Latest Music Software News
- rs-met CrossOver 12 Mar 2010, 2:25 pm
rs-met has released CrossOver, a new free VST effect plug-in for Windows that replaces rs-met's older Crossover 3-Way plug-in - CrossOver now allows for splitting into up to 4 bands. - Voxengo SPAN 2.0 12 Mar 2010, 2:21 pm
Voxengo SPAN 2.0 is now available for download - SPAN is a freeware real-time "fast Fourier transform" audio spectrum analyzer plug-in for professional music and audio production applications. - VSL Collections Updates 12 Mar 2010, 2:09 pm
VSL has released updates for the Vienna Instruments, Vienna Imperial and Vienna Suite plug-ins. - MeldaProduction Updates All Effects Plugins 12 Mar 2010, 2:07 pm
MeldaProduction has released updates for all its effect plug-ins. - MUTOOLS Announces MU.LAB 3; Pre-release Version Available for Download 12 Mar 2010, 5:05 am
12th March 2010: MUTOOLS has announced MU.LAB 3. A pre-release version of MU.LAB 3 is already available for download for Windows and Mac OS X. New in MU.LAB 3: Function shortcuts: Map a key or MIDI ev. […] - MeldaProduction Updates All Effect Plug-ins 12 Mar 2010, 4:33 am
12th March 2010: MeldaProduction has released updates for all its effect plug-ins. Changes: Improved sinc interpolation quality. Improved upsampling algorithm performance. Improved linear-phase and hy. […] - Monkey Tools updates Library Monkey Pro and Sound Grinder Pro to v1.1.10 12 Mar 2010, 4:30 am
12th March 2010: Monkey Tools has updated Library Monkey Pro and Sound Grinder Pro to v1.1.10. Changes: Added functionality to allow for the pruning of missing files as well as removal of any asset fr. […] - Rob Papen updates Predator for Windows to v1.5.8 12 Mar 2010, 4:02 am
12th March 2010: Rob Papen has updated the Windows version of Predator to v1.5.8. Changes: Preset banks update (bugs). Banks of subject 05 Trance and PsyTrance 03 , 08 Ambient 02 and 04 HipHop DirtySo. […] - Intermorphic updates Noatikl (v1.6.0.3) and Mixtikl (v2.1.0.6) (incl. x64 versions) 12 Mar 2010, 3:52 am
12th March 2010: Intermorphic has updated Noatikl to v1.6.0.3 and Mixtikl to v2.1.0.6. Both products now include native 64-bit standalone and plug-in versions for Windows and native 64-bit standalone. […] - One Man Band Watch: Gestures, TouchOSC, Pure Data, Breath Control, Oh, My 11 Mar 2010, 7:53 pm
Every so often, I’m reminded of a simple fact: the greatest machine on the planet remains the human machine. So, yes, it may seem strange to one of the uninitiated to imagine strapping an iPhone to. […]
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SBleep-0, or Super Bleep-o is a groove box (synthesizer w/ sequencer). The basic idea is to have two short melodies playing at the same time…and then smash their waveforms together like particle accelerators! There are two melody generators, each with their own sequencer and oscillator. Each oscillator has a small number of waveforms it can create.
The Non-Linear Waveform Combiner is the atom smasher that gives “Sblee” all its unique power. You see, adding together two melodies has been done- for several hundred years. Bu this millenium? It’s all about non-linear waveform mixing! When you multiply, for example, two melodies together, you are instantly transported into another space. The theories which generated the scales that created the melodies are instantly lost in space-wind. Take a listen to some of the examples. You’ll hear various other non-linear waveform combinations, like XOR, A+B with clipping, A being used to shift B to the left or right, and others too complex to explain!
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Livecut is based on BBCut the BreakBeat Cutting library written by Nick Collins for SuperCollider
The BBCut Library began out of work on an algorithm to simulate the automatic cutting of breakbeats in the style of early jungle or drum and bass Nick Collins.
