall mixes
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Psychic ModulationParadigm Shifter is a beat shifting delay mangler with lots of modulation options. Here’s a list of features in order of signal routing:-Shifter Section: Can produce strange results from subtle phaser type effects to extreme FSU style madness. Comes with on-board sequencer for modulating the shifter speed.-Filter Section: Making use of David Haupts brilliant Multi-filter module complete with gain compensation, and multiple stages (up to 8 stages, carefull when using high resonance in the high stages, can produce extreme loudness). Following the filter is a subtle distortion for beefing up the sound. The filter has it’s own sequencer for modulating the cutoff frequency.-Delay Section: Stereo delay section with dual sequencer for modulating the delay rate and feedback. The delay has left and right panners for spreading out the delay.-Each effect section can be turned on/off-Each effect section has it’s own hidden panel for extra options-Each sequencer can be paused, switch direction and change speed-Shifter and filter sequencers have glide controls for gliding the modulation between steps
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Simple control of panning a mono sound to stereo.
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Simple control of stereo panorama.
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Tube emulator with a different sound giving a little bit crazy bite.
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Digitizing tube emulator.
Warning can produce loud noise! Read info after download.
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Inverts the phase of either left or right channel.
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An autopan made for really slow sweeps with an inbuilt stereo contractor to control the width of the sweep.
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Adds hiss and noise from old vintage studio hardware.
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THD analog-style saturator
This is no typical high-gain distortion device, nor a ‘decimator’ or bit crusher. The plugin is intended for a mixer’s insert path to act as a preamp stage. It smoothes out the transients, gives more overall gain and warms a bit.
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A collection of the guitar effects to be downloaded together. Mostly Distortion and auto-panning.
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Creates a classic electric piano feeling without the common quality degradation.
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Creates a new twisted form of electric piano feeling
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Retro SamplingTries to create the sound of an old tape delay, includes various effects.
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Instead of expanding a stereo panorama it contracts it,
Eg. to make things sound further away (if combined with a lowering of the volume).
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Creates cool melodic patterns if a stereo track with melodies has one channel reversed.
If used on regular mono or stereo tracks with none or little stereo separation there will be a pretty small effect.
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The rythmic, choppy, buffered and tempo sync output is especially pleasing on drums, but works for most instruments and vocals too. It has no controls, only a red LED display that runs from 000 to 099, each number would appear to change the algorythymic undertones that affect the things and stuff inside differently. Some of these so-called ‘programs’ appear to loop the effect, others don’t. Sometimes the things are faster and the stuff slower, othertimes it’s the opposite.
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bent is a circuit-bent resynthesis effect. It will recreate the incoming audio into an approximation of itself using a waveform-morphing audio oscillator. Depending on the volume and pitch of the audio, it will gate, stutter and morph the output in sync with your host tempo
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freq show screws around with your audio and ouputs an unholy version of whatever you fed it
A - choose 1 from 11, using the power of your ears to decide which you like best
B - like A, but B
mode - choose 1 from 9 ways that A fucks up B, or B shits on A
xy pad - using your mouse, a midi pad or sheer will power, move the puck around to influence how much freq show will defecate on your audio
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sfilter creates a stepped filtered sequence, to create gating, sweeps or rhythmic modulation of filter cut-off. It uses a variable state filter, varying between 2 adjustable cut-off values according to a tempo-sync’d step sequencer. An LFO can also modulate the filter for extra movement
features
- tempo-sync step sequencer, with 2 to 32 steps over a sequence length of 2 to 32 beats
- resonant variable filter, LP, HP, BP and notch
- filter cut-off varies between upper and lower cut-off values, in either direction
- tempo sync LFO, with 6 waveforms and settings from 1/16 beat to 96 beats
- random swing for step sequencer
- wet/dry mix control
- midi CC and midi learn
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gator creates a random gating effect, triggering volume between 2 adjustable values by a tempo-sync’d probability-based step sequencer. An LFO can modulate the volume when triggered and trigger pulse length, attack and release can shape the sound
features
- tempo-sync step sequencer, with 2 to 32 steps over a sequence length of 2 to 32 beats
- can be programmed or random, by setting the probability of each step from 0-100%
- seeded randomisation for repeatable loops up to 100 beats long
- volume triggered between upper and lower cut-off values, in either direction
- tempo sync LFO, with 6 waveforms and settings from 1/16 beat to 96 beats
- adjustable pulse length, attack and decay for shaping the modulation
- random swing for step sequencer
- wet/dry mix control
- midi CC and midi learn
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pfilter creates a steppy, gated effect, but using filter cut-off instead of volume to give a wider range of possibilities. It uses a variable state filter, triggered between 2 adjustable cut-off values by a tempo-sync’d probability-based step sequencer. An LFO can modulate the filter when triggered and trigger pulse length, attack and release can shape the sound
