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Latest Music Software News

  1. Rob Papen Updates Predator
    14 Mar 2010, 11:24 pm

    Rob Papen has updated the Windows version of Predator to v1.5.8.


  2. Togu Audio Line Windows 64-bit Versions
    14 Mar 2010, 11:09 pm

    Togu Audio Line has released Windows 64-bit versions of many of its free plug-ins.


  3. Freak Show Enterprises JambaLaya
    14 Mar 2010, 11:07 pm

    Freak Show Enterprises has updated JambaLaya to v1.3.1.


  4. Iliadis Updates Efthimia
    14 Mar 2010, 11:06 pm

    Iliadis has updated Efthimia Electronic Organ to v1.4.


  5. Universal Audio Precision Enhancer Hz
    14 Mar 2010, 10:48 pm

    The Precision Enhancer Hz is designed to allow the user to selectively add upper harmonics to bass fundamentals, sometimes referred to as “phantom bass”.


  6. Universal Audio Manley Massive Passive EQs
    14 Mar 2010, 10:35 pm

    Universal Audios UAD Powered Plug-In versions of the Manley Massive Passive EQs represent UAs most ambitious and detailed EQ model to date, the company says.


  7. SONiVOX Eighty Eight – Grand Piano
    13 Mar 2010, 12:51 pm

    SONiVOX announced the release of their Grand Piano Virtual Instrument, Eighty Eight, conceived and designed as a virtual embodiment of a Steinway CD 327 grand.


  8. Music Notation on Word
    13 Mar 2010, 12:40 pm

    musicnotationformsword.com announced the release of Music Notation for MS Word, a music notation editing product that allows musicians to embed, edit and publish music notation in Microsoft Word envir. […]


  9. LePou Plugins LeGion
    13 Mar 2010, 12:32 pm

    LePou Plugins has released LeGion, a free high gain preamp simulator VST effect plug-in for Windows.


  10. zplane Elastique Pitch Plugin
    13 Mar 2010, 12:17 pm

    zplane has announced that a new version of the Elastique Pitch Plugin is available for download.



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EFM

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ZA-Media

A new Compressor from 7AIR. Beautifully designed with analogue VU meters and dimpled metal background. Designed specifically for tracking though it can be used in the master bus chain. I primarily use this for drums, guitar and vocals, though it can be used for pretty much anything you throw at it, curbing some high frequencies on synths and pads for example. Tested and working on Windows 7 64bit and Windows Vista SP2 32bit

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Lower Rhythm

Abyss is a very simple synthesizer effect intended to be inserted on your bass drum channel. While allowing the original signal to come through untouched, it adds a secondary layer of tunable, low end bass synth. This is a very easy way to add controlled low end to your bass drum without obliterating it with an equalizer.

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Lower Rhythm

Designed with electric pianos, strings and pads in mind, Equivibe is a hybrid of an EQ and a vibrato effect. After splitting your input into 9 bands, those relative frequencies are then individually modulated by their own dedicated oscillator — which is, in turn, modulated by an additional oscillator.

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Lower Rhythm

This stereo modulation effect is designed to create ringmoddy-chorusy-glitchy layers underneath your favorite synthesizer.

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Lower Rhythm

The B-400 is a simple, yet robust synthesizer that provides a myriad of minor tonal variations to a core sound that falls somewhere in between an electronic piano and a basic poly- synth. This VST utilizes three oscillators (with 32 waveforms each) as well as a leslie / vibrato style flutter engine output as well as two other main output channels; one being a simple clean out, and the other a tube simulator with a 3-Band EQ. Each oscillator is able to be coarse tuned. Special thanks goes to Etric Van Mayer for his excellent Oscil8R SE oscillator module.

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Lower Rhythm

Mindrot is an experimental synthesizer that primarily creates its sound by modulating an envelope generator. After that things start to get hazy: 14 faders, 13 buttons and 4 knobs of pure, unlabeled, modulation chaos.

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Lower Rhythm

Based around Etric Van Mayer’s LifeForce Sequencer, this auto-synth allows you to create, load, save and run patterns designed within the rules of John Conway’s Game Of Life. The output is fed into three robust operators and then strung through a handful of effects (distortion, bit crushing, modulation, feedback modulation, etc.). The result is a pattern-based, rhythmic droning synthesizer with immense possibilities for tone variation.

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