Livecut is a live beat-slicer but instead of manipulating equal chunks of audio like most beatslicer do, it works on the notion of audio cuts whose length and number of repetition depends on the context and the cutting procedure. cuts are organized in blocks which then form a phrase. And each phrase can be ended by a roll or fill.
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Scrubber was made for the time-stretching “Dread-voice” thing you hear in a lot of old jungle and drum and bass. Functions such as syncing to tempo, nasty granular stuff and a whole bunch of ways to control the playback with the mouse in the waveform window.
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If you need an electric piano but are looking for something more than the usual Rhodes or Whurlitzer clone, then Clavia Lab is the instrument for you.
This is a hybrid analog/physical model using experimental techniques to create the complex changing harmonic content of an electric piano. Features include:
* source, amplifier and modulation sections give you plenty of control over tone and play dynamics
* precise control over all parameters - knobs have around 120 steps
* VU meter indicates when tone is likely to distort (distortion is actually very pleasant in most cases)
* 8 presets plus room for 8 more
* lots of potential for experimentation.
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A multifeatured vinyl scratching plugin
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Creakbox Bassline is a mono synth with a built in sequencer. It has a 5 octave range and sounds very much like a killer little box many try to duplicate.
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TTP is a VSTi that can load a sample and perform turntable style effects on it. You can scratch, change pitch, and even spin the audio up and down just like on a real turntable.
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theremin synth
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The idea behind WVM is very simple. You load WVM and inside it, you load your VSTs. Once you extract the presets to FXP files, you can organize those files in any way you want, or download categorized FXP files from our future library of VST FXP files. When a FXP is loaded, it will load the correct VST for it and apply the FXP Preset to the loaded VST.
For instance, you can have one directory full with FXP files that has only BASS sounds. Those files can be from several different VSTs. So when you browse and load each FXP, it will load the correct VST. Making browsing for sounds with multiple VSTs much easier. You can also categorize by mood, style, or any other way you want.
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Piano Cheater is a tiny midi sequencer, and is a little different than most “midi sequencers”.
It’s designed so you DON’T have to remember numbers and dig through
those GOD FORSAKEN keyboard reference manuals.
It will help you practice piano in a ’Piano Hero’ type of way.
features:
- load midi files and -sequence- their notes with the live playing you do
on a midi keyboard
- record notes and control messages from the keyboard
- play the whole mess out to a set of midi synthesizers
- show the whole mess in a cool note/drum/controller display on screen
- save the whole mess into a midi song file for later
- spoonfeed you the notes of a song so you can learn it easily
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MRP Sequencer is a software step sequencer conceptually very similar to vintage analogue step sequencers such as the ARP 1601/1603 and Korg SQ10, and recent digitally controlled step sequencers such as the Frostwave Fatcontroller and Colin Fraser’s P3.
MRP Sequencer goes a little beyond the feature set of most step sequencers.
* sequences of up to 64 steps
* track count limited only by processing power
* output MIDI port and channel can be set per step
* select-modify paradigm enables any set of steps to be
* affected by editing operations extensive randomisation/variation functions
* graphic user interface
* text user interface enables full scripting
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When the threshhold is crossed, a swell is triggered. Can be used to alter the attack / decay characteristic of the input, such as to add punch to individual drums.
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Designed by Sound Artist Amie Slavin, wavePLAY is a simple 4 oscillator wave-explorer synthesiser. Each oscillator has controls for wave shape (7 types) frequency, amplitude and pan.
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a high pass, followed by a low pass, a bit of drive and a mix control
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Inspired by early bucket brigade machines, bucketEER is a simple stereo reverb effect consisting of 16 delay lines, each with an all-pass filter. Mono or stereo input, with 3 output modes, bucketEER can be used for delay effects and basic reverbs.
features :
Pre and Post effect shelving filters
Predelay with control over level and time
Size and Time controls
Width and Mix controls
Central readout of knob values
17 Randomize buttons - ’global’ and ’local’
Freeze Function
Bypass switch for each bucket and slot
Output level meter
8 presets
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Send up to 32 different CC messages at once either by button (”Resend”), host automation or triggered by a timer (choose between plugin start (”I-Send”) or preset switching (”P-Send”))
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Display CC messages in either a continuous or synced mode on up to four stacked panels. The monitored CC message data can be restrict
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Route CC messages from any to any other CC message (”m-n-routing” is possible, i.e. multiple sources to multiple destinations) , with additional choice of output channel(s) per node
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Simulate the function of a Sustain-Pedal, controlled by a CC message. Optionally limit midi polyphony or enable to “kill” older notes automatically if the polyphony limit is reached.