features
- tempo-sync step sequencer, with 2 to 32 steps over a sequence length of 2 to 32 beats
- can be programmed or random, by setting the probability of each step from 0-100%
- seeded randomisation for repeatable loops up to 100 beats long
- resonant variable filter, LP, HP, BP and notch
- filter triggered between upper and lower cut-off values, in either direction
- tempo sync LFO, with 6 waveforms and settings from 1/16 beat to 96 beats
- adjustable pulse length, attack and decay for shaping the modulation
- random swing for step sequencer
- wet/dry mix control
- midi CC and midi learn
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de la Manchamachin is a random, probability-based, step-sequenced multi-fx device created in partnership with sink- the step sequencer defines the probability that any single random effect will be triggered on that step- the weighting defines the probability for each effect that it will be the one that is triggeredfeatures- 6 effects (gate, crusher, filter, flanger, delay, reverb)- 2-32 step probability sequencer over a cycle of 2-32 beats- seeded randomisation with loop repeat over cycle of 2-100 beats- swing control for step sequencer- any effects can be turned off to save CPU- each effect has an attack/decay on triggering and pulse length to determine duration effect is on- master wet/dry mix control- all controls have MIDI learn
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truc is a multi-effect VST plug-in, with 4 banks of effects controlled by the movement of 2 pucks. The top puck controls the level of each effect bank, the bottom puck modulates any 4 of 13 parameters within the effect banks. This allows continuous morphing of the sound by moving the pucks to vary the impact of each effect bank
As well as manually controlling each puck (either by mouse or midi controller) you can lock the pucks together and/or set them to move automatically, either randomly or by a configurable LFO, all in sync with your project tempo
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thrummaschine is a 3-band distortion effect with independant, LFO-driven filters. Make your bass, mid and high frequencies oscillate at different speeds, shapes and pan, with whatever flavour and level of distortion you dial in for each band- 3 user-defined bands for bass, mid and high freqencies, with overlap if required- 3 filters with tempo-sync LFO, for each freq band- overdrive, distortion and bitcrush effects- send level for each band to each effect- pan and volume for each band!!WARNING!! Thrummaschine is capable of nasty loudness if you push the settings hard, keep volumes low while you play with the controls
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envy is a two channel, midi-triggered volume envelope plug with added features
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moot is a flexible audio mute plugin with a number of additional features. The mute switch (Hit Me) can be assigned to a single midi keyboard key and act in 3 ways
- as a latch (one press mute, release stays muted, next press unmute, release stays unmuted)
- in default mode (hold down to mute, release to play audio)
- in invert mode (hold down to play audio, release to mute)
The minimum and maximum volume can be set so that as well as muting, moot can act as a switch between a high and low volume
In addition there is an audio gate to chop the audio and a smooth control to add a small attack/decay between changes
features
- specify any midi key as the trigger
- can act as a mute, unmute or latch
- can switch between lower and upper volume settings
- tempo sync gate with smoothing
- midi learn
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sumo is an effect plugin to make any sound as fat as you like
It’s good for fattening up leads and basses, adding some weight to pads, making your vocals chubby and your drums obese
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ring thing is a multi-flavour ring modulator, with frequency and mix level controlled by an XY pad and each axis modulated by it’s own tempo-sync LFO. The modulation in both axes is shown graphically on the XY pad.
features
- 9 flavours of ring modulation, each with a different tonal quality
- 11 ring modulation waveforms
- XY pad controls modulation frequency and wet/dry mix level
- each axis can be modulated by it’s own tempo-sync LFO with depth control
- 7 LFO waveforms including random
- each LFO can be damped and inverted
- graphical display of modulation on the XY pad
- LFO’s can be asyncronised to add further complexity to the modulation
- all controls have midi CC and midi learn support
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boost is a dual-band, parallel compression effect that enhances your audio by boosting the lows and highs whilst still letting some of the original signal through to get a nice blend. Increase the gain to get more compression, then tweak the low and high band to suit the sound you want. The boost knob increases the mix of compressed audio with the dry signal.
- dual band stereo compressors for low and high frequencies
- parallel compression mixes dry audio with compressed audio to preserve transients
- gain reduction indicators so you can see when compressors are working
- boost knob increases mix of wet signal
- gain knob increases input gain to desired compression level
- high and low knob increase output gain of each freq band
- all knobs are mapped to midi CC’s
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de la Manchakitchen sync is a tempo-sync complex LFO that modulates 4 functions- 4 state filter (LP, HP, BP, notch)- flanger- volume- panningfeatures- tempo-sync LFO with multiple waveforms modulated by second LFO and/or ADSR envelope- both LFOs can be synced to start cycle by any midi note on message- ADSR envelope can be triggered by any midi note on message- 4 effects can be modulated: filter cutoff, flanger, volume, pan- LFO 1 phase, depth and offset can be different for each effect- LFO 2 phase, strength and origin can be different fo each effect- ADSR envelope is independant for each effect- LFO depth can be randomised each cycle- full midi CC / midi learn- plugin wet/dry mix control
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This plug-in can be used to add a tube-like warmness to any audio material.