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Small simple LED-like elements to display audio and midi activity. By clicking on the LEDs optional parameters will become available.
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Timer-triggered message, either as a pop-up window, a CC message or a one second note event. Optionally enable looping. Pop-up window message string is taken from preset name.
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Route MIDI messages from any to any other MIDI channel (”m-n-routing” is possible, i.e. multiple sources to multiple destinations) , with additional choice of allowed MIDI format(s) per node
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Very simple and efficient MIDI monitoring tool, with colour-coded display of incoming MIDI messages (NB: Note-Ons with value 0 are automatically displayed as Note-Offs)
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Send MIDI panic messages triggered either by button (”Panic”) or host automation. Selectable between All-notes-off, All-Sounds-off and/or Pitchbend-Reset.
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Produce random MIDI data (limited to certain ranges) by triggering either by button, keyboard or CC/Note input. Some advanced options available (e.g. mutiple events at once or random offset).
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Send or receive MIDI data in a wireless fashion. 8 ports can be chosen on which MIDI data is sent or received depending on plugin mode. Maximum limit of 64 instances.
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Trigger sequenced MIDI data either by button or CC/Note input. The sequence direction can be chosen between forward/backward/alternating or random. Optionally the output channel(s) can be set.
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Route Note messages from any to any other Note message (”m-n-routing” is possible, i.e. multiple sources to multiple destinations) , with additional choice of output channel(s) or conversion to CC message per node. Ctrl-Drag will allow selecting nodes to be able to be moved around either by arrow keys or mouse wheel (if plugin panel is in focus) or by the navigation buttons. Shift-Drag will add new nodes to an existing selection. If the dragging is done via right-click, the effect will be reversed (remove nodes from selection etc.). Midi learn available (alternate between “Learn-In” and “Learn-Out” automatically)
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Send up to 16 different PC messages (optionally together with MSB/LSB and volume) at once either by button (”Resend”), host automation or triggered by a timer (choose between plugin start (”I-Send”) or preset switching (”P-Send”))
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Limit the MIDI polyphony to a maximum value. Option to block new notes if polyphony reached (default) or to “kill” the oldest available notes automatically to make room for new ones. MIDI learn available on all parameters.
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8 band realtime vocoder
* Use any audio as the modulator and any audio as the carrier
* 8 Band filter bank with attack, decay and extra carrier gain
* Seperate modulator and carrier volume controls
* Pan
* Dry/wet control
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virtual analogue synthesizer -
Features:
* 3 Dual oscillators with detune, 4 waveshapes, pulse width, sync, FM.
* Sub-oscillator.
* Noise generator.
* 3 LFOs with attack, 5 waveshapes, pulse width, sync to host tempo and restart.
* 3 Assignable envelopes with invert.
* Each LFO and envelope can modulate 24 parameters simultaneously.
* Modulation wheel and velocity that can modulate 33 parameters simultaneously.
* 2 Multimode filters with pre-filter overdrive and keyboard tracking.
* Filter link option for cut-off and resonance controls.
* Filter mix options are filter 1, parallel (with parallel mix control) and series.
* Dedicated filter envelope with invert.
* Option to send either or both of the filters to the filter envelope.
* Audio frequency modulation of the amp envelope.
* 6-Note polyphonic/monophonic (retrigger/legato).
* Portamento.
* Pan.
* Midi learn for all knobs except the LFO/env and mod wheel/velocity destination amounts.
* PDF user manual.
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Scandalous - a monophonic scanning oscillator virtual studio instrument
? independent speed control or pitch based speed control to scan across
six oscillators with various waveshapes housed in two sections
? two envelope controls for each section
? portamento controls for each section
? reset selectors
? coarse and fine tune controls for each oscillator in section a
? lfo controls for each oscillator in section a
? filter and reverb effect units
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Ridiculously Red - a monophonic hybrid virtual studio instrument
- three continuous oscillator selection banks
- one continuous noise oscillator
- gate switches for each bank and noise oscillator
- pulse width control for each bank
- coarse and fine tune controls for each bank
- gate switches and amount control for additive noise to each bank
- three buttons for experimental semi-modular routing
- three modifiers to control experimental semi-modular routing
- amplitude envelope controls for each bank: Delay, Attack, Peak, Hold,
Delay1,Break-Point, Delay2, Sustain, Release, and Overall level
- three unique LFOs with oscillator bank routing destinations
- envelope retriggering and portamento controls
- patch independent velocity and volume controls
- knob automation bank with on/off switches, smoothness control,
knob rotation amount, & rotation speed
- 63 non-automated patches, 64 knob automated patches, plus one
blank patch
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kabgnals - frequency modulation/phase distortion virtual studio instrument.
? 2 banks for oscillator selection
? modulation & amplitude envelope control
? adjustments and lfo controls for modulation, pulse width, pitch, and pan
? low pass filter for bank one, and high pass filter for bank two
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Thingumajig is a virtual ’digialog’ noise generating ’thing’.
? Thingumajig can be set to sync with your VST Host or set to free run.
? Thingumajig contains five oscillating thingamabobs: three rythmic thingamabobs, one clicky thingamabob, and one semi-melodic thingamabob.
? Three modifier doohickeys that control various whatchamacallits.
? Three ADSRs with emphasis that control various whatchamacallits of the oscillating thingamabobs.
? Three rows of blinkies with flow controls.
? Three doodads that reduce certain oscillating thingamabobs without affecting other vibrations passing through it.
? Three sync delay doodads.
? A randomly controllable S&H gilhickie.
? 4 Mini-Style buttons.
? Rows of sliding and rotating thingies.
? Pretty light-emitting diodes.
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Scanned Synth Mini features the same synthesis engine as the one used by Scanned Synth Pro (in other words they sound the same when using the same presets) but only allows new sounds to be programmed through randomisation. The user can set the amounts by which each group of parameters will be randomised but does not have direct access to the parameters themselves.
Scanned Synth Mini can load and save presets through the host application that are compatible with Scanned Synth Pro and vice versa. This means that Scanned Synth Mini can actually produce the full range of sounds that Scanned Synth Pro is capable of. Only the amount of control the user has over the sound is limited when compared to Scanned Synth Pro.
Scanned Synth uses a unique new form of synthesis inspired by advances in digital music theory. It is designed to create rich complex digital tones and fantastic sound effects, while using simplifed controls and traditional synths techniques such as filters, lfo’s and effects.
Perfect for biting metallic growls, movement filled pads, and weird modular-like sound effects, ScannedSynth provides a unique sound that is constantly changing and new every time you press a key. Featuring a revolutionary synthesis engine, combining the powers of both Physical Modelling and Wavetable synthesis.
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Multitap delay with panning and controllable morphing between settings.
Instead of controlling each echo separately, there’s a bunch of parametrized functions that you can use to generate various kinds of effects from weird reverb to bouncing delays to sonic textures.
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This plugin swaps a frequency band defined between the fmin and fmax parameters while leaving the side bands unchanged. Low frequencies are mapped to high ones and high to low. The resulting sounds are highly inharmonic. You can try to set the min frequency very low (i.e.100Hz) and the max frequency to its maximum thus letting the very low frequencies pass through while swapping the remaining frequencies…
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This is a bunch of tools intended to process stereo streams but focusing on middle and side instead of left and right.
The idea is simple but the effects can be subtle and powerful.
::msEncode and msDecode::
These to ones are just converters mapping M -> L and S -> R so that you can put your own effects between the coder and the decoder. The effects below are just some hard-coded ones.
::msComp::
This one uses the same compression algorithm as my “classic” compressor, but focus on the Middle signal without touching at the Side. A typical use of this effect is to boost a mix without touching at the stereo image.
::msBalance::
2 separate gains for the Middle and side signals.
::msSwap::
it just swap the Middle and Side. You can use it before msComp if you want to compress the side instead of the Middle.
::msDelay::
This is a simplified version of analog delay that you can use to delay either the middle or the side.
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This one just forces the phase to 0.0 thus removing life from your sound. No parameter except a gain.
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::LEVELS::
This plugin affects the spectral dynamic. It classifies the magnitudes in 3 regions: small, medium and big whose gains can be adjusted independently between [-20dB;+20dB]. Therefore by boosting or cutting the small magnitudes, you can either add liveliness or remove background noise. Just try it to hear how far you can change your sound’s character.
::KONTRAST::
This plugin also affects the spectral dynamic. It scales the spectral magnitude histogram according to a transfer function defined by the min, max and center parameters with saturation of the levels below the min and above the max.
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A MIDI plugin intended to generate random spaced notes according to a specified random distribution (now exponential only). You can set the maximum duration between 2 notes until 1 second but avoid values around 0 because it will overload your CPU. For now it is monophonic only and never stops outputting MIDI.
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This plugin analyses the incoming audio signal to extract its envelope which is converted into MIDI continuous controler.
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This could help people using plugins which don’t support MIDI learn and/or hardware controllers that don’t have presets. Only one controller can be mapped.
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XYPad allows you to control two MIDI ccs at the same time.
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8LFOs provides 8 LFOs that send any MIDI cc with various waveforms, syncing and control options.
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DrumSeq was made to provide a simple grid based drum pattern sequencer. Still handy for controlling drum sampler VSTis like Computer Music’s SR202.
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StepSeq started off for creating simple MIDI cc patterns - Now it can also send midi notes (either a set note or you can use a little piano roll), you can select which patterns are active at any one time and there’s a pattern playlist.
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OSC
Two oscillators - 11 Waveforms
FM, PM, SFX Sync FX, Hard Sync
ENV
Two envelopes (1x VOL / 1x MOD) - 14 Curve Shapes
LFO
Two oscillators - 18 Waveforms
FILT
One MultiMode Filter - LPF(5), HPF(5), BPF(2)
EXTRA
Analog Drift - Envelopes Display
64 presets by Electrypnose and Aslak.
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A polyphonic 3 oscillators synthetizer with delay and distortion units and many modulations possibilities.
CrazyOSCs can produce a wide range of sounds like classic synth sounds, complex atmospheric pads, weird effects sounds, acid leads, modulated basses, polyphonic crystal bells and much more…
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BPM to ms is a simple tool in which you can enter a BPM value, the tool will display a list of time value (in milliseconds) for a range of defined time intervalls, such as 1/3 or 1/2.
This is useful for delay units that dont have tempo-sync option.
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A VST version of the Soundlab Mini-Synth from ’Music From Outer Space’.
The Mini-Synth is a fairly simple DIY analog synthesizer. More information at musicfromouterspace.com.
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Silkworm is an easy to use “SuperSaw” style virtual analogue synth with built in gate sequencer and delay unit, plus powerful filter, modulation and dynamic controls.
Features:
* Choose from sine, saw, ramp, triangle and pulse waveforms.
* Control over thickness of sound and over spread in stereo image.
* Band limiting filter using two 12db filters in series for a very characteristic sound.
* Ping pong delay with filter built in.
* Separate LFO for vibrato (preset with adjustable aftertouch level).
* Assignable LFO for modulating filter, bandwidth, pulse width, volume and panning.
* Mono and poly modes (mono is not only good for producing great soaring leads but also helps save CPU cycles).
* Various play/dynamic controls.
* Simple but effective sequenced gating effect that can be synced to external (host) clock.
* Very easy to program and capable of more than just trance sounds.
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Kill Bill has a tune in its soundtrack by Ennio Morricone featuring a haunting and evocative whistling. This ’mini-synth’ is designed solely to re-create that sound - just add reverb. This shepherd likes to whistle while he works.
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Klanglabs Glitch is a MIDI triggered random delay FX. Glitch sends a random delay time value on every MIDI note input so you basically grab a MIDI channel and sequence time changes. You can also specify the times by MIDI note number instead of a random value.
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Its an easy to use pad synth for recreating the typical Tangerine Dream pads.
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An extended FM Synthesizer.
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An hybridsynth with an analog oscillator and a digital one.
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Note: This software is trialware - it is unrestricted, however, if you find it useful you are obliged to make a donation.
A MIDI and Audio sequencer with an emphasis on MIDI.
Features:
-sophisticated event routing and manipulation
-powerful MIDI editing environment
-interactive algorithmic composition tools
-perform time
-multiple takes per track
-simultaneous multi-track editing
-tool chaining
-unified MIDI controllers+VST automation
-multicore audio engine
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Three VCO Synth with many routing options and a fully programmable step sequncer synced to the bpm of the vst host application.
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Overview:
Input 1 can be routed through the ring modulator and mixed with input 2 (running through a basic delay) or mixed with the internal synth unit. You can also switch to input 2 or just hear the synth output, The unit really works best when using automation in Audiomulch.
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Overview:
Audio mixed with an oscilator and an lfo as well as ring modulation and quantiser all ready to be automated to death in Audiomulch, ideal for anyone into droning, throbbing electronic noise
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Overview:
Audio signals can be used to trigger the internal 4 oscilators that are routed through a filter, adsr and 2 lfo. It was an attempt to make something to generate melodic sounds and can make some nice stutters and drones
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The SE 202 is loosely based on the Roland MC 202.
Overview:
The Synth is available with an internal Sequencer or external, the internal version will run inside Audiomulch but cannot be synced to other machines but patterns can be recorded. However the external version should work with Cubase and others
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It features an audio input and a basic oscillator that can be routed through 2 LFO’s, random oscillator, X mod unit and a filter bank. Automation really brings it to life…
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Dudelizer is a clean amp-sim designed to bring out the characteristics of distortion plugins that you could use with it. It has 5 modes.
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Dudeosity is a clean amp sim plugin for either an electric guitar and a distortion plugin before it, or a clean acoustic.
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Slapmaster is an amp sim for the bass. It can produce heavy lows as well as accentuate midrangey slaps by using some extra band reject filters and multiplication.
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Substantial Amp is an amplifier simulator for the guitar. It has resonating filters, a harmonic eq, and a 3-stage resonating cabinet circuit. It is made for screaming riffs, not really for chords.
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A dual detuner and dual 8-step arpeggiator.
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PitchCity is an audio triggered arpeggiator designed for chorusing. There are 2 sequencers attached to pitch shifters, then into 2 more pitch shifters each with lfos.
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This is an audio triggered synth. The main feature is the tuning, you can technically select notes and fine tune, being monophonic it creates weird metallic tones.
Top right corner, is the signal to pulse train module, which sort of tames the sound, 3 modes there.
Top right ADSR is for the 1st oscillator’s filter, next one down is the volume. Modulation depth goes to the oscillator, pitch and resonance to the filter. Fine tune knob and note select create metallic qualities.
Next line down is the 2nd oscillator’s stuff. The choice dropdown box at the right chooses oscillator 1, 2, or both.
The mode dropdown boxes are the signal to pulsetrain modules, which helps tame it. Pos/Neg is usually good, they work alongside the 2 threshold knobs at the bottom, left one is 1st oscillator, right is 2nd.
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Noise Feather is an audio triggered synth.
Top left mode, is signal to pulse train module, just leave it at pos/neg.
1st oscillator is at the top, top ADSR is filter, next one down is volume. You can select octave, fine tune and individual note. Then just below octave is a choice of math equations, I took math modules and put in different parameters.
Below all that the 2nd oscillator starts, same situation but with different math stuff going on, and the octave selector mostly won’t change octaves, rather it just changes the sound, with the 2nd oscillator I find 1 or 2 works the best, while the top oscillator I normally use for -1 or -2 for a heavy sound.
Threshold is the dh mingate module, basically a noise gate. Left one is the 1st top oscillator, right is bottom.
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Plastic Guitarist is an audio-triggered synth designed for the guitar. It features 2 SoundFont oscillators, a delay, and an 8-step arpeggiator. It comes with an embedded 4-instrument SoundFonts.
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The Ghost is an audio-triggered synth VST effect designed for the guitar. It features 2 oscillators, a noise oscillator, and 2 arpeggiators. Each oscillator has a modify knob which intensifies the pulse width and unison level.
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Note: very crusty/glitchy, destroyed sound
is uses tons of clipping with a compressor and limiter.
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It remaps MIDI. Built to use with an Ion electronic drumset, however it can easily be programmed to work with any midi controller for any remapping use.
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I like coffee is a drum sampler that randomizes between samples. You can load either 2 or 4 samples per midi destination. There are 12 midi slots, and you can assign them to any midi key. No samples are included.
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This is an octaver for the guitar, it can rectify 1 to 4 octaves up, or 1 to 4 octaves down, and then through a section for regular input going through Badhead distortion module.
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A sweet, full-sounding reverb. The depth and stereo-ness makes it very suitable for realistic ambient soundscapes.
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A free VST effect plug-in that lets you place sound sources in a realistic 3D audio environment.
Features
* Full lateral placement as well as vertical movement
* Room modeling reverb
* Switch between headphone mode and speaker mode to obtain optimal results
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A warm-sounding 8-comb reverb effect, including parameters to entirely warp, mutate, and scratch the reverb.
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A hand-clap simulation vst.
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This plugin uses an original method of generating sound, which is based on dynamic oscillators–no more sine wave or saw wave only oscillators. Includes 2 Oscillators and a delay.
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Utilizing an entirely original method of oscillator manipulation (it’s not exactly FM synthesis, that was just the closest term I could find), you are able to drastically change the sound of this synth by simply adjusting a few controllers. Reported to be somewhat CPU hungry.
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A freeware VSTi synth with a retro sound.
Nostaljia will reproduce sounds like the on-board synthesizers old soundcards of the 90’s were equipped with. Prepare for some serious Adlib Soundcard tones! Reported to be a little buggy.
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Besides being a simple soundfont loader, this VSTi has some inventive features to add to the soundfonts as well as an arsenal of onboard effects.
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A VSTi which generates a suprising variety of audio synthesis with minimal controls.
It’s capable of a large gradient of smooth to harsh sounds, with detailed control over ADSR envelopes. Includes delay / lfo / and flanger.
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You can best think of tonespace as a different, more intuitive music keyboard, combined with a chorder.
It automatically generates chords to MIDI-out, while you move the mouse around in a grid-like space. It supports over 50 different grids, 14 scales, 18 keys, 30+ chord types and 15 chord voicings. Great for slow IDM chord pads. Or try the blues scale with your bass rythm track of choice for some sweet jamming.
Can also be used as a fun educational tool for anybody wishing to learn about scales, keys and chords.
Tonespace is a midi VSTi plug-in (Windows-only currently). When you play, it generates midi output. This output you can then feed into another instrument capable of turning midi into sound, like a synth plug-in. Or you could record the chord progressions you played to a midi track.
Important : you have to install the Microsoft .NET 2.0 framework runtime before tonespace can run.
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A freeware synth capable of producing lush pad textures. It is based on some simple physical modeling techniques.
Features
* Attack/Release controls
* Intensity and fullness of sound
* 8 Meta patches which can be stored
* Morph rate (in sec)
* Effects: Vibrato and Filter
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Touchpad 2 Midi is a free VST plugin for Windows that allows you to use the touchpad on your laptop as a midi controller.
The touchpad can be configured as:
* An XY pad
* 4 sliders
* 4 Buttons
At the moment only Synaptics touchpads are supported
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Note: The free version is limited to 2 controllers
Tablet 2 MIDI is a standalone windows application that allow you to use your graphics tablet / tablet PC / digitizer as a set of MIDI controllers. You can add a virtually unlimited number of controllers, by defining areas of the tablet surface as buttons, sliders or XY-pads. Controllers can be layered for even more customization.
You define controllers either with the mouse or with the tablet pen.
Using the pen you can digitize any hand drawn controller layout, in other words: add midi output to a piece of paper.
If you prefer drawing with the mouse, you can use a simple right click menu to quickly add a controller
Controllers can be moved, resized and copied. Finally the whole layout can be printed
By having a paper copy of the layout directly on the tablet surface you can move controllers simply by pointing on the tablet and moving the pen. This means you can avoid Looking at the screen - just like when using any hardware midi-controller.
If your tablet supports pressure, tilt and rotation you get a total of 7 parameters that can be mapped to any MIDI Continous Controller or note.
The classis example of usage is to play a theramin VSTi: you can control both pitch, amplitude and filter simultaniously. Textures / drones and pads are handy to control with XY pads too. I’ve had great luck controlling string based pads using the tablet as a virtual “bow”
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Midi files browser with drag & drop.
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A plugin to facilitate making Ultradia-based brainwave entrainments for mixing into music.
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Videovst is a freeware VST plugin for playing back MPEG1 movie files in time-sync with your favourite audio host - for use in Video, Film and TV scoring-scenarios, as well as others - currently it is only for Win9x/NT/2k/XP.
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VstNotes is a free VST notepad plugin with unlimited number of lines, several fonts and fontsizes etc.
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The classic use for studioCLOCK is to tell the time. To change the colour, click on the screen. to Toggle the waveform display, press the blue led (bottom left) and to change the colour of the waveform use the red, green and blue knobs (x2) top right [only visible when waveform active]
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Music Studio Producer is free MIDI sequencer, DAW which can host VST(i), supports ASIO. Music Studio Producer has a great number of functions for every music scene, such as composition, arrangement, recording, mixing and mastering.
You can create music with various ways such as real-time recording, step recording and editing with just using a mouse. You can edit music just as you want by using four kinds of windows ; Track, Piano Roll, Score Roll, Event List and Mixer.
Features
MIDI
-Change playback speed
-Loop play
-Solo and mute
-Real-time recording
-Step recording
-Recording in a piano roll and a score roll by using a mouse
-Step recording in the event list
-Quantize
-Create control curves
-Tempo, Meter and Key track
-Instrument list
-Insert event to initialise track
-Detailed midi data display
-Input quantize
-Software keyboard
-Change velocity and key
Audio
-Auto punch out
-Internal Routing
-Offline mix
-Non destructive editing
-Edit time as a measure
-Various realtime effects
-256 phases of volume
-Invert phase
-8 stereo busses
-32bit audio processing
-192kHz, 24bit
-Audio Effect Plug-In
-Audio spectrum
-Signal and level meter
-Synchronize with MIDI
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Babya Logic is an innovative and powerful suite of pro-quality audio production software, which includes Babya Logic, an 8-track MIDI sequencer that enables users to create and score their own music using a variety of pro-quality applications. Also includes Babya Jam Pack: studio tools, Babya MicroKit, and UltraSynth. Other features include: Babya ESE (Funk and techno sounds of the 1980’s can be recreated with Babya ESE-a beep based synthesizer with a custom music generator application included.), and Babya UltraSynth (generate quirky and intriguing sounds with this DirectX based synth). Guitar Amp Pro is also included–use it to create & tune sweet custom guitar chords from arena to funk, live or in studio and control MIDI instruments.
- Bass (23)
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- Flute (5)
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